美国，一个淘金的梦。这是一个经典的、关于北京人在纽约奋斗与挣扎的生存故事。东西文化的碰撞引起的不只是疼痛、无助与彷徨。在家庭的分解与重组中，在婚外情的发生和发展中，在移民子女的教育及两代人的观念冲突中，这群怀着美国梦的北京人，事业与情感发生着巨大的变化。这是第一部全面描写赴美移民浪潮中北京人的故事。北京音乐家王起明与妻子郭燕，怀着对美好生活的渴望。终于来到了神往以久的美国。然而，一切并不完全象他们想象中的一样美好。通过奋斗，王起明终于成为一位富翁，但却付出了巨大代价。妻子郭燕成为外国商人大卫的妻子崦大卫却是王起明最大的竞争对手，情感与来在复杂而微妙的冲突中发展，王起明也找到了聪慧美貌的红颜知已阿春，但是矛看并不能得以很好的解决，女儿宁宁的到来，又在几个人的生活中掀起轩然大波。宁宁不能理解父亲王起明与母亲郭燕，更不能接受阿春。处身于美国的社会环境，她变得任性和反叛，以放纵自己的方式表达对父母的怨恨。

美国对大多数中国人来讲是一个遥远陌生的国度，来自大洋彼岸的消息也不相同，有人说那里是天堂，有人说那里是地狱。大提琴家王起明和妻子郭燕从肯尼迪机场下机伊始就陷入了一种可怕的幻灭感中，为了谋生，王起明进餐馆打工，郭燕去工厂干活。在严酷的现实面前，他们放弃了同甘共苦的初衷，走上了一条充满竞争，心酸，冷漠的人生之路。 王起明暴发有了钱，郭燕找到新的家，但都没有因此获得幸福安宁，在新的生活波折中，王起明大起大落一贫如洗，郭燕被逐出家门流落街头，他们的女儿也要离家出走。 自由女神依然冷傲注视着来自世界各地的人们涌入纽约淘金寻梦，又有一批中国人走出肯尼迪机场，望着他们兴奋的面孔，王起明百感交集……

影片讲述了讲述英国作家Quentin Crisp在纽约度过的晚年生活。

影片讲述了讲述英国作家Quentin Crisp在纽约度过的晚年生活。

约翰列侬在纽约，最后10年，光辉下的真实面目，此片让你更完整地了解列侬。

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

两个加利西亚的年轻人在纽约度过周末，然而旅行中的一些事情改变了他们的生活。于是，他们与从前的自己大不相同。

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.