In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s. 　　Having a more complete version of Nerven available is a wonderful contribution to our understanding of film history. The standard version was known to very few students of cinema, and though it was impressive, it was somewhat incoherent. We are still lacking a lot of footage, but Stefan Droessler and his team have added what they could and arranged the sequences into a more intelligible order. The quality of the restoration, moreover, makes the film's visual style even more vivid and unsettling. 　　Released shortly before The Cabinet of Dr. Caligari, Nerven ought to have entered the Expressionist canon. Its themes echo the movement's post-Romantic attack on capitalism and the modern conception of the anguished soul. Its narrative plays out the implications of such icons of Expressionist art as convulsive crowds and men's homicidal urges toward women. Just as important, the film's pictorial design finds an original way to convey the tale's emotional tenor, the sense of nervous anxiety strung ever tighter. Significantly, Reinert achieves a unique look without recourse to the painted sets of Caligari, but through a unique use of other cinematic resources. 　　http://img186.imageshack.us/img186/196/nerven01jo3.jpg 　　http://img360.imageshack.us/img360/3403/nerven04en0.jpg 　　http://img117.imageshack.us/img117/8886/nerven06ts0.jpg 　　http://img238.imageshack.us/img238/7650/nerven07rf9.jpg 　　http://img523.imageshack.us/img523/2677/nerven09nk7.jpg

商界女强人江艾琳即将嫁入豪门，成为实权人物阿努将军的儿媳。三个闺蜜为她在一家主题酒店举办一场告别单身派对。半夜，江艾琳被发现死在了卧室的浴缸里，胸前插着一把匕首。究竟是谁杀死了江艾琳？阿努将军派来南柯和金田二这对神经侦探查找凶手。三人闺蜜各怀鬼胎，互认旁人为凶手，神经侦探抽丝剥茧，通过个人对单身派对的回忆，逐步解开江艾琳被杀之谜，但结案后，俩人却发现案件的背后另有隐情……

《寒蝉鸣泣之时剧场版》的及川中导演赠送了参加生存游戏的女高中生进行战斗的动作。以一封邮件为契机参加了幕后网站游戏“Happy7”的女高中生为幸存者展开了壮烈的战斗....

国军某小队占领一高地，因对外通讯中断处于孤立状态。这时，附近某部落的一个老人为小队成员提供了食物和帮助。国军小队利用人海战术击退了包围上来的敌…

茱莉亚·加纳(《壁花少年》《黑钱胜地》)商谈主演聚焦哈维·韦恩斯坦助理的未定名影片，由《童心无归处》导演Kitty Green和团队打造，这是一部非现实电影，聚焦韦恩斯坦一名助理人生中的一天。 　　Green花了近一年时间收集大量资料，储存对每天在韦恩斯坦支配下的工作环境中工作的雇员的信息。她表示，调查的过程让她印象最深的是“韦恩斯坦长达30年的管理之重复和无聊——很多年轻人，尤其是女性，怀着开始自己的职业生涯的心态进到他的公司，而每天他们要在那样的环境下工作，这极为恐怖”。

A magazine editor's life and career simultaneously begin to unravel after she takes on a new assistant with secret motives of his own.

A magazine editor's life and career simultaneously begin to unravel after she takes on a new assistant with secret motives of his own.

本剧改编自同名漫画，讲述了在昭和初期的九十九夜町，“拥有敏锐观察力且负债累累的穷侦探”与“能分辨谎言的奇妙能力少女”这对特色搭档解决“谎言”和“真相”交织的疑难案件，同时彼此之间逐渐产生情愫的推理恋爱故事。能够听到别人谎言的浦部鹿乃子（松本穗香 饰）受到村里人排挤而离开家乡。她一直认为这个能力会带来不幸，直到遇到了侦探祝左右马（铃鹿央士 饰），在他的鼓励下，鹿乃子开始正视自己，并且第一次意识到这个能力可以帮助他人…

早年留学日本的法律学者童霜威，当战火燃向南京的时候，相依为命的弟弟童军威为抗击日军而英勇战死，亲朋好友相继在日寇的大屠杀中饮恨黄泉，国仇家恨，使童霜威下定抗战到底民主建国的决心。童霜威的前妻柳苇，因双方政见不一致离异。柳苇在紧张的斗争中，仍然关注着童霜威并多次引导他走向抗日统一战线，同时亦注重儿子童家霆的健康成长，对此童霜威不以为然。童霜威父子在往后的颠簸岁月里与国民党伪政权和日本鬼子展开了一幕又一幕惊心动魄、斗智斗勇的反特抗日斗争。

以国民党上层官员、法学权威童霜威及其儿子童家霆的家庭变故和人生遭际为主线，展现了抗日战争时期南半个中国的全景画卷。童霜威战前曾因官场失意而牢骚满腹，自命清高又难免随波逐流，但在抗日还是投敌的关键时刻，却以他骨子里的民族气节，拒绝了各方势力卑劣的笼络与威逼。八年烽烟中，他携子童家霆避难南陵、宦游武汉，亡命香港、隐居上海、辗转重庆，见识了各阶层人士的生活百态。他由消极避难、保持名节到鄙弃国民党独裁统治、投入民主运动的行列。同时，成长为青年的童家霆，也在时代风云的锻造下义无反顾地投身光明。