At the end of the 19th century, Joseph Ferdinand Cheval (Jacques Gamblin), is a simple postman who travels every day along the Drôme, from village to village. Alone, he is upset when he meets the woman of his life, Philomena (Laetitia Casta). From their union Alice was born. For this child he loves more than anything, Cheval then throws himself into a crazy gamble: to build her with his own hands, an incredible palace. Never spared by the ordeals of life, this ordinary man will not give up and will devote 33 years to build an extraordinary work: "The Ideal Palace".

Jung-kyoung is looking for her younger sister Hoo-kyoung while Chang is a computer whiz who stays on at the rest stop after losing his job. KIM Bak is a reporter and photographer for the local Tongyeong media who frequents the rest stop. Onna is a famous blogger who works at the rest stop and dreams of a new Asian highway. It is also the virtual journey of the 880-thousand-won generation. They show the sense of loss, loneliness, and communication in this digital age. An older sister searching for a young sister who has run away from home, an animator who wanders around aimlessly after leaving his job, a reporter, and the employees of the rest stop.

Swallowtails in science fiction is the division of time into several streams, each of which has its own actions. In the spring of 2022, many people in Russia took to the streets with solo picketing. But it was forbidden to film them. It was forbidden to film anything in Russia. At that time, a film competition was announced in Moscow — about how the youth saw the city. We decided to use this opportunity and film the Kremlin wall. The Kremlin wall turned out to be the only thing you can film in Russia.

讲述了最不能忍受游戏或案件调查被卡住的宅女侦探具景伊的搞笑破案剧。具景伊 --- 李英爱 饰警察出身的保险调查官。曾经是有实力的警察，现在是与…

医药世家传人云织织过劳猝死后穿越，成守活寡三年的军嫂，带双胞胎到军区找丈夫秦时郁离婚。过程中，她展露医术，揭露婆家扣津贴、娘家下药等真相，夫妻解开误会，共同面对危机，最终放弃离婚，迎来幸福生活。

医药世家传人云织织过劳猝死后穿越，成守活寡三年的军嫂，带双胞胎到军区找丈夫秦时郁离婚。过程中，她展露医术，揭露婆家扣津贴、娘家下药等真相，夫妻解开误会，共同面对危机，最终放弃离婚，迎来幸福生活。

女教师到某穷乡僻壤赴任。整个村子村民相互都有姻亲关系。令女教师分外奇怪的是村子里还住着一个游手好闲的无赖汉。原来，这个无赖汉身份特殊，他的任务是满足全村妇女的性要求……某日，等待未婚夫的女教师遭到无赖汉的强暴……

刘雨佳近期的计划都与中国的“边疆”，与少数民族地区相关。她往往进行长时间的调研工作，在当地与不同人群进行接触，以从中获取灵感。在《远山淡景》（2018）中，我们透过Chantal Akerman式的长镜头，以一种极度安静的方式观察了一位当地女性的生活。这种方式造成了一种介于虚构与纪录之间的状态：我们貌似看到了这位身份特殊的女性生活的全部细节，但又被遮蔽于她神秘的过去之外；或者说，女主人公仿佛是“活着的证物”，而我们正在目睹那段历史的遗存与逐渐消逝。影片中的空间需要特别注意，它们往往构成彼此冲突的关系：安静的生活空间与喧闹的展示空间，单色调的戈壁与色彩丰富的室内，民族化的装饰与公共空间（台球厅）的去地域化。这种空间冲突形成了这部极为沉静的电影的节奏变化，提示着时间在此的多重性。