文革后期，随着大批老干部落实政策，王公伯（高博 饰）也从“牛棚”中被解放出来，参与到一件陈年疑案的侦破中。1967年，造反派徐润成（滕进贤 饰）、杨大榕（陈述 饰）等人毒死市委书记陆青（雷仲谦 饰）的秘书，转而嫁祸陆青，乘机夺了市委领导权。白舜（富恒智 饰）无意间得知了事情原委，写信告发，却被徐润成投入冤狱数年。王公伯调查了此案的知情人——白舜的妻子林芳（王若荔 饰），并找到当年的原告人杨琼（姜黎黎 饰），通过细致的思想工作，杨琼终于供出了当年白舜被屈打成招的事实。徐润成等人拼命干扰王公伯的破案工作，最后竟使出杀人灭口的恶招......

文革后期，随着大批老干部落实政策，王公伯（高博 饰）也从“牛棚”中被解放出来，参与到一件陈年疑案的侦破中。1967年，造反派徐润成（滕进贤 饰）、杨大榕（陈述 饰）等人毒死市委书记陆青（雷仲谦 饰）的秘书，转而嫁祸陆青，乘机夺了市委领导权。白舜（富恒智 饰）无意间得知了事情原委，写信告发，却被徐润成投入冤狱数年。王公伯调查了此案的知情人——白舜的妻子林芳（王若荔 饰），并找到当年的原告人杨琼（姜黎黎 饰），通过细致的思想工作，杨琼终于供出了当年白舜被屈打成招的事实。徐润成等人拼命干扰王公伯的破案工作，最后竟使出杀人灭口的恶招......

景山经济开发区副总指挥马其鸣突然被景山市委任命为下辖林河市的市委政法委书记，并被要求尽快上任。然而，他乘坐的轿车刚刚驶进林河市境内不久，就被一位叫苏紫的少妇拦截。她哭诉丈夫陶实不明不白地死在看守所，凶手童小牛却逍遥法外。女记者季小菲急于想知道苏紫拦车的结局，却被父亲老季反锁在家中。市公安局防暴大队长胡权礼向正在市内迎候马其鸣的常务副局长吴达功报告马其鸣未接苏紫的状子，这让吴达功长舒一口气。林河市公安局副局长李春江和刑警大队长曾浩一起抓捕从看守所逃跑的了解陶实案内幕的朱旺子。可是，杀手独狼抢先一步惊跑了朱旺子。百山集团董事长童百山得知朱旺子再次逃跑，勃然大怒。深夜，一把匕首从黑暗中飞向李春江家的窗户。

景山市经济开发区副总指挥马其鸣政绩斐然，却被景山地委突然调任林河市政法委书记。然而，去林河途中，马其鸣遭到苏紫的拦截，请求他查明自己的丈夫——出租车司机陶实死亡的真相。与此同时，黑恶势力派出杀手，欲置苏紫于死地。马其鸣一反常态，隐忍而又暧昧地悄然绕行。市公安局副局长李春江、报社记者季小菲等人异常失望和不满，却令以当地支柱企业百山集团公司董事长童百山和公安局常务副局长吴达功为代表的黑恶势力和腐败分子暗自得意。平静背后，马其鸣暗中秘密调查。面对巨大的压力、错综复杂的局面，在景山地委和林河市委的支持下，马其鸣等人彻底挫败了童百山等人的阴谋，令陶实案的真相大白于天下。马其鸣终于完成了铲除林河黑恶势力和腐败毒瘤的庄严使命。

该剧改编自人气网漫《神圣的偶像》，讲述了异世界的神Lembrary附身于现世的无名爱豆禹延宇身体后发生的幻想罗曼史电视剧。

一座小乡村，田地里插着一个怪模怪样的稻草人。大胡子的胖爷爷和脑袋上有一道伤疤的孙子在田野里玩耍，无忧无虑。夜幕降临，他们的小屋亮起温暖的灯光。老奶奶端来一盘美食，随后走到窗前放响留声机，同时抚摸自己和老头子年轻时候的照片。另一边厢，老爷爷沉沉进入梦乡，而少年则不小心打破了手中的盘子。次日，爷孙俩跑到森林中玩耍，快乐的时光仿佛没有穷尽，但又实实在在转瞬即逝。夜晚，爷也照常抱着孙子坐在椅子上睡觉，少年第二天也如往常一样拉爷爷的胡子，可是这一次爷爷再也没有醒来。 　　生命就是这样无常，快乐刹那离这个小男孩远去……

一座小乡村，田地里插着一个怪模怪样的稻草人。大胡子的胖爷爷和脑袋上有一道伤疤的孙子在田野里玩耍，无忧无虑。夜幕降临，他们的小屋亮起温暖的灯光。老奶奶端来一盘美食，随后走到窗前放响留声机，同时抚摸自己和老头子年轻时候的照片。另一边厢，老爷爷沉沉进入梦乡，而少年则不小心打破了手中的盘子。次日，爷孙俩跑到森林中玩耍，快乐的时光仿佛没有穷尽，但又实实在在转瞬即逝。夜晚，爷也照常抱着孙子坐在椅子上睡觉，少年第二天也如往常一样拉爷爷的胡子，可是这一次爷爷再也没有醒来。 　　生命就是这样无常，快乐刹那离这个小男孩远去……

莫莉和汤姆认为他们死去的儿子并不平静，于是请一位媒体联系。但是，当他们邀请一个复仇的恶魔越过，这对夫妇必须寻求一个耻辱的牧师的帮助，试图一个危险的驱魔。

Phaedra desires her stepson Hippolytus. He rejects her and she tries to kill herself. When Theseus, Hippolytus' father, comes home after work, he faces a big dilemma: who is telling the truth, Hippolytus or Phaedra?

Fernando Arrabal编剧和主演的超现实电影。 　　Casanova lives in the suburbs with his mother. He has grown up without ever ceasing to be a child over whom she watches jealously. He is nothing without her, yet he dreams of leaving home and meeting women. They loathe and adore each other. Every day he goes to the Gare Saint-Lazare, often taking with him a wicker trunk containing a rubber dummy which he sends off to some distant country. In this way he sends the doll on the journey he dreams of making himself. One day a coincidence brings him into contact with a woman. A thief is being chased, and a woman speaks to him. A street photographer takes their picture. They part, but Casanova is happy, and in the evening when his mother clearly senses that something has happened to him he shows her the ticket for the photo, just to taunt her: yes, he knows a woman. Her name is Syl. What he does not know is that Syl too has been waiting for him. She has a rich lover, but she does not love him and she dreams of something more exciting, just as Casanova does. Behind his shyness and aggressiveness she senses a disturbing quality in the young man which attracts her. If he is a dangerous sadist, even a potential murderer, so much the better. She follows him into a shop basement to give herself to him, and there, amid a mass of flowers, a savage struggle takes place; they seize each other, then reject each other, fight furiously... The mother has com to Paris in search of the photograph. When she sees her son with a woman she cannot contain her fury and she goes to the police and accuses him of killing women and putting their bodies in trunks. She gives details. The police promise to make inquiries. Syl follows Casanova back to his suburb. He wants to flee, but she pursues him, and they meet at a garbage dump near a motorway. She crawls to his feet, he goes to push her away but then undresses her. She has to submit completely to him, to accept everything he does to her; she is forced to cross the motorway naked, as the cars pile into each other. He throws her down in the mud, covers her unconscious body with her clothes and goes back to his mother and his childhood home. He returns to his attic full of dolls. His mother is waiting for him, full of love and hatred, but he has nothing to say to her; he is waiting for Syl. One of the dummies looks like her, and in a bust of schizophrenic frenzy he possesses and then smashes it. At last when Syl returns, they are bound together in the Great Ceremony. The room becomes a place of magic, the cupboards open to reveal every instrument of love and torture... Outside the door, the mother screams in terror. After burning the dolls, Casanova drags Syl out to the car. They are going away for ever. ... At an abandoned farm, a happy Syl is busy putting life back into the ruins. She is teaching Casanova how to be gentle, and how to be strong. She is teaching him to be happy. 　　Based on love, violence, and eroticism taken at their most horrifying extremes, the theater of Arrabal is a permanent demonstration of the state of our inner minds with their tangle of sadism, masochism, frustration and repressed hatred.