根据《嚣张》改编的青春校园剧《隅我同行》预计11月开机，爱奇艺和慈文传媒等出品，爱奇艺播出。

根据《嚣张》改编的青春校园剧《隅我同行》预计11月开机，爱奇艺和慈文传媒等出品，爱奇艺播出。

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Barbara of thirteen and George of eighteen have known each other a long time. They are neighbors and get along well. The friendship grows over time a deep love. As yet, however, Barbara is a minor , this relationship in the eyes of the environment reprehensible. After the first time the two have slept in a vacant house together, even feel a few kids, they might see Barbara as fair game and they try to rape her. Even with the parents, there are major problems. Above all, the fathers of the two are enemies for a long time. George's father came with a campaign of the early GDR "workers into the country" in the village, the idealism is now given way to bitterness, however, lethargy, especially given the substantive achievements of Barbara's father (the neighbor). This is mainly interested in money, otherwise blankly until primitive. Finally, a path that has found its opponents, the "comrades" to compromise and shows for George abuse to a minor. Even in school, there is little understanding. The school principal shall initiate disciplinary action, and George's future seems blocked, a study is no longer possible. Only the teacher stands on the porch, first two, and becomes a friend of Barbara. Finally, solidarity and the fellow with the lovers. 　　The film ends with the pronouncement of the sentence against George. There is the contradiction between a meaningful per se, but rigid law (Section 148) And the obviously genuine love of the two received. A final verdict is given in the film is not known, however, the subsequent marriage of the lovers, for George, "a small price" was paid.

Barbara of thirteen and George of eighteen have known each other a long time. They are neighbors and get along well. The friendship grows over time a deep love. As yet, however, Barbara is a minor , this relationship in the eyes of the environment reprehensible. After the first time the two have slept in a vacant house together, even feel a few kids, they might see Barbara as fair game and they try to rape her. Even with the parents, there are major problems. Above all, the fathers of the two are enemies for a long time. George's father came with a campaign of the early GDR "workers into the country" in the village, the idealism is now given way to bitterness, however, lethargy, especially given the substantive achievements of Barbara's father (the neighbor). This is mainly interested in money, otherwise blankly until primitive. Finally, a path that has found its opponents, the "comrades" to compromise and shows for George abuse to a minor. Even in school, there is little understanding. The school principal shall initiate disciplinary action, and George's future seems blocked, a study is no longer possible. Only the teacher stands on the porch, first two, and becomes a friend of Barbara. Finally, solidarity and the fellow with the lovers. 　　The film ends with the pronouncement of the sentence against George. There is the contradiction between a meaningful per se, but rigid law (Section 148) And the obviously genuine love of the two received. A final verdict is given in the film is not known, however, the subsequent marriage of the lovers, for George, "a small price" was paid.

《禁信》以年轻男孩拉里（罗伯特·亚当斯 饰）一心等待他那犯了抢劫罪的老情人理查德（理查德·洛克 饰）快一年了为背景展开叙事。当对方即将出狱回家的消息传来时，一整天都焦躁不安的拉里试图以各种各样的方法来消解他心中的谜题。 　　在与好友爱丽丝（维多利亚·杨 饰）的数次交谈中，他还翻阅了那些曾经写给理查德但最终没有寄出的“禁信”——因为他担心自己的关心只会害得对方徒增刑期。这些信积少成多，最终汇成了一本交杂着无数回忆的小册子…… 　　当理查德归来的公交车越来越靠近时，拉里心中的疑问愈发猛烈：在他下车后，彼此间的爱火是否如初？

上复读补习班的东九因为高考前最后一次模拟考试失败而心烦意乱，朋友振元一整天都没有眼力见，还对等待自己的大学生女友惠珍一气之下说了分手，东九感到烦闷....