在繁华都市的喧嚣中，温言与时慕白曾是一对令人艳羡的夫妻。温言温柔娴静，时慕白英俊潇洒且事业有成，他们的结合本被视为天作之合。然而，婚姻生活的柴米油盐渐渐侵蚀了爱情的美好。时慕白忙于工作，陪伴温言的时间越来越少，温言则在家庭琐事中感到孤独与失落。双方的沟通逐渐减少，矛盾日益加深，最终，这段婚姻走向了尽头，他们黯然离婚

在繁华都市的喧嚣中，温言与时慕白曾是一对令人艳羡的夫妻。温言温柔娴静，时慕白英俊潇洒且事业有成，他们的结合本被视为天作之合。然而，婚姻生活的柴米油盐渐渐侵蚀了爱情的美好。时慕白忙于工作，陪伴温言的时间越来越少，温言则在家庭琐事中感到孤独与失落。双方的沟通逐渐减少，矛盾日益加深，最终，这段婚姻走向了尽头，他们黯然离婚

海伦·亨特加盟亚当·兰道([奇机少年])执导恐怖片[找到了](I See You，暂译)。一位儿童诱拐调查员忍受着妻子出轨的痛苦，妻子也因内疚逐渐变得情绪失常。…

《找到了Stray Kids收藏版》以“情圣比赛”为主题，为偶像男团Stray Kids打造专属主题化户外游戏真人秀，让粉丝们看到偶像有爱有趣的一面。 　　Stray Kids接到丘比特邀请来到爱情岛屿，展开情圣比赛，在寻找、奔跑、躲避中，完成丘比特指派的游戏任务，赢得冠军的人即可获得自己想要收藏的爱情信物。首期节目，首先通过问答小游戏展现成员间的默契。随后进入正式游戏环节，成员们按照对爱情的积极程度进入各自认为适合的房间，由此分成两人一组，第一轮比赛便是要猜出各组具体的组成成员是谁，房间和成员匹配最准确的一队当选极度情圣。

《找到了Stray Kids收藏版》以“情圣比赛”为主题，为偶像男团Stray Kids打造专属主题化户外游戏真人秀，让粉丝们看到偶像有爱有趣的一面。 　　Stray Kids接到丘比特邀请来到爱情岛屿，展开情圣比赛，在寻找、奔跑、躲避中，完成丘比特指派的游戏任务，赢得冠军的人即可获得自己想要收藏的爱情信物。首期节目，首先通过问答小游戏展现成员间的默契。随后进入正式游戏环节，成员们按照对爱情的积极程度进入各自认为适合的房间，由此分成两人一组，第一轮比赛便是要猜出各组具体的组成成员是谁，房间和成员匹配最准确的一队当选极度情圣。

女主温言因爱慕男主时慕白，借着自己的外祖父跟时慕白的祖父定下的婚约，强行嫁给时慕白，却遭到时慕白的百般厌恶，即便濒临死亡，时慕白也不曾来看过她一眼。认清现实后的温言跟时慕白提出了离婚，离婚后，时慕白才逐渐意识到自己已经爱上了温言，心里追悔莫及，用尽各种手段努力追妻，求妻回头的故事

The autobiographical narrative uses a few shaky images partly drowned in the darkness, photographs from his personal archive and occasional intertitles to provoke reflections on the nature of memories, the mysterious logic of their preservation, surfacing, thinning and being. 　　“Digital video is very human to me. Particularly with regard to my practice, which involves pushing the video footage to its physical limits by restricting the light entering into the lens using the filters that I make. Every shot becomes similar to stretching an elastic band. How distorted do I want it for this shot? How much can I push it until it destructs?” (http://pugnantfilmseries.blogspot.com/2020/01/my-song-is-sung-sj-ramir.html) 　　源自：https://www.ji-hlava.com/filmy/nasel-jsem-vodu

The autobiographical narrative uses a few shaky images partly drowned in the darkness, photographs from his personal archive and occasional intertitles to provoke reflections on the nature of memories, the mysterious logic of their preservation, surfacing, thinning and being. 　　“Digital video is very human to me. Particularly with regard to my practice, which involves pushing the video footage to its physical limits by restricting the light entering into the lens using the filters that I make. Every shot becomes similar to stretching an elastic band. How distorted do I want it for this shot? How much can I push it until it destructs?” (http://pugnantfilmseries.blogspot.com/2020/01/my-song-is-sung-sj-ramir.html) 　　源自：https://www.ji-hlava.com/filmy/nasel-jsem-vodu