该片提供了一个新的女性化的电影形式，这部电影探讨了女性艺术和科学的代表。结合家庭电影，个人回忆，舞台影像，残存的镜头组成一个复杂的视觉和听觉上的综合体。将一个女孩，有时很难面对的由于年龄增长所必经的事情重新编排成一个丰富的相互联系的整体进行肯定和成长。 　　 　　导演：Lynne Sachs 　　USA/1991/30min/实验片 　　 　　导演：Lynne Sachs 　　Lynne Sachs拍电影，表演，玩装置，通过将诗歌、拼贴画、绘画、政治等元素结合起来探索个人观察与更广泛的历史经验之间复杂的关系。自1994年以来，她的5部Essay Film将她带到越南，波斯尼亚，以色列和德国，这些曾经受到战争影响的国家。在这些地方，她尝试将当地人的记忆同她个人的观点相结合进行电影创作。强调电影理论和实践的结合，Lynne也寻求画面和声音的完美呼应，在她的每一部作品中都力求视觉和听觉的和谐统一。自2006年以来，她已经和她的搭档Mark Street合作了一系列戏谑的，多媒体的表演，他们称之为‘XY 染色体项目’。除了忙于流动影像外，Lynne也和他人一起编辑了以‘记录片实验’为主题的《千禧电影期刊》。通过古根海姆博物馆，洛克菲勒和杰罗姆基金会和纽约州艺术委员会的支持，Lynne的电影已经在纽约电影节，圣丹斯电影节和多伦多的图像艺术节，以及在布宜诺斯艾利斯电影节的电影调查环节中上映。旧金山电影中心最近发表的四篇论文全面回顾了琳恩的工作。2012年，林恩在整个纽约市的小剧场演出一系列的“你的白天是我的黑夜”现场电影。然后，她在现代艺术博物馆，温哥华电影节，联合文件，新奥尔良电影节，并在墨西哥，阿根廷和厄瓜多尔等场地播放她筛选完成的长达一小时的完整视频。林恩在纽约大学和新学院讲授实验电影和录像，她住在布鲁克林区。 　　 　　---------------------------------------------------------------------------------- 　　The House of Science: a museum of false facts 　　 　　"Offering a new feminized film form, this piece explores both art and science's representation of women, combining home movies, personal remembrances, staged scenes and found footage into an intricate visual and aural college. A girl's sometimes difficult coming of age rituals are recast into a potent web for affirmation and growth."(SF Cinematheque) Charlotte Film Festival, First Prize Experimental; Atlanta Film Festival, Experimental Prize; Black Maria Film Fest, Juror's Award; Humboldt Film Festival, Teffen Filter Award; Museum of Modern Art, Cineprobe; Portland Museum of Art, "Icons, Rebels and Visionaries"; Athens Film Festival, Experimental Prize; Oberhausen Short Film Fest, Germany; Utah Film Festival, First Prize Short Film. Supported by a NEA Regional Arts Fellowship. 　　 　　Director: Lynne Sachs 　　USA/1991/30min/Experimental film 　　 　　Director: Lynne Sachs 　　Lynne Sachs makes films, performances, installations and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Since 1994, her five essay films have taken her to Vietnam, Bosnia, Israel and Germany - sites affected by international war-where she tries to work in the space between a community's collective memory and her own subjective perceptions. Strongly committed to a dialogue between cinematic theory and practice, Lynne searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Since 2006, she has collaborated with her partner Mark Street in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the Millennium Film Journal issue on "Experiments in Documentary". Supported by fellowships from the Guggenheim, Rockefeller and Jerome Foundations and the New York State Council on the Arts, Lynne's films have screened at the New York Film Festival, the Sundance Film Festival and Toronto's Images Festival as well as a five-film survey at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne's work. In 2012, Lynne began a series of live film performances of "Your Day is My Night" in small theaters throughout New York City. She then screened the completed hour-long hybrid video at the Museum of Modern Art, the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in Mexico, Argentina and Ecuador. Lynne teaches experimental film and video at New York University and The New School and lives in Brooklyn.

该片提供了一个新的女性化的电影形式，这部电影探讨了女性艺术和科学的代表。结合家庭电影，个人回忆，舞台影像，残存的镜头组成一个复杂的视觉和听觉上的综合体。将一个女孩，有时很难面对的由于年龄增长所必经的事情重新编排成一个丰富的相互联系的整体进行肯定和成长。 　　 　　导演：Lynne Sachs 　　USA/1991/30min/实验片 　　 　　导演：Lynne Sachs 　　Lynne Sachs拍电影，表演，玩装置，通过将诗歌、拼贴画、绘画、政治等元素结合起来探索个人观察与更广泛的历史经验之间复杂的关系。自1994年以来，她的5部Essay Film将她带到越南，波斯尼亚，以色列和德国，这些曾经受到战争影响的国家。在这些地方，她尝试将当地人的记忆同她个人的观点相结合进行电影创作。强调电影理论和实践的结合，Lynne也寻求画面和声音的完美呼应，在她的每一部作品中都力求视觉和听觉的和谐统一。自2006年以来，她已经和她的搭档Mark Street合作了一系列戏谑的，多媒体的表演，他们称之为‘XY 染色体项目’。除了忙于流动影像外，Lynne也和他人一起编辑了以‘记录片实验’为主题的《千禧电影期刊》。通过古根海姆博物馆，洛克菲勒和杰罗姆基金会和纽约州艺术委员会的支持，Lynne的电影已经在纽约电影节，圣丹斯电影节和多伦多的图像艺术节，以及在布宜诺斯艾利斯电影节的电影调查环节中上映。旧金山电影中心最近发表的四篇论文全面回顾了琳恩的工作。2012年，林恩在整个纽约市的小剧场演出一系列的“你的白天是我的黑夜”现场电影。然后，她在现代艺术博物馆，温哥华电影节，联合文件，新奥尔良电影节，并在墨西哥，阿根廷和厄瓜多尔等场地播放她筛选完成的长达一小时的完整视频。林恩在纽约大学和新学院讲授实验电影和录像，她住在布鲁克林区。 　　 　　---------------------------------------------------------------------------------- 　　The House of Science: a museum of false facts 　　 　　"Offering a new feminized film form, this piece explores both art and science's representation of women, combining home movies, personal remembrances, staged scenes and found footage into an intricate visual and aural college. A girl's sometimes difficult coming of age rituals are recast into a potent web for affirmation and growth."(SF Cinematheque) Charlotte Film Festival, First Prize Experimental; Atlanta Film Festival, Experimental Prize; Black Maria Film Fest, Juror's Award; Humboldt Film Festival, Teffen Filter Award; Museum of Modern Art, Cineprobe; Portland Museum of Art, "Icons, Rebels and Visionaries"; Athens Film Festival, Experimental Prize; Oberhausen Short Film Fest, Germany; Utah Film Festival, First Prize Short Film. Supported by a NEA Regional Arts Fellowship. 　　 　　Director: Lynne Sachs 　　USA/1991/30min/Experimental film 　　 　　Director: Lynne Sachs 　　Lynne Sachs makes films, performances, installations and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Since 1994, her five essay films have taken her to Vietnam, Bosnia, Israel and Germany - sites affected by international war-where she tries to work in the space between a community's collective memory and her own subjective perceptions. Strongly committed to a dialogue between cinematic theory and practice, Lynne searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Since 2006, she has collaborated with her partner Mark Street in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the Millennium Film Journal issue on "Experiments in Documentary". Supported by fellowships from the Guggenheim, Rockefeller and Jerome Foundations and the New York State Council on the Arts, Lynne's films have screened at the New York Film Festival, the Sundance Film Festival and Toronto's Images Festival as well as a five-film survey at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne's work. In 2012, Lynne began a series of live film performances of "Your Day is My Night" in small theaters throughout New York City. She then screened the completed hour-long hybrid video at the Museum of Modern Art, the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in Mexico, Argentina and Ecuador. Lynne teaches experimental film and video at New York University and The New School and lives in Brooklyn.

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

博物馆被视为城市的象征，其收藏展示着各民族的文化身份。这些世界知名的博物馆不断地适应社会变迁。每一年，成千上万的参观者排着长队，为了一睹悬挂于展廊墙上的珍宝。在这部八集的系列纪录片中，我们将与这些宛如生命体般的博物馆相遇，它们有诸多的故事亦面临着诸多挑战。与艺术家及艺术爱好者薇薇安·魏斯伍德、玛莉娜·阿布拉莫维奇、奥拉维尔·埃利亚松、沃尔夫冈·乔普一起，观众将欣赏到一部分世界上最有感染力的大师作品，并感受这些博物馆是如何的生机勃勃。

博物馆被视为城市的象征，其收藏展示着各民族的文化身份。这些世界知名的博物馆不断地适应社会变迁。每一年，成千上万的参观者排着长队，为了一睹悬挂于展廊墙上的珍宝。在这部八集的系列纪录片中，我们将与这些宛如生命体般的博物馆相遇，它们有诸多的故事亦面临着诸多挑战。与艺术家及艺术爱好者薇薇安·魏斯伍德、玛莉娜·阿布拉莫维奇、奥拉维尔·埃利亚松、沃尔夫冈·乔普一起，观众将欣赏到一部分世界上最有感染力的大师作品，并感受这些博物馆是如何的生机勃勃。

1968年午夜，阿根廷艺术家莱安德罗·卡茨在纽约一家色情影院观看了一场“荒诞剧团”（Theatre of The Ridiculous）的演出。演员们热情奔放，反串表演，脱去衣物，朗诵着融合了高雅文学和酷儿俚语的文本。卡茨被这种体验深深吸引，决定加入剧团成为一名合作者。1970年至1976年间，他负责拍摄照片、协助灯光，并创作实验性电影作品。然而，当这段经历变得过于强烈，他的艺术创作也转向其他方向时，他最终离开了剧团。如今，在布宜诺斯艾利斯昏暗的公寓里，卡茨重新审视着他的素材：逝者的照片、摄影记录、幻灯片、底片以及电影和录像作品。他发现了一部被认为已经遗失的未完成影片。随着对话和回忆的展开，试图追溯那些岁月的痕迹，过去的幽灵也随之浮现。

1968, midnight. The Argentine artist Leandro Katz attends a performance by the Theatre of The Ridiculous in a New York pornographic cinema. The actors, exuberant, perform in drag, undress, and recite texts that blend high literature with queer slang. Fascinated by the experience, Katz decides to join the company as a collaborator. Between 1970 and 1976, he takes photographs, assists with lighting, and creates experimental works on film. However, he eventually leaves the company when the experience becomes too intense and his artistic work takes a different direction. Today, from his dimly lit apartment in Buenos Aires, Katz revisits his materials: images of the deceased, photographic records, slides, negatives, and works on film and video. He discovers an unfinished film believed to be lost. As the conversation and testimony unfold, attempting to approach those years, the specters of the past seep through.

世界最伟大财富背后的故事。为什么梵蒂冈的杰作被涂鸦所覆盖？卢浮宫如何保护名画《蒙娜丽莎》？为什么拿破仑请人作了一幅满是谎言的画像？《博物馆的秘密》摄制组前往世界上最著名的博物馆去寻找展品背后的故事。耳熟能详或是迷雾重重，这些故事都充斥着诡秘与迷人的色彩。从蒙娜丽莎、西斯廷教堂和图坦卡蒙国王的黄金面具，再到英国自然历史博物馆神秘的“坦克室”，该季里充满了我们已知的和未知的惊人真相。