CC版的两部纪录片合辑，拍于1968年的叫Symbiopsychotaxiplasm: Take One，第二部是2005年完成的，叫Symbiopsychotaxiplasm: Take 2 1/2。第一部拍的是一群学生在纽约中央公园参加一个“虚构”的电影试镜。第二部，拍的就是这对冤家35年后在中央公园的重聚。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

该片通过讲述中国种子的成长发展故事，解开种子背后不为人知的基因密码，揭密种质资源战略高地的创新博弈，记录种业振兴攻艰克难的时光足迹。

破烂废墟堆成的垃圾山，充满了神圣的仪式感。在垃圾山的最顶点，诡异地竖着一枚巨蛋。未过多久，巨蛋开始摇晃，一只模样怪异的黑鸟破壳而出。它警惕地扫视着周围的世界，随后用木棍在山顶搭起了房屋。另一座垃圾山山顶，青绿的苹果尖刺腐烂，可怕而恶心的尖刺滋生出来，最终诞生的是鸟的爪子。它也照例改好了木屋，并如前者那样配备了无线电系统。两个木屋相互发射着信号，演奏不知名的音乐，争夺电波唯一的接收者——收音机的控制权。为了占据绝对优势，大楼越造越高。 　　双方你来我往，从不停歇……

日本女導演河瀨直美為Miu Miu所拍攝的短片《種子》（Seed），講述了女孩（安藤櫻 Sakura Ando）走出風光迷人的奈良，奔向混沌多元的東京，以及路途中的各種奇遇。

瑞格成为了一名网红为一家种子和肥料公司做着宣传，但当她的表哥把她召回家乡时，她被迫卷入一场拯救族人遗产的斗争中。

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft. Meanwhile at work, Rainer is demoted and replaced by Jürgen, a cool pragmatist who, with only the investors’ interests in mind, ruthlessly steers the building project towards profit. When an older employee is about to be fired, Rainer stands up to his new superior and involuntarily becomes the leader of a burgeoning resistance. 　　Pressure mounts inexorably in director Mia Mariel Meyer’s second feature film. In it, she describes a world dehumanised by capitalism, where the struggle for justice and integrity becomes the ultimate test.

瑞格成为了一名网红为一家种子和肥料公司做着宣传，但当她的表哥把她召回家乡时，她被迫卷入一场拯救族人遗产的斗争中。

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft. Meanwhile at work, Rainer is demoted and replaced by Jürgen, a cool pragmatist who, with only the investors’ interests in mind, ruthlessly steers the building project towards profit. When an older employee is about to be fired, Rainer stands up to his new superior and involuntarily becomes the leader of a burgeoning resistance. 　　Pressure mounts inexorably in director Mia Mariel Meyer’s second feature film. In it, she describes a world dehumanised by capitalism, where the struggle for justice and integrity becomes the ultimate test.