这个男人正在和一个身材很好的男人打台球，女人撒娇要男人教他，他求之不得，正要上手时一闭眼睛竟穿越到了古代，成为了楚国质子，此刻正躺在棺材中。皇上正在苦想诗对子，这是躺在棺材里的陈渊对上了，却吓了皇上一跳，因为御医明明已经检查过气息全无，皇帝以为陈渊是因为有什么心愿未了，便答应帮他实现让他安心的去。可陈渊说他本已进入了地府，但阎罗王说陛下有难，便派他来保护陛下，因为他是在世诸葛卧龙。皇帝将信将疑，突然想起陈渊刚刚对的绝句，或许他真是来保护陛下的。陛下十分欣赏他，还说等他下朝后必定重重赏赐。这下，八国使者出的难题终于可以对上了....

这个男人正在和一个身材很好的男人打台球，女人撒娇要男人教他，他求之不得，正要上手时一闭眼睛竟穿越到了古代，成为了楚国质子，此刻正躺在棺材中。皇上正在苦想诗对子，这是躺在棺材里的陈渊对上了，却吓了皇上一跳，因为御医明明已经检查过气息全无，皇帝以为陈渊是因为有什么心愿未了，便答应帮他实现让他安心的去。可陈渊说他本已进入了地府，但阎罗王说陛下有难，便派他来保护陛下，因为他是在世诸葛卧龙。皇帝将信将疑，突然想起陈渊刚刚对的绝句，或许他真是来保护陛下的。陛下十分欣赏他，还说等他下朝后必定重重赏赐。这下，八国使者出的难题终于可以对上了....

顶级侦探在任务中遭暗算，灵魂意外穿越到一名犯罪嫌疑人身上。醒来时，他已被卷入案件，身缠嫌疑与不利证据。凭借前世积淀的刑侦记忆与实战经验，他沉着梳理线索，从蛛丝马迹中觅得突破口，逐步洗脱自身嫌疑。同时，他以专业视角指引调查，助警方厘清迷局、锁定真凶，在错位身份中完成破案使命。

风流仙医重生废物赘婿，以超凡医术逆袭都市，惩恶扬善，抱得美人归！

故事讲述乌娜13岁时与雷有过一段禁忌情缘，甚至涉及到猥亵未成年少女。15年后，乌娜突然来到雷的办公室寻找答案，人到中年并已经开始新生活的雷不得不面对那段过往。

致瘦弱却勇敢的灵魂——五个来自斯威士兰的孤儿，将他们曾经遭受的创伤融合进创意的笔触，在这些孩子原创的画面里，我们看到的，是一个瘦弱却勇敢的年轻女孩，挑战未知的冒险，这是liyana的故事，也是斯威士兰孩子们的故事。

老妪娜巴特和丈夫伊斯坎德尔生活在远离村庄的偏远小屋。伊斯坎德尔曾是森林巡逻队队员，现在病重在家休养。而战争肆掠此地已久，他们的儿子也在前线牺牲了。老妪家唯一的经济来源是一头奶牛，她隔些日子会去村子里卖牛奶。战争的阴云笼罩着大地，村庄渐渐人去楼空，老妪的生活也举步维艰…… 　　《娜巴特》改编自阿塞拜疆导演Elchin Musaoglu在苏联解体时期听到的一则故事，首映于2014年威尼斯电影节地平线单元。

一位名叫Nona的奶奶原本计划计划在休息日与世隔绝，观看她最喜欢的摔跤比赛。但当她5岁的孙女Renee意外被送来时，她在自己最喜欢的两件事之间犯起了难。孙女想让她陪着玩，而平时溺爱孙女的Nona此时真的想看摔跤比赛，两人在一番对峙之后达成了爱的妥协。

故事讲述乌娜13岁时与雷有过一段禁忌情缘，甚至涉及到猥亵未成年少女。15年后，乌娜突然来到雷的办公室寻找答案，人到中年并已经开始新生活的雷不得不面对那段过往。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses