该剧讲述了清代宫廷画师郎世宁的曲折一生，以一位西方画师历经变迁的历史史实，再现了康、雍、乾三代盛世王朝种种鲜为人知的宫廷秘史。

As Henry VIII’s court painter, Hans Holbein witnessed and recorded the most notorious era in English history. He painted most of the major characters of the age, and created the famous image of the king himself that everyone today still recognises. But who really was Holbein? Where did he come from? And what were the dark and unsettling secrets hidden in his art? Waldemar Januszczak looks at the life and work of an artist who became famous for bringing the Tudor age to life, but who could have been so many other things.

因为嫉妒温宁能力强，苏禾联合温宁暗恋了十年的小竹马联手欺骗她，意图害她失去一切。心知肚明的温宁，假意沦陷在与宋奕然的爱河中，将百亿项目和公司首席执行官的岗位拱手相让。正当苏禾沾沾自喜，在调任仪式上大放厥词：要让温宁一无所有。殊不知，温宁早已拿到百亿合作，正等着揭穿苏禾的龌龊诡计。

穿成书中同名恶毒反派，开局就面临被主角团虐杀的结局。危急时刻，【疯狂贴贴系统】绑定成功，只要与关键人物贴贴就能获得保命技 能、逆天 buf。为了活下去，她被迫开启“贴贴狂魔”模式，黏主角、缠大佬、抱反派大腿。

穿成书中同名恶毒反派，开局就面临被主角团虐杀的结局。危急时刻，【疯狂贴贴系统】绑定成功，只要与关键人物贴贴就能获得保命技 能、逆天 buf。为了活下去，她被迫开启“贴贴狂魔”模式，黏主角、缠大佬、抱反派大腿。

池浅修仙失败后穿入书中成为女反派。原本以为池家是小门小户，却不想成为三个舅舅的团宠，外公池厉森更是富可敌国的富豪，瞬间她就想躺平了。池厉森不想池浅一事无成，他监督池浅学习，却不想池浅就像有特异功能一样，竟然无师自通。

画师高原（王冬 饰）因生活失意一心寻死，他雇到一名理发师来杀自己。然而在其经纪人关平（王辰昊 饰）的帮助下，一场拍卖会改变了他的境遇，也把他的命…

Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery. 　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其。被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。 　　http://www.tianya.cn/publicforum/Content/filmtv/1/81184.shtml

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.