穿越当天谢无奕对前来劝降的柳惜音展开反杀，在朝堂上逆风翻盘，太后萧文茵本想栽赃陷害，却被谢无奕怼得无言以对，谢焕勾结匈奴使臣冒领，妄图借刀杀人，却被谢无奕识破奸计，最终谢焕被罢官，谢无奕官升景位。

穿越当天谢无奕对前来劝降的柳惜音展开反杀，在朝堂上逆风翻盘，太后萧文茵本想栽赃陷害，却被谢无奕怼得无言以对，谢焕勾结匈奴使臣冒领，妄图借刀杀人，却被谢无奕识破奸计，最终谢焕被罢官，谢无奕官升景位。

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15245

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15245

31 min 荷利斯•法朗普顿

31 min 荷利斯•法朗普顿