《走出死亡陷阱》通过一个小山村的少数“法轮功”痴迷者因拒医拒药，甚至为追求“圆满”而舍弃生命，造成家庭悲剧的故事，反映了女大学生雪儿为改变家乡缺医少药状况，与邪教势力斗争的矛盾冲突，揭示了正义与邪恶的较量、科学与愚昧的斗争，揭露了“法轮功”“真善忍”的欺骗性和残害生命、破坏家庭、背离社会的行径。

蕾娜在震惊全国的军人自杀新闻下面的留言引起诸多网民的愤怒，一瞬间成为话题人物。警察志愿生智雄（卞耀汉）和勇民（李柱承）参与了网络直播的现P远程队…

该片讲述的是准备警察考试的“志雄”和“勇民”参加了一场SNS上组织的“魔女狩猎”活动，追查到在网上恶性留言的女孩的真实身份，并用实时网络直播的方式前往女孩家中，却没想到女孩已经死在家里，而且不知道是自杀还是他杀。“志雄”受到怀疑，前途不明，不得不开始追查事件幕后真相。

在极度寒冷的所在，一粉一绿两个小人展开拼命搏杀。粉人从高高的悬崖上方跳入大海，随后以极快的速度向另一块陆地的绿人攻打过来。绿人不甘示弱，在手中形成了能量波还以颜色。双方你来我往，战况激烈，硕大的岩石如同豆腐一般被炸得粉碎，超高的热量几乎将大海煮沸。在一连串密不透风的强势打击下，粉人几乎没有任何还手之力。灾难般的战斗并未就此结束，几乎毫发无伤的粉人从废墟中站起，并以更胜一筹的实力对绿人施以压倒性的打击。 　　没有任何理由，两个不知名的战士在荒野展开殊死搏杀……

马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

For 25-year-old Sebastian it is all about surface and appearance. Life is full of party, money and one-night stands. He has never challenged himself, whether it be his dream of a music career or maybe, especially true love. When everything is at its best in his superficial life he has an accident that leads to him becoming blind. A whole world closes, or rather opens up. When he sees everything in black, he meets Mia, a personal assistant. A girl he normally would not pay any attention to. She becomes the first to successfully open his eyes to what is important in life. But when Sebastian discovers that Mia is not who he expected superficiality gets an entirely different meaning. EGO is a romantic comedy drama about vanity, love, sex, and that things are not always as they seems.

一个住在森林中的残忍的杀手听到脑海中声音，被吸引到湍急河流的岸边。他被无形的力量冲到猪场附近的一个小磨坊。在那里，他看见他的另一个自我（一个女人）在磨坊干活。她跟他一样也拥有杀戮欲。两人联手将对没有戒备的村民展开一场血腥的大屠杀……

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.