A woman arrives as an acquaintance of a sister in law for a day under the bar master Tamura who had guided Yakuza's escaping.

In 1861, Countess Angelina, ruler of Bergamo in southeastern Europe, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome Hungarian invader, Colonel Teglash, who commandeers the castle to give his exhausted soldiers a rest, but later falls in love with the owner of the place. 　　The film was Lubitsch's first musical project since directing The Merry Widow for MGM in 1934. It proved to be his last film. Eight days after principal photography began, he died of a heart attack, and Otto Preminger, who had completed A Royal Scandal when Lubitsch was forced to withdraw due to illness in 1944, took over the reins. He stipulated sole screen credit should go to Lubitsch "as a mark of respect and admiration for the departed master."

In 1861, Countess Angelina, ruler of Bergamo in southeastern Europe, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome Hungarian invader, Colonel Teglash, who commandeers the castle to give his exhausted soldiers a rest, but later falls in love with the owner of the place. 　　The film was Lubitsch's first musical project since directing The Merry Widow for MGM in 1934. It proved to be his last film. Eight days after principal photography began, he died of a heart attack, and Otto Preminger, who had completed A Royal Scandal when Lubitsch was forced to withdraw due to illness in 1944, took over the reins. He stipulated sole screen credit should go to Lubitsch "as a mark of respect and admiration for the departed master."

Between alcohol, dreams and depression, two declining actresses play out the comedy of everyday life in a flat, under the gaze of stars of yesteryear. Theatre and life mingle to the point of madness. 　　源自：https://fidmarseille.org/en/film/femmes-femmes/

Between alcohol, dreams and depression, two declining actresses play out the comedy of everyday life in a flat, under the gaze of stars of yesteryear. Theatre and life mingle to the point of madness. 　　源自：https://fidmarseille.org/en/film/femmes-femmes/

The international premiere of Le Streghe, femmes entre elles (France/Italy), like last year’s heart-rending Le Genou d’Artemide, is based on Cesare Pavese’s Dialogues with Leucò. Nature’s splendour, as Straub has always filmed it, pulses with everlasting energy throughout this delicately profound chimerical intersection of im/mortality.

미국에서 막 돌아온 수줍고 얌전한 유라는 활발하고 도전적인 진희의 집에 얹혀살게 된다. 친구 사이지만 때론 자매 사이 같은 그들. 어느 날 방송국에서 일하는 진희 앞에 플레이보이 PD 현우가 나타나면서 사태는 미묘하게 변한다. 그는 두 여자를 동시에 유혹하고, 둘의 우정은 질투로 바뀐다. 　　刚刚从美国回来的害羞而温柔的Yura将生活在充满活力和挑战性的Jin-hee的房子里。朋友之间，但有时在姐妹之间。有一天，当花花公子PD Hyunwoo出现在车站的Jin-hee面前时，情况微妙地变化了。他同时诱惑两个女人，他们的友谊变成了嫉妒。

林文山是个朴实勤劳的人力车夫，因牵涉到一件凶杀案而惶惶不安，一位干练正直的刑事陈正雄在命案现场发现的蛛丝马迹，证明林文山与凶杀案有关，将之逮捕，经过慎重调查结果，断定林文山只是个被人嫁祸的受害者，于是向林文山太太秋华保证日内即可释放，当陈正雄正对凶嫌握有线索时……