唐三成神后数年，妻子小舞怀有身孕。因执法理念与毁灭之神不合，遭遇政变。神界大肆扩张却不知一场时空浩劫将至，失去神力的唐三要如何守护家庭与挚爱，力挽狂澜？

唐三成神后数年，妻子小舞怀有身孕。因执法理念与毁灭之神不合，遭遇政变。神界大肆扩张却不知一场时空浩劫将至，失去神力的唐三要如何守护家庭与挚爱，力挽狂澜？

距唐门一万年后，神界在以海神唐三为首的执法者治理下看似安静祥和，实则暗流涌动，毁灭一系邪神不满唐三统治已久，他们在密谋着一场叛乱，与此同时，海神唐三预言的万年大劫悄然而至……

《斗罗大陆》《斗罗大陆2绝世唐门》《斗罗大陆3龙王传说》《酒神》《天珠变》《冰火魔厨》主角大集结。唐三、小舞、霍雨浩 、王冬等人升入神界之后。神界内部矛盾逐渐升级，以毁灭之神为首的一众神祇向以海神、修罗神唐三为首的另一众掌权神祇发起了战争。大战之中，被封印的金龙王趁乱逃出，临死前将自己的神核射进了唐三和小舞刚出生的儿子唐舞麟体内，为了爱子的性命，唐三只能将他传送到斗罗大陆。

《斗罗大陆》《斗罗大陆2绝世唐门》《斗罗大陆3龙王传说》《酒神》《天珠变》《冰火魔厨》主角大集结。唐三、小舞、霍雨浩 、王冬等人升入神界之后。神界内部矛盾逐渐升级，以毁灭之神为首的一众神祇向以海神、修罗神唐三为首的另一众掌权神祇发起了战争。大战之中，被封印的金龙王趁乱逃出，临死前将自己的神核射进了唐三和小舞刚出生的儿子唐舞麟体内，为了爱子的性命，唐三只能将他传送到斗罗大陆。

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作