尽管不情不愿，但还是受托就职于市役所福祉课的牧野聪美（桥本爱），突然有一天，她将受命接手社会工作者的工作，直面接受公共救助的人群。看着聪美忐忑不安，经验丰富的山川鼓励聪美，说这是一份很有意义的工作。于是聪美怀着满心的迷茫，与同事小野寺淳一（增田贵久）一起与接受公共救助的人群打交道。但几日后，一套公寓失火，公寓内发现山川被杀，横尸在火灾现场。那个被公共救助者喜爱的山川为什么被杀？周围的人也开始产生疑虑，认为山川可能和什么违法勾当有关。聪美和小野寺被卷入了笼罩着城市的违法阴影和围绕着公共救助的各式各样的人的人生轨迹中。

桥本爱在剧中饰演主人公牧野聪美，是市役所的新人嘱托职员，在福利课工作，一位社会福利机关老调查员山川被烧死，牵扯出当地福利、市政府和医疗等机构的…

The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

某天，米奇（沃尔特·迪斯尼 Walt Disney 配音）和伙伴们筹划了一个孤儿慈善晚会，他们邀请城中的孤儿们来到剧场观看演出，小家伙们在演出开始前便大闹会场，把这里弄得乱七八糟，却乐在其中。稍候演出开始，首先上台演出的是唐老鸭（克拉伦斯·纳什 Clarence Nash 配音），他接连唱了两首歌曲，可是没多久便引来阵阵嘘声，唐老鸭气愤不已，最终被小孤儿们赶下台去。下一个上场的是古菲（品托·考维格 Pinto Colvig 配音）等人表演的滑稽剧，他们可笑的表演引来小家伙们阵阵欢呼声。幕间休息，忿忿不平的唐老鸭再次冲上台，结构饱受戏弄。下一个节目，米奇弹琴，克劳拉（弗劳伦斯·吉尔 Florence Gill 配音）演唱。 　　精彩的演出一个接着一个，给孩子们带来无上的欢乐……

The mice orphans arrive at a theater for a free show entitled "Mickey's Big Show: Orphan's Benefit." As they file into the building they are given free lolly pops, ice cream, and balloons by Mickey and Minnie from the box office. 　　Donald Duck begins the show by reciting "Mary Had a Little Lamb", dancing "Sailor's Hornpipe", and reciting "Little Boy Blue." But when he says "come blow your horn," an orphan blows his nose and Donald gets frustrated. Mickey encourages him to continue, but the second time all the orphans blow their noses. Donald's temper flairs and he challenges them to fight, but is forcibly removed from stage. 　　The next performance is Goofy, Horace Horsecollar, and Clarabelle Cow performing an acrobatic dance. 　　After this, Donald returns to have his revenge by reciting "Little Boy Blue" and blowing his own horn before the orphans can respond. While he is laughing, the orphans throw their ice cream at him provoking him further. As Donald challenges them to fight again the orphans punch him with boxing gloves almost knocking him out. Donald is again removed from stage. 　　Mickey then introduces the "Barnyard Nightingale," Clara Cluck, who sings a clucking aria accompanied by Mickey on piano. She is also harassed by the orphans, but seems to be unaware of it. 　　Finally Donald returns to the stage one last time and quickly recites one line – "Little Boy Blue, come blow your horn" – and waits for the orphans to interrupt him. Yet as they seem well-behaved this time, Donald continues the recitation. But when he says "Where is that boy who looks after the sheep?" the orphans answer in unison "Under the haystack fast asleep, you dope." This angers Donald all the more, yet while he challenges the orphans to fight again, they tie bricks and other heavy objects onto their balloons, float them over his head, and pop the balloons with their slingshots unleashing a barrage which culminates in a box of raw eggs. When it's all over Donald finally accepts defeat and exclaims "Aw, nuts!"

Oscar®-winning filmmakers Deborah Oppenheimer and Mark Jonathan Harris (Into the Arms of Strangers: Stories of the Kindertransport) reunite for a revealing first-hand look at the foster care system as seen through the eyes of those who know it best. With extraordinary access to the inner workings of the Los Angeles County Department of Children and Family Services (DCFS), Oppenheimer and Harris go beyond the sensational headlines and stereotypes to take an unprecedented look at an often misunderstood world and upend some of the most enduring myths about foster care and those involved in the system.

Oscar®-winning filmmakers Deborah Oppenheimer and Mark Jonathan Harris (Into the Arms of Strangers: Stories of the Kindertransport) reunite for a revealing first-hand look at the foster care system as seen through the eyes of those who know it best. With extraordinary access to the inner workings of the Los Angeles County Department of Children and Family Services (DCFS), Oppenheimer and Harris go beyond the sensational headlines and stereotypes to take an unprecedented look at an often misunderstood world and upend some of the most enduring myths about foster care and those involved in the system.

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