久未谋面的抓马姐姐突然造访，使牧师弟弟开始正视自己的同志身份，并向一直暗恋的同事袒露心迹。

An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious

1992年，少年谭珊蒂和她的朋友索菲和茉莉拍摄了新加坡的第一部独立电影-一部名为“偷懒者”的公路电影-和他们神秘的美国导师乔治·卡多纳(Georges Cardona)一起拍摄。桑迪写了剧本，饰演主角，一个叫S的杀手。拍摄结束后，乔治和所有的镜头一起消失了！20年后，16毫米罐在新奥尔良被找到，桑迪-现在是洛杉矶的小说家-开始了一场跨越两大洲和许多媒体的新的个人奥德赛：16毫米、数码、Hi8、Super8、幻灯片、动画和手写信件。万花筒朋克摇滚鬼故事！

劳拉默默承受着她自恋男友的无尽抱怨，心中满是愤怒。她感觉自己被世界遗弃，在单调乏味的公寓楼群中徘徊，试图找到一丝可以抓住的慰藉——然而，音乐却总是在别处响起。

劳拉默默承受着她自恋男友的无尽抱怨，心中满是愤怒。她感觉自己被世界遗弃，在单调乏味的公寓楼群中徘徊，试图找到一丝可以抓住的慰藉——然而，音乐却总是在别处响起。

本剧改编自田口囁一的同名作品。故事围绕以“可爱”为最大优点的无业“前辈”与被截稿日期穷追不舍的漫画家“后辈”共同展开的逃避现实题材喜剧。两人时而尝试用匪夷所思的方法封印现代人寸不离身的手机，时而在公园重拾童心，时而用稿费购买豪华食材……在这个人人强调时间性价比与成本效益的时代，她们不顾时间与金钱，更不顾及后果，只要灵光一闪就立刻行动，尽情上演一场场“逃避现实”的戏码。

本剧改编自田口囁一的同名作品。故事围绕以“可爱”为最大优点的无业“前辈”与被截稿日期穷追不舍的漫画家“后辈”共同展开的逃避现实题材喜剧。两人时而尝试用匪夷所思的方法封印现代人寸不离身的手机，时而在公园重拾童心，时而用稿费购买豪华食材……在这个人人强调时间性价比与成本效益的时代，她们不顾时间与金钱，更不顾及后果，只要灵光一闪就立刻行动，尽情上演一场场“逃避现实”的戏码。