滚滚黑烟突然从德国柏林电视塔冲向蓝天，瞬间电视塔被熊熊烈火包围，坍塌、爆炸随处发生，塔内有近百人受困。摩天大厦中燃起熊熊大火，一些人被热浪抛出窗户，被困的人们不堪火烤而跳楼解脱，柏林消防队面对愈演愈烈的大火束手无策。在迅速蔓延的大火面前和救援措施受挫，被困生命面临生死紧急关头，消防队员汤姆决然提出一个大胆的设想：引爆二氧化碳罐，使其充斥整个塔楼以达到灭火的目的。然而，一场突如其来的变故让每个人都面临生死的残忍选择……火场英雄们将如何拯救这一百多位困在大火之中的宾客如何逃出生天呢？

滚滚黑烟突然从德国柏林电视塔冲向蓝天，瞬间电视塔被熊熊烈火包围，坍塌、爆炸随处发生，塔内有近百人受困。摩天大厦中燃起熊熊大火，一些人被热浪抛出窗户，被困的人们不堪火烤而跳楼解脱，柏林消防队面对愈演愈烈的大火束手无策。在迅速蔓延的大火面前和救援措施受挫，被困生命面临生死紧急关头，消防队员汤姆决然提出一个大胆的设想：引爆二氧化碳罐，使其充斥整个塔楼以达到灭火的目的。然而，一场突如其来的变故让每个人都面临生死的残忍选择……火场英雄们将如何拯救这一百多位困在大火之中的宾客如何逃出生天呢？

James Williamson's September 1902 catalogue contains a detailed synopsis: 　　First Scene: Policeman on his beat in the early morning finds an unoccupied portion of a building well alight with window burnt out, while the inmates of the adjoining part are apparently asleep and unconscious of their danger. He endeavours to arouse them, and tries to open door, blows his whistle to call assistance and rushes off to call the fire engine and escape. 　　Second Scene: Outside the fire station; policeman rushes in, shakes the door and rings the bell; fireman opens door, policeman excitedly gives particulars of fire, other firemen hurry forward, dressing as they go and quickly rush off with small fire escape. In an incredibly short time a horse is fixed to another escape, and two horses into a manual engine, and the whole gallop off. 　　Third Scene: Shows horsed fire escape and engine coming full gallop past the camera. 　　Fourth Scene: Interior of bedroom full of smoke; man in bed just rousing; discovering room full of smoke he jumps out of bed and throws contents of water jug over the fire, then rushes to the door and opens it, but finds his passage blocked by flame and smoke; he then goes towards the window, but just at that moment the curtains set alight, and overcome by smoke and heat he buries his head in the bedclothes. The window curtains and blind now burnt away disclose a fireman outside with hatchet breaking in the window; he comes in with his hose and quickly extinguishes the fire; he then goes to the relief of the man now helpless on the bed, and puts him across his shoulder, and carries him to the window. 　　Fifth Scene: Shows the outside of the window; fireman with rescued man across his shoulders comes down escape; another fireman runs up and fetches down the hose, throwing out some bedclothes to put round the rescued man; the latter recovering his senses recollects that there are others in the burning building. One fireman, laying a wet cloth over his mouth, breaks into a French window, while others hurry away with the escape to another part of the building. Fireman re-appears through the smoke with a child in his arms, the previously rescued man clutching the child from him hurries away with her, overjoyed at her rescue. Meanwhile the captain has directed another party of firemen to prepare to rescue another inmate, who appears at the window in an exhausted condition; the fire escape being occupied elsewhere, the jumping sheet is brought into requisition, and the man jumps into it and is carried away by the firemen.

James Williamson's September 1902 catalogue contains a detailed synopsis: 　　First Scene: Policeman on his beat in the early morning finds an unoccupied portion of a building well alight with window burnt out, while the inmates of the adjoining part are apparently asleep and unconscious of their danger. He endeavours to arouse them, and tries to open door, blows his whistle to call assistance and rushes off to call the fire engine and escape. 　　Second Scene: Outside the fire station; policeman rushes in, shakes the door and rings the bell; fireman opens door, policeman excitedly gives particulars of fire, other firemen hurry forward, dressing as they go and quickly rush off with small fire escape. In an incredibly short time a horse is fixed to another escape, and two horses into a manual engine, and the whole gallop off. 　　Third Scene: Shows horsed fire escape and engine coming full gallop past the camera. 　　Fourth Scene: Interior of bedroom full of smoke; man in bed just rousing; discovering room full of smoke he jumps out of bed and throws contents of water jug over the fire, then rushes to the door and opens it, but finds his passage blocked by flame and smoke; he then goes towards the window, but just at that moment the curtains set alight, and overcome by smoke and heat he buries his head in the bedclothes. The window curtains and blind now burnt away disclose a fireman outside with hatchet breaking in the window; he comes in with his hose and quickly extinguishes the fire; he then goes to the relief of the man now helpless on the bed, and puts him across his shoulder, and carries him to the window. 　　Fifth Scene: Shows the outside of the window; fireman with rescued man across his shoulders comes down escape; another fireman runs up and fetches down the hose, throwing out some bedclothes to put round the rescued man; the latter recovering his senses recollects that there are others in the burning building. One fireman, laying a wet cloth over his mouth, breaks into a French window, while others hurry away with the escape to another part of the building. Fireman re-appears through the smoke with a child in his arms, the previously rescued man clutching the child from him hurries away with her, overjoyed at her rescue. Meanwhile the captain has directed another party of firemen to prepare to rescue another inmate, who appears at the window in an exhausted condition; the fire escape being occupied elsewhere, the jumping sheet is brought into requisition, and the man jumps into it and is carried away by the firemen.

某日，女主角（Tik Kanyarat Jirarachakij 饰）被人发现晕倒在路边，身受重伤。幸运的是，她得到了救治，然而，却失去了所有的记忆。一晃眼几个月过去，她给自己取了一个名字叫做阿芳，在一家医院做护士。至于为什么要给自己取这个名字，阿芳只觉得这个名字非常的熟悉，仅此而已。 　　一天，一个名叫帕力特的男人找到了阿芳，他告诉她，她真正的名字叫做雷雯。不仅如此，自己还是她的丈夫。雷雯和帕力特的感情早已经破裂了，不仅如此，雷雯还有一个不幸淹死的孩子。虽然雷雯并不是完全相信帕力特所言，但最终她还是跟着帕力特回家了，等待着她的，是家人的仇恨和丈夫的冷漠。

某日，女主角（Tik Kanyarat Jirarachakij 饰）被人发现晕倒在路边，身受重伤。幸运的是，她得到了救治，然而，却失去了所有的记忆。一晃眼几个月过去，她给自己取了一个名字叫做阿芳，在一家医院做护士。至于为什么要给自己取这个名字，阿芳只觉得这个名字非常的熟悉，仅此而已。 　　一天，一个名叫帕力特的男人找到了阿芳，他告诉她，她真正的名字叫做雷雯。不仅如此，自己还是她的丈夫。雷雯和帕力特的感情早已经破裂了，不仅如此，雷雯还有一个不幸淹死的孩子。虽然雷雯并不是完全相信帕力特所言，但最终她还是跟着帕力特回家了，等待着她的，是家人的仇恨和丈夫的冷漠。

影片用诗意笔调描述在雾中提着等待的女子的故事，是一部自然、光线和音乐构成的电影，每幅画面都似一幅绘画。导演Panahbarkhoda Rezaee生于1977年，此前只执导过短片。

影片用诗意笔调描述在雾中提着等待的女子的故事，是一部自然、光线和音乐构成的电影，每幅画面都似一幅绘画。导演Panahbarkhoda Rezaee生于1977年，此前只执导过短片。

根据真实故事改编，1990年8月，伊拉克对科威特发动侵略战争,萨达姆-侯赛因下令其军队悍然入侵科威特，意图将科威特变为伊拉克的第十九个省，17万印度侨民滞留科威特，一位旅居科威特多年的印度侨民兰吉特;挺身而出，带领17万印度侨民逃离危险的科威特。

根据真实故事改编，1990年8月，伊拉克对科威特发动侵略战争,萨达姆-侯赛因下令其军队悍然入侵科威特，意图将科威特变为伊拉克的第十九个省，17万印度侨民滞留科威特，一位旅居科威特多年的印度侨民兰吉特;挺身而出，带领17万印度侨民逃离危险的科威特。