《圣城风云》描述乌瑟王暴毙之后，大法师梅林从民间寻回乌瑟王的私生子亚瑟，将他扶上王位。梅林希望亚瑟能统一四分五裂的帝国，但亚瑟同父异母的姐姐、女巫摩根·勒菲却从中作梗。与此同时，初来乍到的亚瑟与美貌的金发少女格温娜维尔坠入爱河。

美国传教士金神父在小山村土城子传教已经四十多年了，除了传教，金神父还在村里创办了小学。抗战爆发后，华侨朱荔回国在金神父所办的小学里当老师，在这里她认识了军官罗大军，两人相爱。日军攻陷了土城子，罗大军没有及时离开只能躲进教堂，岛崎大佐知道后很嫉恨金神父，他派兵包围了教堂，一天罗大勇趁机逃离教堂。日军刺杀金神父未遂将朱荔囚禁，并掳走了教堂里的百姓，金神父要求日军释放百姓遭到了拒绝，金神父挥笔起草了《告世界爱好自由和平人士书》，正在这时，日军又派人刺杀金神父，金神父挣扎着写完了最后一行字。

历经三千年沧桑，耶路撒冷蕴藏古今圣迹 　　耶路撒冷圣城自三千年前大卫王建都后，曾经二十多次易主、二度被毁灭。 　　本片通过各宗教居民的叙述，为您介绍这座不到一平方哩、但却是世界三大宗教源头的圣城，其三千年来的沧桑与现况。片中可看到两千年来犹太人最重要的祈?#092;场所「哭墙」、耶稣最后受难的遗址「圣墓堂」、承放耶稣遗体的「圣石」及三千年前的古城「大卫城」；此外，您也将看到不同种族不同信仰的居民，仍然保有几世纪沿袭下来的传统礼俗与生活方式

唐冠华在中国福州建立了现实中的理想国“南部生活共识社区”，艺术家于伯公来到这里，实施了一件与社区居民们（音乐人、诗人、导演、僧人、设计师、种植者、建筑师等）一起徒步露营穿越北京,名曰“移動的營地”的作品，一行人从北京朝阳区黑桥村的小树林进发向长城，继而抵达关外的内蒙古希拉穆仁草原。 　　一路办展览、搞派对、思索生活。与北京从事艺术、商业、文化的理想主义者们握手，离开乡村的温床，与硕大的城市温柔的拥抱。试图接近全体人类的底层共识。

After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg... 　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931). 　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed. 　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )

Historian and author, Simon Sebag Montefiore presents a fascinating series on Jerusalem: the place where God meets man, the shrine of three faiths – Judaism, Christianity and Islam, and the most fought over city in history. Montefiore explains how Jerusalem – established by King David 3,000 years ago was fought for and shaped by Kings and Emperors and how the holiness of the city was intensified by myths and fables, borrowed and refined between religions. He then explores how this peerlessly beautiful city rose from a crumbling ruin after the crusades to become a world centre of Islamic pilgrimage, the object of rivalry between Christian nations, a holy refuge for Jews from all over the world and, ultimately, the site of one of the world's most intractable conflicts.

该剧以抗战时期为背景，讲述了国人舍生忘死，保护民族文化遗产不被侵略者掠夺的传奇故事。

该剧以抗战时期为背景，讲述了国人舍生忘死，保护民族文化遗产不被侵略者掠夺的传奇故事。