农学硕士林辰返乡租下百亩稻田种植高端玉脂香米，不料稻田里那棵老树被网红表弟赵小帅拍照发上网意外爆火,大批粉丝蜂拥打卡，将稻穗踩倒一片。面对村里借网红树搞旅游开发、阻挠收割的重重压力，林辰连夜抢收，一斧砍断老树，断了投机者财路。此后他坚持实业兴农，识破“八千万投资“骗局，凭品质大米打开销路，带领全村走上乡村振兴之路

Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Piggot Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.

1986年上海科学教育电影制片厂摄制。稻田，顾名思义，种的都是稻。要说在稻田里种树，这恐怕连想的人也不多吧！可是如今江苏邗江县杨寿林校经过十年的试验已经获得了成果：稻田里能种上杉树。（凌波，《稻田种树》，电影评介1988年02期）

青年林诚承包了两百亩生态稻田，精心栽种秧苗，采用科学规范的种植方式。村民张大妈自行将大批麻鸭赶进稻田，认为可以除草除虫帮忙管护。林诚耐心解释稻鸭共生有严格的时节和规范，此时放鸭会损伤嫩秧苗，并留存现场影像记录。双方理念与做法产生分歧，林诚打算前往村委会沟通协调，为后续处理事宜埋下伏笔。

A single evening at a house party in 1908s West London sets the scene, developing intertwined relationships against a background of violence, romance and music.

一位朴实美丽的渔家姑娘从红树林边的渔村闯入都市，经历了情感的波折和撞击演绎出复杂而又多变的人生。故事发生在有着大面积红树林的小渔村和南海海滨一座新兴的小城里。 　　渔家姑娘珍珠进城打工，珍珠公司总经理大虎对她一见钟情，珍珠却不为所动。大虎企图强占珍珠，珍珠毅然回到红树林。大虎在另两个干部子弟二虎和三虎的挑唆下，轮奸了珍珠。珍珠的意中人大同进行报复，欲杀大虎的母亲、副市长林岚，却刺伤了检查官马叔。大虎又与二虎、三虎轮奸了女工小云，被当场抓获。林岚救子心切，落入了刑侦科长金大川手里。马叔与牛晋顶住压力，使案件终于重审，三个虎被绳之以法。 　　这是莫言根据真实案例构思创作的一部既生动抒情又具有现实震撼力的新作。

一位单身母亲领着她的儿子来到了一个村子，并且时常前往附近的红树林。她的到来让村子里的氛围有了微妙的改变。她究竟来自哪里呢？

本片用中国演员来扮演日本主角，用中国观点来批判大和民族的军国主义，并且由一个战后出生的台湾导演来拍摄二次世界大战期间的日本皇军故事，在中国电影史上是一个突出的尝试。虽然编导周腾的创作野心因为主题和处理上的一厢情愿而影响了影片的整体成绩，但他在开拓新题材上的努力和制作态度上的严谨仍然值得肯定。

坐拥万顷良田的许满仓，秋收之际遭遇人手短缺的难题。为保住田间谷物，她巧施计策，先劝未婚夫下田劳作，又用激将之法，引得小侯爷、国子监学子、朝中百官乃至帝王一同前来抢收。这场啼笑皆非的秋收，意外平抑粮价、革新农具，带动农户抱团自强。一心心系庄稼的她，也在金黄稻田里，觅得愿相伴耕耘一生的良人。

In 1960s and 70s Guinea-Bissau, militant rebels took up arms against the colonial power. A documentary fable based on historical research. During Guinea-Bissau’s struggle for independence from Portugal in the 1960s, rebel leader Amílcar Cabral launched an ambitious education programme to fight the Portuguese colonial power. In ‘Mangrove School’, Filipa César and local historian and activist Sónia Vaz Borges explore the history and impact of the movement. In the 1960s and 70s, the nomadic guerrilla schools under the mangrove trees became symbols of the people’s anti-colonial struggle, including against the colonial mentality itself. A school system set up by militant rebels, which for the same reason became the target of bomb attacks during the country’s long struggle for independence. Based on historical research, and at the crossroads of art and political theory, César and Borges revisit the history of the mangrove schools in a documentary fable of resistance, independence and autonomous forms of education.