<(Welcome to) The Planet of Orchids> is a cinematic anthology exploring the fascinating lives of orchids and their intricate relationships with neighbouring species. In this film, orchids are portrayed as indigenous beings who have thrived despite humans' indiscriminate colonization of ecosystems. Orchids take centre stage as protagonists, unfolding their unique or ordinary narratives from a plant-centred viewpoint. As such, the diverse and multidimensional dynamics of the transhuman community, which all ecosystem members belong, are revealed, and human audiences finally encounter 'Planet Orchid'.

影片根据真实新闻事件改编。屠夫奥利格从拉脱维亚来到比利时打工，但处处碰壁的他没有找到工作，却落到了无赖工头安德烈的手上。他发现自己的生活逐步陷入了绝望之中。本片是拉脱维亚导演尤里斯·库赛蒂斯第二部剧情长片，于2019年在戛纳电影节导演双周单元首映。

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

故事发生在十九世纪的英国，一个弃婴被本地教会收留，抚养他的女管事给他取名叫奥利弗。奥利弗在孤儿院里饱受虐待，九岁的时候先是在工厂劳动，然后又被卖到殡仪馆，他因此逃亡到伦敦。在伦敦男孩遇到少年扒手亚特佛，并加入了由费金所领导的扒手集团。当道奇行窃之时，奥利弗因为看起来有行窃嫌疑而被警察逮捕，被证实是无辜后，被窃的是布朗洛先生，为了弥补自己的过失，他把奥利弗带回家并且照顾他。布朗洛的亲戚孟斯调查发现原来奥利弗正是布朗洛的侄孙，为了不让遗产落入奥利弗手中，孟斯与费金勾结设计谋害奥利弗。最终真相大白，可怜的孤儿回到了他自己真正的家。

1953年，Stan Laurel和Oliver "Babe" Hardy是世界上最受欢迎的喜剧二人组，在英国综艺厅进行巡演。随着年龄的增长和他们作为好莱坞喜剧之王的黄金时代的结束，他们面临着不确定的未来。两人开始在全国各地巡回演出，观众人数少得令人失望，但是他们总是能够让彼此开怀大笑，他们表演的魅力和美丽也在观众的笑声中闪耀，他们与大批崇拜他们的粉丝重新建立了联系，不管是新的还是老的。

“劳莱与哈台”是电影史上最著名的双人喜剧搭档，成名与活跃在上世纪20年代的好莱坞默片大银幕。其中斯坦·劳莱是一个来自英国的瘦子，而奥利佛·哈台则是美国的胖子，两人形象一对比产生了很多喜剧效果。这部BBC的传记片《斯坦和奥利》将讲述这两位喜剧演员在1953年英国巡演中发生的故事，此时他们早已离开大银幕，是一对儿过气明星，而这次演出很可能是他们的最后一次合作。

由内尔瓦纳出品的《奥利的背包》是一部关于13岁奥利的动作喜剧，讲述了奥利与他的朋友克莱奥、伯尼和怪物训练师沃夫斯基船长一起，保护和控制着通往怪物王国的背包入口的奇妙冒险故事。

Alone in his kitchen in Bucharest, Dorel prepares for what seems to be a party. Actually, it's his son's wedding which takes place in the USA. Dorel is going to watch the wedding through a webcam together with two of his son's friends. On the small display they are going to meet the bride and her father and will witness the ceremony. A bitter-sweet story about scattered families and lonely parents.