她是众人眼中首辅心尖上的白月光，享受着旁人艳羡的荣宠。可只有她自己知道，这份看似完美的深情背后，藏着不为人知的算计与束缚。当真相逐渐浮出水面，她不再甘愿做笼中雀，决心挣脱这份的枷锁，为自己谋一条全新的出路。

费德里科二十多岁，一个人住在布宜诺斯艾利斯。他祖母去世的那天，他决定和他的女朋友玛格达分手。他害怕伤害她。但当时间到了，她就打败了他。她懒散、精力充沛，甚至连受伤的感觉都没有。然而，尤其是当他得知她已经有了新朋友时。但后来他在最近去世的祖母给他的冰箱里找到了土豆刀，一切都变了。雷杰曼的舞台是阿根廷社会的缩影，他用一个稀少的故事和一种无视复古现实主义的指导性方法，以精心创作的图像来破译。雷杰曼属于阿根廷电影的新浪潮，在20世纪90年代中期首次在欧洲获得认可。据弗吉尼亚大学的罗克•奥•戈登博士说，他作品的主要方面是导演和作者不以粗制滥造的方式讲述线性故事，而是指冷漠的美学。在这种冷漠中，喜剧获得了最大的范围——到目前为止在阿根廷的独特地位。 　　Federico, is in his mid-twenties and lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend Magda. He fears hurting her. But when the time comes, she beats him to it. She is laid-back, feisty and not even close to feeling hurt. He is however, especially when he learns that she already has someone new. But then he finds the potato knishes in the freezer that his recently departed grandmother gave him and everything changes. Rejtman’s stage is the microcosm of the Argentine society, which he deciphers in carefully composed images with a sparsely told story and a directing approach in defiance of retro realism. Rejtman belongs to the new wave of Argentine film that first gained recognition in Europe in the mid-1990s. According to Dr. Rocío Gordon of the University of Virginia, the key aspect of his work is that the director and author does not tell linear stories in a run-of-the-mill way, but rather refers to an aesthetic of apathy. Within this apathy, comedy gains the greatest of scopes – a unique position in Argentina until now.

费德里科二十多岁，一个人住在布宜诺斯艾利斯。他祖母去世的那天，他决定和他的女朋友玛格达分手。他害怕伤害她。但当时间到了，她就打败了他。她懒散、精力充沛，甚至连受伤的感觉都没有。然而，尤其是当他得知她已经有了新朋友时。但后来他在最近去世的祖母给他的冰箱里找到了土豆刀，一切都变了。雷杰曼的舞台是阿根廷社会的缩影，他用一个稀少的故事和一种无视复古现实主义的指导性方法，以精心创作的图像来破译。雷杰曼属于阿根廷电影的新浪潮，在20世纪90年代中期首次在欧洲获得认可。据弗吉尼亚大学的罗克•奥•戈登博士说，他作品的主要方面是导演和作者不以粗制滥造的方式讲述线性故事，而是指冷漠的美学。在这种冷漠中，喜剧获得了最大的范围——到目前为止在阿根廷的独特地位。 　　Federico, is in his mid-twenties and lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend Magda. He fears hurting her. But when the time comes, she beats him to it. She is laid-back, feisty and not even close to feeling hurt. He is however, especially when he learns that she already has someone new. But then he finds the potato knishes in the freezer that his recently departed grandmother gave him and everything changes. Rejtman’s stage is the microcosm of the Argentine society, which he deciphers in carefully composed images with a sparsely told story and a directing approach in defiance of retro realism. Rejtman belongs to the new wave of Argentine film that first gained recognition in Europe in the mid-1990s. According to Dr. Rocío Gordon of the University of Virginia, the key aspect of his work is that the director and author does not tell linear stories in a run-of-the-mill way, but rather refers to an aesthetic of apathy. Within this apathy, comedy gains the greatest of scopes – a unique position in Argentina until now.

林翩翩，一个白月光替身专业户，只要钱到位都是她的小宝贝！不料竟在两个男人身上大翻车，弟弟顾逸宸把她当舔狗要对她强制爱，哥哥顾宴北拿一千万想跟她谈恋爱，救命！她只是想兢兢业业挣个钱而已呀！最终哥哥后来者居上，因为他又争又抢。

由中国著名音乐家舒楠任艺术总监，由资深影视导演徐海执导的电影《白月光下》，以巴蜀文化为底色，以剑门关豆腐制作的非遗技艺为切入点，以几代人对传统技艺的坚守与传承，对豆腐产业的探索与发展为故事主线，以小产业讴歌着大时代，以小人物书写着大情怀。

重生后的阮莞誓要撕碎前世虚伪骗局。她主动与冷待自己的丈夫厉明澜离婚，暗中收集其与白月光沈枝枝的出轨证据却屡遭同事和绿茶弟弟刁难，厉渊强势护妻，与她闪婚共谋破局。两人逆风翻盘，渣男恶女身败名裂。该短剧改编自番茄巅峰榜小说《白月光悖论》，作者【三樱里

重生后的阮莞誓要撕碎前世虚伪骗局。她主动与冷待自己的丈夫厉明澜离婚，暗中收集其与白月光沈枝枝的出轨证据却屡遭同事和绿茶弟弟刁难，厉渊强势护妻，与她闪婚共谋破局。两人逆风翻盘，渣男恶女身败名裂。该短剧改编自番茄巅峰榜小说《白月光悖论》，作者【三樱里

由中国著名音乐家舒楠任艺术总监，由资深影视导演徐海执导的电影《白月光下》，以巴蜀文化为底色，以剑门关豆腐制作的非遗技艺为切入点，以几代人对传统…

女主是许家养女寄人篱下，为摆脱许家，同时男主需要门当户对的联姻，三年前男女主签订契约婚姻。三年后契约到期，三年间两人在早已互生情愫，却都不开口，离婚后，男主一直关注和帮主女主，感情不断加深。

大大的世界，小小的我，成长的路上小漫步。时常幻想，偶尔迷糊，未来的路还不清楚……