MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

姐姐与弟弟睡前喜欢天马行空地聊天，却总是被爸爸打断。于是，他们想出来一个主意。 　　本片为中国美术学院影视与动画艺术学院13级学生毕业作品。

该剧是献给纽约多元音乐的情书，围绕寻找自己真实的声音和使用它的勇气展开，讲述才华横溢的歌手贝丝·金在遭遇拒绝、爱情和复杂的家庭问题的同时，努力实现自己的梦想的故事。

1990年秋天的瞬间，对一些人来说，是永远无法抹去的记忆。　　那个瞬间，余正龙在一场车祸中，失去了仅有的亲人。　　那个瞬间，陈万里听到爱人…

本剧本围绕一个年轻人徐峥拯救生父的故事展开，他从懂事起就有三个父亲：生父徐杭州、养父余正龙、义父陈万里。而他的养父和义父却是一对有着多年恩怨的两大医药行业巨头。而他的生父目前正在为其义父陈万里所在的集团进行一项重要研究，已经基本接近完成了。2008年秋，一个陌生的电话打乱了他安定的生活，将他卷入一桩离奇的绑架案……

本剧本围绕一个年轻人徐峥拯救生父的故事展开，他从懂事起就有三个父亲：生父徐杭州、养父余正龙、义父陈万里。而他的养父和义父却是一对有着多年恩怨的两大医药行业巨头。而他的生父目前正在为其义父陈万里所在的集团进行一项重要研究，已经基本接近完成了。2008年秋，一个陌生的电话打乱了他安定的生活，将他卷入一桩离奇的绑架案……

本剧本围绕一个年轻人徐峥拯救生父的故事展开，他从懂事起就有三个父亲：生父徐杭州、养父余正龙、义父陈万里。而他的养父和义父却是一对有着多年恩怨的两大医药行业巨头。而他的生父目前正在为其义父陈万里所在的集团进行一项重要研究，已经基本接近完成了。2008年秋，一个陌生的电话打乱了他安定的生活，将他卷入一桩离奇的绑架案……

本剧本围绕一个年轻人徐峥拯救生父的故事展开，他从懂事起就有三个父亲：生父徐杭州、养父余正龙、义父陈万里。而他的养父和义父却是一对有着多年恩怨的两大医药行业巨头。而他的生父目前正在为其义父陈万里所在的集团进行一项重要研究，已经基本接近完成了。2008年秋，一个陌生的电话打乱了他安定的生活，将他卷入一桩离奇的绑架案……

本剧本围绕一个年轻人徐峥拯救生父的故事展开，他从懂事起就有三个父亲：生父徐杭州、养父余正龙、义父陈万里。而他的养父和义父却是一对有着多年恩怨的两大医药行业巨头。而他的生父目前正在为其义父陈万里所在的集团进行一项重要研究，已经基本接近完成了。2008年秋，一个陌生的电话打乱了他安定的生活，将他卷入一桩离奇的绑架案……