现代医学博士叶南希穿越至昭烈国成痴傻王妃，以手枪救镇北王厉景琛后逃离，遗落手枪。厉景琛误认其为林招娣，带回王府。林招娣冒名顶替，刁难叶南希，反自食恶果。厉景琛在相处中爱上叶南希，隐忍守护。面对君与外敌，厉景琛在叶南希辅助下夺回兵权，救万民于水火。最终，厉景琛登基，叶南希为后，废除后宫，共谱一生一世一双人的佳话。

身为王妃的卫姝意殚心竭虑侍奉丈夫，照料怀孕的妾室亲妹，换来的却是他们如碾死一只蚂蚁一般轻易地扼杀了自己可怜可爱的幼女。

统率着作为邪恶化身的魔族，以暴力与权力不断侵略世界的魔王阿里曼。然而，这位魔王不知为何突然停止了所有的侵略行为！魔界最强的魔王停止侵略的理由……竟然是——魔王家的女儿瞳也太温柔了吧！！ 　　虽为魔族之身，瞳的温柔却深不见底。这份温柔之强大，就连凶残的魔族、暴戾的魔物、被奴役的人类，乃至势不两立的天使，都能被治愈得心都化开。女儿这副模样，让魔王担心得不得了，哪还有心思去侵略啊。看到魔王苦恼的模样，近臣贾希决心要将瞳培养成出色的魔族，于是开始对她进行各种试炼。然而贾希尚未察觉，这些试炼反而会让瞳的温柔之心愈发闪耀……而瞳的这份温柔，正在这个毫不温柔的世界里激起阵阵涟漪——

公元前222年，秦始皇派大军征服了岭南，赵佗临危受命建立番禺城。楚汉争霸，刘邦建立大汉王朝，赵佗在岭南实施了一系列融合汉越民族的政策，让汉越通婚，大力发展丝绸之路，让岭南纳入中原王朝的版图，平定暴乱，消除割据。元鼎六年秋天，楼船将军杨仆率兵攻陷寻峡，汉武帝为了断绝以后在南 越王地方的动乱，斩首赵建德，维护了南越的稳定。让中原地区和岭南地区的经济交流畅通无阻，先进的汉族生产力和生产工具传入岭南，大规模推动岭南的经济发展。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.