The film is set in a modern day ‘Berlin Republic’ liberated from all irrelevancies. It’s about artistic production, the creative industries and above all film and cinema – a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips. She’s no hippie broad, but rather a modern-day warrior, verbally sparring with legendary actress Hannelore Hoger, her ‘film mother’, about her hobby of urban gardening. After the relentless competition between curators over the funding for her exhibition ‘The Cinema! The Art’, for which Hannelore Hoger even whispers inaudible recommendations into the ear of the German President, Asta ultimately plumps for international backing from an Indian friend. He luckily happens to be with her out in the country when she bumps into her arch-enemy Ms Top Cultural Department Brass, a meeting with far-reaching consequences. The film is an entertaining dissection of the current state of the cultural industry, for which ‘left-wing’ and ‘right-wing’ are relevant, yet oddly obsolete categories. (Berlinale 2014)

An ensemble comedy about the meaning of matrimony@HD1TJ

Gaston Fleury's (Monte Blue) wife, Loulou (Marie Prevost), takes a perfunctory interest in music but a deeper one in a musician named Maurice (John Roche). Although Gaston has no intention of releasing his wife into the hands of Maurice, he feigns willingness to give Loulou a divorce. Loulou then becomes bored with Maurice, and clever maneuvering on the part of Gaston brings her to want desperately a reconciliation with him. He happily fulfills her wish.

经历了孤独绝望的童年，Salih终于离开了孤儿院踏上了寻找记忆中的家的旅程，为了生存，他在一个塞尔维亚人的农场上做工。然而，在他最意想不到的时刻，他找到了一个可以被称为家的地方。然而过去的阴影始终徘徊在他的心中，他是否能够摆脱曾经的不幸，展开新生活呢？随着不断增加的紧张感，隐藏着巨大秘密的水面下，是一个家庭扣人心弦的故事，它饱含爱和认同，《母亲的伤痛》所讲述的就是Salih摆脱过去寻找新希望的故事。@m.yakutv.cc

ヤクザの2代目を継いだ男と、幼馴染みで敵対する組の男との友情を描く小林信彦の同名小説を、森田芳光監督が映画化した青春やくざドラマ。夕張トオルは、大阪のヤクザ夕張組の一人息子だが、家業を継がず銀行員として働いていた。ある日、組長の父が四国でライバルの三池組系元ヤクザと喧嘩をした。しかし、トオルの活躍でコトは大きくならずにすんだ。一方、トオルの高校の同級生で、三池組の桐山恵も無意味な争いはしたくなかった。トオルは夕張組をゲーム用品の製造会社にして後を継ぎ、大きなビジネスを目指していた。恋人ミキの父で御殿山コンツェルン総裁の援助も期待できる。夢は黒浜を日本のラスベガスにすることだった。友情厚いトオルと恵は、ビジネスで組みたいと考えていたが・・・。

ヤクザの2代目を継いだ男と、幼馴染みで敵対する組の男との友情を描く小林信彦の同名小説を、森田芳光監督が映画化した青春やくざドラマ。夕張トオルは、大阪のヤクザ夕張組の一人息子だが、家業を継がず銀行員として働いていた。ある日、組長の父が四国でライバルの三池組系元ヤクザと喧嘩をした。しかし、トオルの活躍でコトは大きくならずにすんだ。一方、トオルの高校の同級生で、三池組の桐山恵も無意味な争いはしたくなかった。トオルは夕張組をゲーム用品の製造会社にして後を継ぎ、大きなビジネスを目指していた。恋人ミキの父で御殿山コンツェルン総裁の援助も期待できる。夢は黒浜を日本のラスベガスにすることだった。友情厚いトオルと恵は、ビジネスで組みたいと考えていたが・・・。

As part of the vision, EDGLRD will develop a new roster of talent. EDGLRD has recently teamed with music video maestro Stillz – a key Bad Bunny collaborator, and director of the videos for “Where She Goes” and “Monaco” – to translate the director’s unique visual sensibilities into a supernatural thriller. The project shot last month and is now in post-production, with EDGLRD aiming for a release this year.

As part of the vision, EDGLRD will develop a new roster of talent. EDGLRD has recently teamed with music video maestro Stillz – a key Bad Bunny collaborator, and director of the videos for “Where She Goes” and “Monaco” – to translate the director’s unique visual sensibilities into a supernatural thriller. The project shot last month and is now in post-production, with EDGLRD aiming for a release this year.