カタツムリは交尾の際「恋矢(れんし)」と呼ばれる生殖器官を互いに突き刺しあうという。男でも女でもない雌雄同体の心を持てあましながらカタツムリのように絡みあう４人の若者を抒情的に描く。新進脚本家・荒井美早のオリジナル脚本を齋藤久志が映画化。

カタツムリは交尾の際「恋矢(れんし)」と呼ばれる生殖器官を互いに突き刺しあうという。男でも女でもない雌雄同体の心を持てあましながらカタツムリのように絡みあう４人の若者を抒情的に描く。新進脚本家・荒井美早のオリジナル脚本を齋藤久志が映画化。

On a Brazilian oil platform on the high seas, a group of workers keep strong bonds in order to alleviate from the stresses of hard work and isolation. When Roberto receives a sudden promotion, the bond between the men is broken, and an irreversible chain begins which threatens Roberto’s life both on the rig and on land. The Eye and The Knife is a film about human frailty: the frailty of our dreams and conquests as seen through the unexpected changes in the life of Roberto.

著名男演员吉奥瓦尼回到故乡博洛尼亚，参加他孪生兄弟皮普的葬礼，皮普因为爱情的不幸而自杀，而家里人却告诉吉奥瓦尼的死因是个意外事故。但问题是皮普生前的未婚妻——瓦达，她并不打算在葬礼上露面。在家庭晚餐上，瓦达告诉吉奥瓦尼，皮普生前留下了一封短信……

On a Brazilian oil platform on the high seas, a group of workers keep strong bonds in order to alleviate from the stresses of hard work and isolation. When Roberto receives a sudden promotion, the bond between the men is broken, and an irreversible chain begins which threatens Roberto’s life both on the rig and on land. The Eye and The Knife is a film about human frailty: the frailty of our dreams and conquests as seen through the unexpected changes in the life of Roberto.

著名男演员吉奥瓦尼回到故乡博洛尼亚，参加他孪生兄弟皮普的葬礼，皮普因为爱情的不幸而自杀，而家里人却告诉吉奥瓦尼的死因是个意外事故。但问题是皮普生前的未婚妻——瓦达，她并不打算在葬礼上露面。在家庭晚餐上，瓦达告诉吉奥瓦尼，皮普生前留下了一封短信……

A sassy parrot and a free-spirited librarian upend the well-ordered life of a solitary man. Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona(Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. Along with her basset hound, they set out on a quest to find the bird’s previous owners and Fiona begins to unravel the mysteries of Lyman's past. But when Fiona joins Lyman on his nightly rounds, she witnesses a reality more intense than the romantic version she had envisioned.

A sassy parrot and a free-spirited librarian upend the well-ordered life of a solitary man. Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona(Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. Along with her basset hound, they set out on a quest to find the bird’s previous owners and Fiona begins to unravel the mysteries of Lyman's past. But when Fiona joins Lyman on his nightly rounds, she witnesses a reality more intense than the romantic version she had envisioned.

萊恩・萊的電影《太空中的粒子》探討了《自由激進分子 Free Radicals》中所運用的直接動畫手法。由此產生的點和線在螢幕上閃爍奔跑，充滿藝術家標誌性的高能量激情。萊恩・萊基金會指出，這位藝術家在 20 世纪 60 年代創作了該作品的多個版本，但在 1979 年，在史蒂夫・瓊斯和保羅・巴恩斯的協助下，幾乎全部重新製作。影像與巴哈馬和尼日利亞的鼓樂同步，以莱恩鋼製動力雕塑（莱恩為該藝術領域的先驅）的聲音開場和結束。莱恩於 1980 年（《太空中的粒子》發行的同年）去世，他留下的遺產肯定了藝術與科学融合的生成潜力，他的作品至今仍對當代藝術和電影產生著深遠的影響。— Energy Fields: Vibrations of The Pacific