Gordon Buchanan travels to the remote Canadian Arctic in search of wolves that have never seen people.

Gordon Buchanan travels to the remote Canadian Arctic in search of wolves that have never seen people.

Quote: 　　This visually stunning Kazakh movie tells a tragic tale of absent and misplaced compassion. A young orphan rescues an orphaned wolf cub and lavishes considerable affection on it. His uncle, believing that this “softness” will result in the boy’s being unable to endure the rigors of life on the Kazakh steppes, savagely beats the cub in front of the boy. By the time the grown wolf is released into the wild, it has grown extremely ferocious and it returns and attacks the boy, perhaps because it perceives him as being weak, just as the boy’s uncle did. ~ Clarke Fountain, Rovi 　　Quote: 　　When Tolomush Okeev passed away at the age of 66 in late 2001, the Kirghiz Film Studio was renamed in his honor. Which is as it should be, because he was a powerfully gifted and dedicated artist who served his country and its film industry well. Okeev was one of the greatest outdoor filmmakers who ever lived: he deserves a place alongside Jean Epstein and Terrence Malick. Anyone can set up a camera in front of a mountaintop and get a majestic image. But Okeev filmed the Kirghiz mountains and deserts with an intimate knowledge and the keenest sensitivity. The action in his films is always keyed to the landscape in a way that appears effortless, no matter how painstakingly wrought: he knows every crack, every crevice, all the cruelty and all the beauty of a life lived under the open sky. This 1973 film, written by Andrei Konchalovsky, may well be Okeev’s masterpiece. It’s the story of a boy who raises a wolf cub, and learns quickly about savagery of the animal and human variety. No one beside Bresson has understood the essential character of an animal so well. And there are sequences here – a pack of wolves raiding a herd of sheep by night, a wolf hunt on horseback, and the snowscapes of the last section of the movie – that will make your hair stand on end. Warning: the films contains explicit scenes of violence to animals. 　　Source : www.seagullfilms.com

Quote: 　　This visually stunning Kazakh movie tells a tragic tale of absent and misplaced compassion. A young orphan rescues an orphaned wolf cub and lavishes considerable affection on it. His uncle, believing that this “softness” will result in the boy’s being unable to endure the rigors of life on the Kazakh steppes, savagely beats the cub in front of the boy. By the time the grown wolf is released into the wild, it has grown extremely ferocious and it returns and attacks the boy, perhaps because it perceives him as being weak, just as the boy’s uncle did. ~ Clarke Fountain, Rovi 　　Quote: 　　When Tolomush Okeev passed away at the age of 66 in late 2001, the Kirghiz Film Studio was renamed in his honor. Which is as it should be, because he was a powerfully gifted and dedicated artist who served his country and its film industry well. Okeev was one of the greatest outdoor filmmakers who ever lived: he deserves a place alongside Jean Epstein and Terrence Malick. Anyone can set up a camera in front of a mountaintop and get a majestic image. But Okeev filmed the Kirghiz mountains and deserts with an intimate knowledge and the keenest sensitivity. The action in his films is always keyed to the landscape in a way that appears effortless, no matter how painstakingly wrought: he knows every crack, every crevice, all the cruelty and all the beauty of a life lived under the open sky. This 1973 film, written by Andrei Konchalovsky, may well be Okeev’s masterpiece. It’s the story of a boy who raises a wolf cub, and learns quickly about savagery of the animal and human variety. No one beside Bresson has understood the essential character of an animal so well. And there are sequences here – a pack of wolves raiding a herd of sheep by night, a wolf hunt on horseback, and the snowscapes of the last section of the movie – that will make your hair stand on end. Warning: the films contains explicit scenes of violence to animals. 　　Source : www.seagullfilms.com

1999年にテレビシリーズ企画用として制作した約20分のパイロットフィルム。「バンパイヤン・キッズ」DVD Vol.1に映像特典として収録予定です。 　　あらすじ 　　小学4年生の男の子・虹（コー）くんは、霧に迷ってたどり着いた洋館で、スーちゃんという女の子に出会う。虹くんをもてなすスーちゃんとそのパパ。虹くんの前には数々のごちそうが並べられる。パパは、「私たちはベジタリアンなので、肉は食べないのだ」という。が、パパはスーちゃんのすきをうかがっては虹くんを食べようとする。邪魔をしないで、と怒るスーちゃん。 　　そこにバンパイヤハンターと名乗る男が乱入してくる。バンパイヤハンターは2人を追いかけまわすが、パパとスーちゃんは、バンパイヤハンターが一瞬気をそらしたすきに、コウモリに姿を変えて逃げ出す。バンパイヤハンターも秘密の道具を使って2人の後を追う。 　　追い詰められたスーちゃんとパパの元にたどりつく虹くん。バンパイヤハンターはパパを聖水爆弾でドロドロにし、また建物も溶かしはじめてしまうのだが……。

1999年にテレビシリーズ企画用として制作した約20分のパイロットフィルム。「バンパイヤン・キッズ」DVD Vol.1に映像特典として収録予定です。 　　あらすじ 　　小学4年生の男の子・虹（コー）くんは、霧に迷ってたどり着いた洋館で、スーちゃんという女の子に出会う。虹くんをもてなすスーちゃんとそのパパ。虹くんの前には数々のごちそうが並べられる。パパは、「私たちはベジタリアンなので、肉は食べないのだ」という。が、パパはスーちゃんのすきをうかがっては虹くんを食べようとする。邪魔をしないで、と怒るスーちゃん。 　　そこにバンパイヤハンターと名乗る男が乱入してくる。バンパイヤハンターは2人を追いかけまわすが、パパとスーちゃんは、バンパイヤハンターが一瞬気をそらしたすきに、コウモリに姿を変えて逃げ出す。バンパイヤハンターも秘密の道具を使って2人の後を追う。 　　追い詰められたスーちゃんとパパの元にたどりつく虹くん。バンパイヤハンターはパパを聖水爆弾でドロドロにし、また建物も溶かしはじめてしまうのだが……。

摄影师戈登·布坎南想要探寻关于北极狼的更多故事。北极狼是一种难以捉摸而又可怖的著名掠食者。这些感人的影片跟随戈登的脚步，他试图获得一帮野生狼群及它们的三头幼崽的信任，史无前例地揭示出这种超乎寻常的动物的本性。从野狼“露娜”三头娇弱的幼崽从她的巢穴中出现的戏剧性的一刻，直到戈登试图被狼群所接纳，影片记录了在加拿大北极的荒野中一整年的欢笑、感动与传奇。

《双面神探 双雨师徒篇》是《双面神探》的会员衍生精编版，讲述了该剧新人警察和警局破案高手组成逗趣师徒，两人关系从乌龙误会到默契十足，联手侦破连环悬案的故事。

九尾狐家族，现在他们的千年之梦即将实现？！爸爸虽然很爱家人但是有点傻乎乎、大女儿有着性感的外表、儿子有些单纯无知、老幺虽然可爱但是她的心里无人…