郑州火车站是中国最重要的交通枢纽，通过拥挤不堪的人群和各种各样复杂的情况，你能看到一个中国火车站是怎样的情形。傅建生和刘永利就在这个车站工作，傅建生自从前妻死了以后就生活在个人的回忆之中，对于他来说他的精神生活是永远追求不到的。然而刘永利却没有多少精神上的追求，他想做一个现代人，融入这个社会，于是他贷款买了一所大房子。本片故事就从这里开始，你能看到今天中国人对精神和物质的双重需求，也能看到他们在理想与现实的冲突。

关于一个新来到小城中，从事各种工作的工人的打闹喜剧。

关于一个新来到小城中，从事各种工作的工人的打闹喜剧。

广州女孩苏枚经营着一家愿望寄存小店，在为无数人汇集“幸福愿望”的同时，她却因自己的“幸福”陷入困惑：恋爱长跑多年，苏枚一直以为自己的幸福就是等到海外男友的一纸婚约。可当“幸福”终于来敲门时，苏枚心中却打起了退堂鼓，因为“幸福”的代价，却是远离故土亲人，放弃自己用心浇灌经营的愿望小店。 　　举棋不定的苏枚决定与小店合伙人踏上一段归还“愿望”的公路之旅，这是一场与故乡道别的漫长仪式，更是一场带着灵魂去旅行的自我发现之旅。在这趟旅途中，苏枚会经历什么有趣的故事，最终又会做出什么决定呢？

Enriched by cinematography as remarkable as the filmmaker's work on Zaynê Akyol's Rojek, this documentary by director Arshia Shakiba situates viewers amid the oil refineries in Syria's war-ravaged north, a landscape that may seem post-apocalyptic but lives in our ever-more alarming present.

Enriched by cinematography as remarkable as the filmmaker's work on Zaynê Akyol's Rojek, this documentary by director Arshia Shakiba situates viewers amid the oil refineries in Syria's war-ravaged north, a landscape that may seem post-apocalyptic but lives in our ever-more alarming present.

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. 　　At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. 　　But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. 　　I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. 　　by D.R. [email protected]

北京某娱乐报社记者小米（李小璐 饰）与妇产科医生金亮（王雷 饰）地下恋多年，偷偷领了结婚证。此事在小米家引起了轩然大波。小米父母早年离婚，母亲王淑华（宋丹丹 饰）寡居，而父亲米范（范明 饰）已经续弦。本来，王淑华希望小米找个北京男，谁想冒出个北漂男，而且还生米煮成熟饭。 这令她大为恼火，大动干戈，心脏病都犯了，在前夫的劝说下，好歹接受了这个现实。不过，办婚礼的地点又却引发了双方新的战争。来自东北煤矿金亮爸为他们购置了新房，并进行了装修。但是希望婚礼在沈阳举行。这遭到了王淑华的坚决反对，她坚持婚礼要在北京办。后来，小两口为了都不得罪，打算改旅行结婚。结果，王淑华坚持要陪小两口旅行结婚当电灯泡。

北京某娱乐报社记者小米与妇产科医生金亮地下恋多年，偷偷领了结婚证。此事在小米家引起了轩然大波。小米父母早年离婚，母亲王淑华寡居，而父亲米范已经续弦。本来，王淑华希望小米找个北京男，谁想冒出个北漂男，而且还生米煮成熟饭。这令她大为恼火，大动干戈，心脏病都犯了，在前夫的劝说下，好歹接受了这个现实。不过，办婚礼的地点又引发了双方新的战争。来自东北煤矿的金亮爸为他们购置了新房，并进行了装修，但是希望婚礼在沈阳举行。这遭到了王淑华的坚决反对，她坚持婚礼要在北京办。后来，小两口为了都不得罪，打算改旅行结婚。结果，王淑华坚持要陪小两口旅行结婚当电灯泡……双方互不相让，你来我往，各显神通。令金亮与小米夹在中间，左右为难。他们的爱情经受得住这此起彼伏的考验吗？

四月初，当严冬独自笼罩的漫漫长夜过后，又一个春季的黎明发出召唤，此时正是交配的大好时光。稀有生物“金太狼”金亮（王雷饰）从冬眠中醒来，开始蠢蠢欲动。金亮拥有一份令全天下男人羡慕嫉妒恨的职业--妇科医生，每天都要由内而外地接触形形色色的女子。　　一直单身自给自足的金亮也渴望有一份属于自己的爱情，过上幸福和性福的生活　此时，三个性情各异的姑娘闯入了他的领地 --“女客户”青春靓丽的女画家颜子淳（潘之琳饰）、“女上司”外冷内热的主任医师杨晓梅（姚芊羽饰）、“女同屋”青梅竹马的妹妹小青（李小萌饰），并分别占据了他的身体、内心和生活。在三个女孩之间，金亮开始寻找他的爱情和幸福....