库尔特（汤姆·希林 Tom Schilling 饰）的姨母曾经被关进过集中营，最终在纳粹医生卡尔（塞巴斯蒂安·科赫 Sebastian Koch 饰）的折磨下不幸死去。虽然库尔特幸运的在柏林墙建成之前逃往了西德，但他的整个童年时代都生活在纳粹的阴影之下，这给他的人格带来了极大的创伤。 　　之后，库尔特进入了杜塞道夫美术学院就读，无法走出过去阴影的他将内心的绝望和伤痛都挥洒在了画布之上。一次偶然中，库尔特邂逅了名为艾利（葆拉·贝尔 Paula Beer 饰）的女孩，美丽活泼的艾利渐渐的治愈了库尔特内心的伤痕，当两人鼓起勇气想要将关系再推进一步时，却遭到了艾利父亲的强烈反对。

库尔特（汤姆·希林 Tom Schilling 饰）的姨母曾经被关进过集中营，最终在纳粹医生卡尔（塞巴斯蒂安·科赫 Sebastian Koch 饰）的折磨下不幸死去。虽然库尔特幸运的在柏林墙建成之前逃往了西德，但他的整个童年时代都生活在纳粹的阴影之下，这给他的人格带来了极大的创伤。 　　之后，库尔特进入了杜塞道夫美术学院就读，无法走出过去阴影的他将内心的绝望和伤痛都挥洒在了画布之上。一次偶然中，库尔特邂逅了名为艾利（葆拉·贝尔 Paula Beer 饰）的女孩，美丽活泼的艾利渐渐的治愈了库尔特内心的伤痕，当两人鼓起勇气想要将关系再推进一步时，却遭到了艾利父亲的强烈反对。

Dream Work does not so much present dream content than filmic methods of representation corresponding to Freudian dreamwork: mechanisms of displacement and condensation are seen in relation to figurative elements found in Tscherkassky’s source material. Tscherkassky processes these in a manner that resembles Freud’s description of the compression (Pressung) of dream thoughts that takes place in the work of dreams, whereby “components are turned, crumble, and get pushed together, like drift ice.” 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14624

Dream Work does not so much present dream content than filmic methods of representation corresponding to Freudian dreamwork: mechanisms of displacement and condensation are seen in relation to figurative elements found in Tscherkassky’s source material. Tscherkassky processes these in a manner that resembles Freud’s description of the compression (Pressung) of dream thoughts that takes place in the work of dreams, whereby “components are turned, crumble, and get pushed together, like drift ice.” 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14624

For every movie made, dozens of pictures remain missing forever. MISSING PICTURES gives directors a chance to tell the story that would otherwise never be told. Each episode invites one filmmaker to narrate some key points of the movie, why the movie was so important for them at the time and why it was never made. 　　Episode 1: Abel Ferrara, Birds of Prey (USA) 　　In this episode, we meet long-time independent American filmmaker Abel Ferrara. ‘Birds of Prey‘ would have been the political thriller of his dreams…until it all fell apart. The neo-noir, provocative director behind movies like Ms. 45 (1981) and Bad Lieutenant (1992), takes us with him on a journey through the heart of his unfinished story based in the 70’s New York City. 　　Episode 2: Tsai Ming-Liang, The Seven-Story building (Taïwan) 　　Tsai Ming-Liang, the Taiwanese maestro of slow cinema, doesn’t have a real “missing picture”, but what he does have are childhood memories, so vivid that it is impossible for him to film. The filmmaker seizes the medium of virtual reality to go back to the Malaysia of his childhood, when his grandparents took him to see two movies every night. Rather than telling us about an unmade film, Tsai Ming-Liang transforms the exercise into a making-of of his entire film career. 　　Episode 3: Catherine Hardwicke, The Monkey Wrench Gang (USA) 　　After Twilight Chapter 1’s huge box-office hit, American filmmaker Catherine Hardwicke tried to make an adaptation of The Monkey Wrench Gang by Edward Abbey, a cult book of the 70s American counterculture and a precursor of eco-activism. The director revisits this project which excited her so much and which became, because of the reluctance of the Hollywood studios, one of these umpteenth “ghosts of the garage”. 　　Episode 4: Lee Myung-Se, Father is gone (South Korea) 　　Father is gone could have been Lee Myung-se’s debut film, but slipped into a long hiatus instead. After thirty years busy directing unprecedented features in Korea like First Love or Nowhere to Hide, Lee finally brings the lost project back to life through virtual reality. Set against the backdrop of a family of three moving to the outskirts of Seoul in the 1960s – where the director himself grew up – Father Is Gone questions the place of the father in the traditional Korean culture. 　　Episode 5 : Naomi Kawase, Oh Debu (Japan) 　　The most celebrated female filmmaker from Japan revisits a project that she envisioned after her 2015 film Sweet Bean. Oh Debu tells the story of Aya, a 27-year-old, overweight and over romantic woman. Through this story, Naomi Kawase wanted to give herself a challenge trying to make a comedy, far from her naturalist, poetic previous work.

北京的夜生活，临近毕业就读北电的四个同寝室的好姐妹，李若溪、乔姿、晨妮、美美和北漂女演员婷婷用各自不同的方式，为自己的演艺谋出路。李若溪在古装戏的片场，咬着牙忍着痛被容嬷嬷和小明星娟姐饰演的皇后一遍又一遍的泼冷水，扇耳光、针扎。乔姿在参加明星A的生日派对，和各路明星大佬玩自拍，晒微博。晨妮在夜店包房里被几个制片人模样的人用酒从头浇到脚，一顿狂灌和乱摸。美美的脸上画满符号，在手术室里准备整容。婷婷和秦导在酒店客房里激情，后发现秦导是动画导演，一脚把他踢到床上，关门离去。李若溪、乔姿、美美、婷婷同时接到电话，赶到晨妮所在的夜店厕所，晨妮醉倒在地上，地上散乱着几个用过的套子。李若溪提议报警，但在众姐妹的阻拦下，最后选择沉默和无奈。五个女生诠释了北漂艺人的辛酸。

北京的夜生活，临近毕业就读北电的四个同寝室的好姐妹，李若溪、乔姿、晨妮、美美和北漂女演员婷婷用各自不同的方式，为自己的演艺谋出路。李若溪在古装戏的片场，咬着牙忍着痛被容嬷嬷和小明星娟姐饰演的皇后一遍又一遍的泼冷水，扇耳光、针扎。乔姿在参加明星A的生日派对，和各路明星大佬玩自拍，晒微博。晨妮在夜店包房里被几个制片人模样的人用酒从头浇到脚，一顿狂灌和乱摸。美美的脸上画满符号，在手术室里准备整容。婷婷和秦导在酒店客房里激情，后发现秦导是动画导演，一脚把他踢到床上，关门离去。李若溪、乔姿、美美、婷婷同时接到电话，赶到晨妮所在的夜店厕所，晨妮醉倒在地上，地上散乱着几个用过的套子。李若溪提议报警，但在众姐妹的阻拦下，最后选择沉默和无奈。五个女生诠释了北漂艺人的辛酸。

现代名医苏清妍因一次意外事故穿越到古代，变成了小说中的恶毒女配，苏清妍因知道小说结局，计划远离男主和女配，奈何在一次又一次的碰撞跟误会之中，原小说男主顾辰砚对她产生了好感，女配江映雪害怕苏清妍抢了自己的盛宠，于是三番四次试图想害死苏清妍。苏清妍一次一次逃脱江映雪的圈套，却感到后怕，于是决定假死逃离王府，却不想自己竟然怀上了王爷顾辰砚的骨肉。

现代名医苏清妍因一次意外事故穿越到古代，变成了小说中的恶毒女配，苏清妍因知道小说结局，计划远离男主和女配，奈何在一次又一次的碰撞跟误会之中，原小说男主顾辰砚对她产生了好感，女配江映雪害怕苏清妍抢了自己的盛宠，于是三番四次试图想害死苏清妍。苏清妍一次一次逃脱江映雪的圈套，却感到后怕，于是决定假死逃离王府，却不想自己竟然怀上了王爷顾辰砚的骨肉。