Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

Ideya Garanina's “Crane Feathers” (1977) based on a Japanese fairy-tale is another stunningly poetic work of art using stop motion armature animation.

黑道弟弟突然死亡，其同居女友文英离奇失踪，已金盆洗手的哥哥民泰追查真相，竟发现一本畅销小说早已预言弟弟之！弟弟所属的帮派及警察相继介入，所有线索如故事走向般皆指向文英，更发现文英与小说家似乎有所联系.…..多方势力调查演变成追逐角力，民泰满腔怒火、无惧一切，誓要找出真凶为弟弟复仇！《与神同行》影帝河正宇与《热血司祭》金南佶再度交锋，干净利落的暴力美学，让鲜血与悲愤一并喷发。韩国年度动作犯罪钜献，勇夺单日开画票房冠军。

Joyside 乐队巡演纪录片

Father Michael, a Catholic priest presiding over a Northern urban parish who is Modern, maverick, and reassuringly flawed; must be confidante, counselor and confessor to a congregation struggling to reconcile its beliefs with the challenges of daily life.