Synopsis 　　One of the few partisan units left in Mt. Jiri after the signing of the Armistice, the unit led by a captain nicknamed "Agari" (meaning "mouth" in Korean) commits all manner of atrocities. Cheol-su(Kim Jin-kyu), who has started to grow disillusioned with the communist ideology, is troubled by the romantic feelings professed by an ideologically devout and cool-headed female comrade named Ae-ran (Lee Ye-chun). One day, another female partisan soldier named So-ju, who had been transferred to another unit, finds her way back to Piagol with a bullet wound in her shoulder. Man-su (Heo Jang-kang) rapes the injured So-ju, who dies under his assault. In order to cover up his crime, he murders his fellow soldiers, frames Dal-su for the rape, and kills him. Once the extermination of guerillas in Mt. Jiri begins, all the partisan soldiers face imminent death. Disgusted by partisan life, Ae-ran and Cheol-su discuss defection, but are discovered in the act by Agari. Cheol-su and Agari get into a fight, and Cheol-su is killed. In the end, Ae-ran kills Agari and descends the mountain alone. 　　Notes 　　"The first movie to be banned for violating the Anti-Communist Act, due to its humane portrayal of North Korean partisan soldiers." 　　Piagol, which served as the cinematic model for anti-communist humanism, depicts each of its characters, either in main or supporting roles, with vital detail. What makes Piagol at once unique and problematic as an anti-communist film is the fact that no South Korean soldier or police officer ever makes an appearance; it only features North Korean partisan soldiers. Unlike the guerilla fighters in newspapers and documentary films, who were portrayed as anonymous villains and cold-blooded killers, Piagolendowed partisan soldiers with distinctive personalities, and each unique character encounters human conflicts caused by his or her desires. The media and the government banned the film from being screened on the charge of violating the Anti-Communist Act, censuring its excessively "realistic" and human depiction of North Korean soldiers. (Critic Lee Young-il, author of The History of Korean Cinema [Hanguk yeonghwa jeonsa], cited this very fact as his basis for dubbing this film as an example of realistic anti-communist humanism and praising its artistic achievement.) Because the audience at the time held only vague ideas about the difference between dramatic films and documentary filmsi.e. between fiction and factand because anti-communism was deemed more than a simple ideology but a matter of survival, Piagol's realistic depictions might well have been considered threatening. 　　Indeed, one of the most prominent characters in the film, partisan leader Agari (Lee Ye-chun), is a good case in point. Although he is portrayed as a brutal villain throughout, a nightmare sequence conveyed through an intricate montage sequence endows him with internal conflict and feelings of guilt regarding his own cruelty and violence. Further, the expression of his obsessive devotion to ideology, which he is unable to abandon even at the end, elicits a measure of sympathy from the audience. Most of all, the character of Ae-ran (No Kyeong-hee), a capable and decisive female leader who shows rigorous dedication to the communist cause until the latter half of the movie, is represented in a considerably attractive light. Honest about her feelings and desires, and more capable than anyone else, Ae-ran exemplifies the image of an active woman even from our contemporary perspective. 　　Afterword: 　　- Piagol's initial screening license was revoked because of an anti-communist controversy, but the film received permission to re-screen thereafter. 　　- As shooting took place in Mt. Jiri soon after the Armistice was signed, when remnants of partisan bands were still hiding out on the mountain, the staff and cast testified to having actually felt a sense of danger during filming.

仙界，神仙与人类所居住的那个世界迎来了毁灭的危机。掌握改变世界关键的正是寻找着凶神・四凶的歌士一叶与其使役神滇红。两人隐瞒着各自的目的寻找着四凶。倍受束缚的家族与其失去的过去，为了取回重要之物，一叶与滇红将走遍世界。以长年广受阅读的高山忍的人气漫画为题材所改编，描写歌士一叶与其使役神滇红的战斗的奇幻动作片！倍受束缚的家族与其失去的过去。为了取回重要之物，歌士一叶与其使役神滇红的战斗即将展开！

曾经有这四位凶神与八百万神灵的国家[实际是中国]，被封印在四方的山中的四凶神中的两神逃走后，八百万神灵也离开奔向世界各处。自此这个国度就被伟人们守护着。这个没有了神话的国度为了找回奔向各地的八百万神灵设立了一种职业——歌士官。主人公，一叶，正是这其中的一员。

曾经有这四位凶神与八百万神灵的国家[实际是中国]，被封印在四方的山中的四凶神中的两神逃走后，八百万神灵也离开奔向世界各处。自此这个国度就被伟人们守护着。这个没有了神话的国度为了找回奔向各地的八百万神灵设立了一种职业——歌士官。主人公，一叶，正是这其中的一员。

漫画家・柴田昌弘の超能力少女SFコミック「紅い牙」シリーズ、その中でも人気の高い「ブルー・ソネット」編を全5巻のOVA化。低単価の児童向けビデオ絵本などを販売してきたウオカーズカンパニーが手がけ、CDとセット販売を行うなど独特の販促方法を採用している。 　　古代超人類の神秘の血を受け継いだ少女ラン。彼女が持つ潜在的なサイキックパワーを手に入れんと暗躍するのが謎の組織タロンだ。そのサイボーグ戦士である美少女ソネットとランの戦いがはじまろうとしている……。 　　本作の実制作は虫プロダクションが担当。監督は『機動戦士ガンダム第08MS小隊』のシリーズ前半など数多くの作品で同職を務めてきた神田武幸が手がけ、キャラクターデザインと作画監督は『ヱヴァンゲリヲン新劇場版:破』の副監督・中山勝一が行っている。本OVA用にランとソネットの表情集が原作者の手によって提供された。

Four years on from a cruel joke that saw an innocent young man turned into a monster. The perpetrators of this skatalogicaly vile act are served up their just desserts.

隶属于冲绳黑帮苍龙会的小混混石桥入狱前曾私藏组织的5亿日元现金。出狱后，他打算和恋人洋子远走高飞，然而却遭到苍龙会会长（大杉涟 饰）的追杀。为求保命，他转而向彻心空手道馆的馆长大东彻原（真樹日佐夫 饰）求助。大东表面上开办空手道场，暗中则经营着一个保镖组织，其麾下网罗众多格斗高手，牙直人（大和武士 饰）便是个中翘楚。大东原本无心插手黑帮事务，但看在巨额赏金的份上，最终派出阿牙保护石桥。苍龙会的刺客逐一被阿牙打败，万般无奈之下，他们绑架了洋子作为人质…… 　　本片根据已故漫画家梶原一騎同名原著改编，此前1973年两个版本由千葉真一主演，三池崇史共担档此系列三部的拍摄工作。

漫画家・柴田昌弘の超能力少女SFコミック「紅い牙」シリーズ、その中でも人気の高い「ブルー・ソネット」編を全5巻のOVA化。低単価の児童向けビデオ絵本などを販売してきたウオカーズカンパニーが手がけ、CDとセット販売を行うなど独特の販促方法を採用している。 　　古代超人類の神秘の血を受け継いだ少女ラン。彼女が持つ潜在的なサイキックパワーを手に入れんと暗躍するのが謎の組織タロンだ。そのサイボーグ戦士である美少女ソネットとランの戦いがはじまろうとしている……。 　　本作の実制作は虫プロダクションが担当。監督は『機動戦士ガンダム第08MS小隊』のシリーズ前半など数多くの作品で同職を務めてきた神田武幸が手がけ、キャラクターデザインと作画監督は『ヱヴァンゲリヲン新劇場版:破』の副監督・中山勝一が行っている。本OVA用にランとソネットの表情集が原作者の手によって提供された。

在卡姆生活的15岁少年泽多（ゼッド，Zed），每一天都过着居无定所的艰辛日子，对于这里抑郁苦闷的生活备感焦躁，同时也对不时出现的梦境和自己的意义抱有疑问。他渴望前往不受束缚，能够自由生存的地方。某日，泽多被不可思议的风引领到城市的一角，在风汇聚之处打开了神秘的光圈，耀眼的光芒中出现的精灵挥舞着翅膀飞入光圈，如梦境看到的景象一般！跟着风的导向，泽度义无反顾的跳进了光圈，也许他所追寻的“答案”就在前方……