事情还从一间珠宝行被偷说起，警方很快就锁定嫌疑人--骑着单车，头戴白头巾的男子。然随着追查，发现嫌疑人数逐渐增加，这一切的一切，貌似都与一名叫伊克巴尔的人有关...。

伊克巴尔（Iqbal）是一位农民的聋哑儿子，他热爱板球运动，于是寻求一位失意的、酗酒的前球员的指导。

伊克巴尔和西尔是最好的朋友，一直住在隔壁。他们的街道必须经过城市改造和书架。因为这个建设项目实际上是一个幌子，目的是为了得到他们在布拉加德斯加德地下发现的石油。伊克巴尔和西尔现在必须与坏人战斗，并得到钱买回他们的建筑，这样他们就不必离开彼此。当Iqbal发现了一个具有神奇能量的芯片时，孩子们设法说服Easelman和猪去买这个芯片，这样他们就可以收回他们的建筑了。但是坏人欺骗了孩子们，现在伊克巴尔、西尔和在布拉加德加德的大人们必须尽一切努力找回芯片，揭露坏人的秘密计划。

13岁的伊克巴尔是一个迷人的、富有想象力的、有趣的男孩，按照他父亲的说法，如果一个人想在这个世界上取得成功，这是不够的。但当伊克巴尔、他11岁的弟弟塔里克(Tariq)和他们的朋友西尔(Sille)不小心炸毁了他们的学校时，他的父亲是他最轻微的问题。这两个骗子，Easelman和The Swine，想要得到这个随机自制的炸药，炸毁Tivoli，建造斯堪的纳维亚最大的停车场。为了勒索孩子们的食谱，两个骗子绑架了可爱的小弟弟Dindua(6年)。解救丹多亚和拯救蒂沃利的行动开始了——这需要合作、勇气和大量富有想象力的想法，伊克巴尔是这方面的专家。

贫穷的小村庄裡，有一个叫伊克巴尔的小男孩，家裡面住著兄弟和母亲。為了给家裡人凑钱治病，他决定到城裡的菜市场卖掉心爱的山羊，一个医生把药卖给了了小男孩，但是作為回报，他要在医生朋友的地毯工厂裡上班。小男孩独特的设计和刺绣能力被医生的朋友发现，因此被迫加入一个珍贵地毯的製作。在漫长的奴役生活中，他开始计划带著小伙伴们逃离魔爪。

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

沃尔克·施隆多夫将贝尔托·布莱希特的表现主义晚期作品移植到了1969年的现代背景中。诗人兼无政府主义者巴尔住在阁楼里，向出租车司机朗诵他的诗歌。巴尔起初受到资产阶级社会的追捧，后来遭到排斥，他在森林中徘徊，沿着高速公路游荡，对烈酒、香烟、女人和男人都有着强烈的欲望：“你得放出那头野兽，让它沐浴在阳光下……”

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

Having just become a father himself, master thief Robert returns to his parents, whose simple firm near the coast he left silently years ago, having been an out-of-control brat. Mother Svea's unconditional welcome is balanced by father Heinrich's understandable doubts. To both's horror, having proudly unveiled his criminal profession, he sets off to face his godfather, arrogant local count Gustav. Rather than immediately ordering his execution. Gustaf sets the boaster a triple challenge, which he accepts: he must steal the best horse from the court stables despite guards; next, from the count's bedroom the sheets and a wedding ring; finally, the curate and sexton from the dilapidated parish church.