目が覚めると、そこは見知らぬ森だった。 　　どうやらここは俺の知らないファンタジー世界らしい。 　　周囲を見渡せば、おっかない異形の魔獣だらけ。自分の姿を見てみたら、そこには…・・・って、オイ！ 　　俺、卵に転生したっていうのかよっ！？ 　　進化先にドラゴンとはあるものの、そもそも卵から孵るには魔獣を狩ってLVを上げなきゃいけないっぽい。 　　戦うなんて絶対無理！だって俺、卵じゃああぁああああん！！ 　　なんとか進化はできたものの、せっかく出会えた人間からは“モンスター認定”される始末。 　　俺はただ、人間と仲良くなりたいだけなんだよおおおおお！！ 　　いつだって絶体絶命！

为正式布局动漫产业，光线影业宣布成立彩条屋影业。本期立项中出现的《救命！我变成了一条狗》便是彩条屋此前曝光的22部新片片单中的一部。《救命！我变成了一条狗》是作者使徒子创作的网络连载漫画，讲述了男主角卞构某天阴差阳错之下，与爱宠中华田园犬“一条狗”交换了身体。并用它的身体拯救世界的故事。

松泽教授带领的京都大学的灵长类动物研究所，探索作为人类的我们是谁达38年。松泽和他的研究团队一直在检测黑猩猩大脑的各个方面。从探索黑猩猩节奏感、到黑猩猩的语言能力、理解数字规则的能力、再到黑猩猩的记忆能力与观察学习能力，松泽教授得出了许多意料之中与意料之外的结果。在有的方面人类比黑猩猩更优越，然而其他方面我们却比黑猩猩更逊色。那到底是什么成就了我们人类在地球上的霸主地位？在进化的过程中我们得到了什么并失去了什么？让我们来一探究竟。

双料博士实验失败却意外穿越，回到古代当了驸马，现代博士如何赢得公主芳心，帮助国家重新崛起！

双料博士实验失败却意外穿越，回到古代当了驸马，现代博士如何赢得公主芳心，帮助国家重新崛起！

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.