最早公映的关于艾滋病的电影之一，也是Bill Shcrwood执导的唯一部作品，他在1990年时就死于艾滋病并发症。讲述一个患有艾滋病的同性恋者的故事。 　　同年代的电影相比，《离别秋波》没有《同窗之爱》的学院派头，没有《费城故事》的据理力争，它只有一个哀而不伤，感人却不矫揉造作的剧本，一班有血有肉，真情至性的平凡人。二十四小时的一天，迈克要为同居六年的伴侣罗伯特举行派对，表面是欢送他前往非洲就任，实则是为两人的关系画上句号。另一边，迈克的前男友尼克患上艾滋，将不久于人世。迈克对他仍念念不忘…… 　　 　　这并不是一部我们想象的悲剧电影，因为不是从旁观者的角度来阐述，而是当事人的真情实感，因此带给人们的是理解和感动，结局倍感宽慰。 　　 　　冥冥中，导演似叙述自己的人生感悟，拍罢此片四年后便辞世，享年三十八岁，死于艾滋。 　　 　　值得一提的是演员斯蒂夫·巴斯米，是好莱坞演戏最多的黄金配角，他总共参演了百余部电影，许多还是主角，成为昆丁等前卫导演们的最爱。因为长得不帅，塑造了许多“丑怪”角色，例如《空中监狱》的变态杀人犯。巴塞米拥有着一张特殊的脸，在中年以后反而令他大红大紫，许多导演都很钟爱拍摄他脸部的特写，仿佛只要对着镜头，他的脸部就有一种分裂的英俊感，深蓝色的眼睛显得有点腼腆和寂寞。 　　 　　《临别秋波》可以说是他第一次挑大梁拍片，演技自然纯熟，尚未表现出他后来的那种个性的边缘分裂特色，但他的表演已经深受肯定，那种忧郁孤独的气质和清奇的长相，微妙内敛的表情变化，好似有千言万语尽在不言中，让人拍案称赞。比起片子里的其他几位极其俊美的帅哥，巴斯米的形象反而更能深入人心，抓住眼球。巴斯米正是以自己的个人魅力成就了全片的核心，让观众从他会说话的眼睛中感受此片导演的心灵领地。

现在的我是否幸福 自己也不是很清楚。 　　在单亲家庭里长大的瀬菜(相武紗季)是一个心地善良做事拼命的女孩子。在一家大广告公司工作的她，和在工作环境中认识的光輝(田中圭)相遇并交往三年的两人，过着同居胜过。实际上，和三代都是政治家出身的光辉订婚，在大家看来都是非常令人羡慕的事情。但是，在光辉父母的反对外加，政治婚姻的逼迫下。两人之间开始滋生了不稳定的破坏因子。 　　就在这个时候，瀬菜和乖戾的清洁员・清次(上川隆也)相遇了。一个放弃了人生，总是被阴影笼罩着的的男人。心脏如同定时炸弹般，被告知不进行移植就无法生存。于是，命运的恶作剧开始了。3人的命运，从现在起发生了巨大的变化。

A middle-aged woman in Busan searches for the son she lost in Gilsodom during the Korean War.

从小被孟买大佬收养的男主拉古Raghu，一直被大佬的侏儒儿子维什努嫉妒。维什努杀人被哑女佐娅Zoya看见，大佬逼迫拉古杀了心爱的佐娅，拉古出狱后报复仇。 　　一个凄惨的爱情复仇故事，一心想要血态复仇的拉古，考虑到佐娅“音乐替代子弹”的设想，只能坚持大爱。

Summer, 1983. The entire nation is glued to their television sets as KBS airs a special live broadcast dedicated to reuniting family members who were separated during the Korean War. Hwa-young (Kim Jee-mi), who has been keeping a prosperous and harmonious household, decides to search for her lost son, at the recommendation of her husband (Jeon Mu-song). On the way to the TV station, Hwa-young begins to reminisce about the past. At the end of Japan's occupation of Korea, Hwa-young's family moves to a small village called Kilsodeum, in Hwanghae-do. Hwa-young (Lee Sang-a) soon becomes an orphan, and is taken in by her father's friend, Kim Byung-do. She falls in love with his son Dong-jin (Kim Jung-suk), who treats her with warmth and affection. One rainy day, Hwa-young and Dong-jin consummate their love and Hwa-young gives birth to a child. But the Korean War breaks out and their respective fates take them away from each other. While looking for her son in the rendezvous plaza outside the TV station, Hwa-young reunites with Dong-jin (Shin Seong-il), who has been waiting for her all his life at the expense of the family he built with the daughter (Oh Mi-yeon) of the man who saved his life. The two of them run into Seok-chul (Han Ji-il), a man who has been searching for his parents, and sense that he is their lost son. They go to visit him, but his rude behavior the product of a life spent in the gutters of society causes them to feel a sense of estrangement. Seok-chul's scar and a DNA test virtually confirm that he is their son, but Hwa-young turns her back on him, saying that she will not believe anything less than proofpositive of his parentage. Dong-jin turns away also, as he tosses Hwa-young's contact information in the garbage. As she drives along the road, Hwa-young stops her car for a moment and weeps, but soon continues on her way.

从小被孟买大佬收养的男主拉古Raghu，一直被大佬的侏儒儿子维什努嫉妒。维什努杀人被哑女佐娅Zoya看见，大佬逼迫拉古杀了心爱的佐娅，拉古出狱后报复仇。 　　一个凄惨的爱情复仇故事，一心想要血态复仇的拉古，考虑到佐娅“音乐替代子弹”的设想，只能坚持大爱。

多年来，女儿一直从没有参加过幼儿园的任何活动，因为丈夫宋刚一直谎称没有时间，但这次生日苏雪决定带女儿参加，却在活动当天遇到宋刚带着青梅竹马和她的儿子来参加活动，苏雪和女儿甚至被当成小三母女，这让苏雪认清了宋刚的真面目，筹备离婚和拿回公司，并为女儿和自己找回主场。

离别，开出花：父亲早亡，女儿佳佳由身患癌症的母亲许知音独自养大，但在女儿佳佳考研的关键时刻，许知音却发现女儿似乎谈恋爱了，一次意外，许知音知道女儿的男朋友竟有孩子有老婆，母女矛盾就此展开。

离别，开出花：父亲早亡，女儿佳佳由身患癌症的母亲许知音独自养大，但在女儿佳佳考研的关键时刻，许知音却发现女儿似乎谈恋爱了，一次意外，许知音知道女儿的男朋友竟有孩子有老婆，母女矛盾就此展开。

Sue is helping her father running an old pork noodle soup restaurant in a sleepy town. In spite of her inexperience of air travel or abroad, she secretly has been preparing for a scholarship program to study in Finland. Although she doesn’t have a significant life goal, she believes studying abroad might enlighten her to find a dream. With her friends, she is spending her last week in the hometown filling the checklist in, exchanging money and packing her luggage up. Her father eventually finds out her plan and gets worried about her future. On a journey that she might never return, she reflects he relationship with friends, love, and family, sometimes with arguments or reconciling and embracement to build herself up as the protagonist of her own life.