Synopsis 　　One of the few partisan units left in Mt. Jiri after the signing of the Armistice, the unit led by a captain nicknamed "Agari" (meaning "mouth" in Korean) commits all manner of atrocities. Cheol-su(Kim Jin-kyu), who has started to grow disillusioned with the communist ideology, is troubled by the romantic feelings professed by an ideologically devout and cool-headed female comrade named Ae-ran (Lee Ye-chun). One day, another female partisan soldier named So-ju, who had been transferred to another unit, finds her way back to Piagol with a bullet wound in her shoulder. Man-su (Heo Jang-kang) rapes the injured So-ju, who dies under his assault. In order to cover up his crime, he murders his fellow soldiers, frames Dal-su for the rape, and kills him. Once the extermination of guerillas in Mt. Jiri begins, all the partisan soldiers face imminent death. Disgusted by partisan life, Ae-ran and Cheol-su discuss defection, but are discovered in the act by Agari. Cheol-su and Agari get into a fight, and Cheol-su is killed. In the end, Ae-ran kills Agari and descends the mountain alone. 　　Notes 　　"The first movie to be banned for violating the Anti-Communist Act, due to its humane portrayal of North Korean partisan soldiers." 　　Piagol, which served as the cinematic model for anti-communist humanism, depicts each of its characters, either in main or supporting roles, with vital detail. What makes Piagol at once unique and problematic as an anti-communist film is the fact that no South Korean soldier or police officer ever makes an appearance; it only features North Korean partisan soldiers. Unlike the guerilla fighters in newspapers and documentary films, who were portrayed as anonymous villains and cold-blooded killers, Piagolendowed partisan soldiers with distinctive personalities, and each unique character encounters human conflicts caused by his or her desires. The media and the government banned the film from being screened on the charge of violating the Anti-Communist Act, censuring its excessively "realistic" and human depiction of North Korean soldiers. (Critic Lee Young-il, author of The History of Korean Cinema [Hanguk yeonghwa jeonsa], cited this very fact as his basis for dubbing this film as an example of realistic anti-communist humanism and praising its artistic achievement.) Because the audience at the time held only vague ideas about the difference between dramatic films and documentary filmsi.e. between fiction and factand because anti-communism was deemed more than a simple ideology but a matter of survival, Piagol's realistic depictions might well have been considered threatening. 　　Indeed, one of the most prominent characters in the film, partisan leader Agari (Lee Ye-chun), is a good case in point. Although he is portrayed as a brutal villain throughout, a nightmare sequence conveyed through an intricate montage sequence endows him with internal conflict and feelings of guilt regarding his own cruelty and violence. Further, the expression of his obsessive devotion to ideology, which he is unable to abandon even at the end, elicits a measure of sympathy from the audience. Most of all, the character of Ae-ran (No Kyeong-hee), a capable and decisive female leader who shows rigorous dedication to the communist cause until the latter half of the movie, is represented in a considerably attractive light. Honest about her feelings and desires, and more capable than anyone else, Ae-ran exemplifies the image of an active woman even from our contemporary perspective. 　　Afterword: 　　- Piagol's initial screening license was revoked because of an anti-communist controversy, but the film received permission to re-screen thereafter. 　　- As shooting took place in Mt. Jiri soon after the Armistice was signed, when remnants of partisan bands were still hiding out on the mountain, the staff and cast testified to having actually felt a sense of danger during filming.

在不遠的將來，每年十位世上最致命的死刑犯，將會在「侏羅 紀遊戲」競爭以獲得自由。在這場電視實境秀中，參賽者必須對抗兇猛的恐龍和毫不留情的對手，最後的倖存者將獲得前所未有的自由、名望和財富！

在不遠的將來，每年十位世上最致命的死刑犯，將會在「侏羅 紀遊戲」競爭以獲得自由。在這場電視實境秀中，參賽者必須對抗兇猛的恐龍和毫不留情的對手，最後的倖存者將獲得前所未有的自由、名望和財富！

仙界，神仙与人类所居住的那个世界迎来了毁灭的危机。掌握改变世界关键的正是寻找着凶神・四凶的歌士一叶与其使役神滇红。两人隐瞒着各自的目的寻找着四凶。倍受束缚的家族与其失去的过去，为了取回重要之物，一叶与滇红将走遍世界。以长年广受阅读的高山忍的人气漫画为题材所改编，描写歌士一叶与其使役神滇红的战斗的奇幻动作片！倍受束缚的家族与其失去的过去。为了取回重要之物，歌士一叶与其使役神滇红的战斗即将展开！

曾经有这四位凶神与八百万神灵的国家[实际是中国]，被封印在四方的山中的四凶神中的两神逃走后，八百万神灵也离开奔向世界各处。自此这个国度就被伟人们守护着。这个没有了神话的国度为了找回奔向各地的八百万神灵设立了一种职业——歌士官。主人公，一叶，正是这其中的一员。

曾经有这四位凶神与八百万神灵的国家[实际是中国]，被封印在四方的山中的四凶神中的两神逃走后，八百万神灵也离开奔向世界各处。自此这个国度就被伟人们守护着。这个没有了神话的国度为了找回奔向各地的八百万神灵设立了一种职业——歌士官。主人公，一叶，正是这其中的一员。

在不远的未来，全球最受欢迎的电视节目《侏罗纪游戏》每季都会让10名死刑犯进入高度先进的虚拟现实世界，与恐龙展开生死对决，胜者可获得自由。本季新主持人Joy LaFort（由Katie Burgess饰演）刚刚登场，游戏系统却突发故障，AI失控，病毒蔓延，参赛者被困在虚拟世界中，必须在现实中对抗恐龙和彼此，寻找逃生之路。

几个童年一起的男女小伙伴，在西班牙内战结束后的各自命运。为了爱情、理想，他们最终将是怎样的结局？…… 　　西班牙内战爆发时的Majorca，几个孩子被迫目睹了佛朗哥法西斯支持者处决抵抗战士。不久，一个死难战士的儿子杀死了凶手的儿子后，自己也难逃一死。看到这些恐怖事件的孩子是拉马洛、曼纽尔和弗兰西斯卡。 　　十年过去了，三个人在一家呼吸疾病疗养院再次相遇了。拉马洛和曼纽尔在这里治疗肺结核。弗兰西斯卡成了修女，负责照顾病人。 拉马洛刚刚被门诊确诊。他向病友们自吹自擂，给每个人的印象他是个爱在女人堆里混的男人。他没向任何人透露在过去他曾以向别人出卖自己沦为某个男富翁的玩物的过去。 　　曼纽尔非常虔诚，他在祈祷中寻求安慰。拉马洛嘲笑他两个同学虔诚的信念。他不顾曼纽尔的感觉，请求管理员的妻子卡门照顾他。卡门见到身边有这么多青年男子，非常乐于帮助他们，对自己的工作很投入。然而，住院病人曼纽尔越想从精神上寻求避难所，他就越受到对拉马洛的强烈感情的折磨……

几个童年一起的男女小伙伴，在西班牙内战结束后的各自命运。为了爱情、理想，他们最终将是怎样的结局？…… 　　西班牙内战爆发时的Majorca，几个孩子被迫目睹了佛朗哥法西斯支持者处决抵抗战士。不久，一个死难战士的儿子杀死了凶手的儿子后，自己也难逃一死。看到这些恐怖事件的孩子是拉马洛、曼纽尔和弗兰西斯卡。 　　十年过去了，三个人在一家呼吸疾病疗养院再次相遇了。拉马洛和曼纽尔在这里治疗肺结核。弗兰西斯卡成了修女，负责照顾病人。 拉马洛刚刚被门诊确诊。他向病友们自吹自擂，给每个人的印象他是个爱在女人堆里混的男人。他没向任何人透露在过去他曾以向别人出卖自己沦为某个男富翁的玩物的过去。 　　曼纽尔非常虔诚，他在祈祷中寻求安慰。拉马洛嘲笑他两个同学虔诚的信念。他不顾曼纽尔的感觉，请求管理员的妻子卡门照顾他。卡门见到身边有这么多青年男子，非常乐于帮助他们，对自己的工作很投入。然而，住院病人曼纽尔越想从精神上寻求避难所，他就越受到对拉马洛的强烈感情的折磨……

哈萨克族男孩阿尔曼放暑假在家，这天是他爷爷的生日，阿尔曼决定要去海边帮卧病在床的爷爷完成一个愿望，于是他踏上了寻找大海的旅程。