996打工人猝死后，魂穿成年代文里的可怜炮灰。父亲牺牲的功劳被亲人霸占，订亲对象遭堂姐横刀夺爱，原主惨烈殉情。她的到来终结悲剧，绝望之际意外激活开荒系统，不仅恢复健康，还获得生存资源。从此她摆脱软弱，凭借系统与智慧，向那些剥削、伤害她的人展开复仇，在艰难年代为自己与母亲闯出新生。

兄妹梅根和诺亚在父母地下室发现一具埋藏多年的尸体，由此坠入犯罪与谋杀的深渊。

相貌平平、年过而立的亨里克（Henrik）虽然要当爸爸了，却仍想保持青春的幻想，作为一个不称职的爸爸恣意妄为、逃避责任。然而，他的不称职和戏谑通过讽刺的方式掩盖了他缺失安全感，想要逃避周遭的世界。本片参杂着生活的辛酸，凭借真实性以及演员生动的表演荣获2012年卡罗维发利国际电影节最佳影片、最佳男演员两项大奖。

美国的一部纪录片，生动再现了在欧美成年人人群男女生活对平凡中激情的渴望与自然的向往……

美国的一部纪录片，生动再现了在欧美成年人人群男女生活对平凡中激情的渴望与自然的向往……

高中生户川博人在一次演唱会上认识了女大学生新村萌香，并对她一见钟情，谁知道天意弄人，萌香居然是博人“优秀”的哥哥的女朋友，从而使他产生了自卑感，同时他和班里的好友田边顺平一起结识了弱智室冈仁、社会上的小混混坂诘五郎、以考上东大为人生目标的高才生神谷勤，五人成为了好朋友，也共同面临着成长的甜酸苦辣……当少年们集体出走到山林中一起开始新的生活时，幼稚的他们自认为已经逃脱了肮脏的现实社会，然而…… 　　《未成年》绝对称的上是现实主义剧集的经典之一，它通过五个少年以及发生在他们生活中的各种各样的事，批判了成人世界的腐败与黑暗和人与人之间越来越淡薄的爱情、友情与亲情。值得一提的时剧中的年轻演员们表演绝对的出色到位，尤其是演弱智少年室冈仁的香取慎吾和女主角新村萌香的樱井幸子，前者把一个虽然弱智心地却非常善良的少年演的形象生动，后者同样演一个身体上有缺陷，但却纯洁善良的无可挑剔的完美女性，虽然一开始便觉得她有可能有悲剧性的结局，但却仍然被她后来那勇敢去爱不惜付出年轻生命的勇气所感动！作为野岛伸司校园三部曲的第二部（其余两部是《高校教师》和《人间失格》），很好的表现了野岛作品一贯的批判主义风格，让人看后内心久久不能平静，从而引申出更多的想象。

《未成年》根据同名话剧改变拍摄，讲述17岁的少女在非正常的成人世界中，与同年级的朋友一起经历的故事。

《未成年》根据同名话剧改变拍摄，讲述17岁的少女在非正常的成人世界中，与同年级的朋友一起经历的故事。

A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. 　　Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. 　　Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.