一群邪恶的生化人从地球的未来绑架人类作为奴隶，并把过去的恐龙当作追踪者使用。他们的一个奴隶逃跑了，逃到了现在的洛杉矶。在那里，他必须击退半机器人和他们的追踪者、警察和政府，由一名妓女转变为修女，经营着一个中途宿舍。

After the gruesome events on Caprini, Sharp and his elite team of tough, witty and trigger happy space Marines must now head out to the icy planet Mezzo to investigate further Ma'har activities. What they will encounter will defy their imaginations as they tackle giant man eating snow worms, an underground city of Cyborgs, a slew of murderous alien entities and maybe, finally, the ever elusive Ma'hars.

MMD创意制作，创造和印象不一样的二次元角色

MMD创意制作，创造和印象不一样的二次元角色

The Airship Destroyer is playing on the ever-recurring fear of invasion. All the same, the futuristic aspect of the threat makes it very original. For that matter, this film is subject to a particular destiny. 　　Six years after being first shown, it is projected again in 1915. At that time, the terror of zeppelin air raids hangs over England. Several bombings claim very many lives in Yarmouth and King’s Lynn. London is also aimed at. It is only in 1917 that the creation of anti-airship incendiary bullets and of a special regiment in the Royal Air Force contains the deadly raids. 1,500 British subjects are victims of this modern war instrument foreshadowed in this film. 　　The airships are made using special effects. The animation and the models are the work of a master: the underestimated Walter. R. Booth. Before even contributing to the early stages of cinema, Booth exercises his creativity and exuberant imagination as an amateur magician. From 1889 on, he produces films containing “tricks” that allow him to combine traditional drawing and animation techniques. His taste for science fiction feeds on numerous inspirations, particularly on the French Georges Méliès and Jules Verne. 　　In 1906, Booth joins the Charles Urban Trading Company. This producing company favors films that cover news, travel, science and natural history. Its founder, Charles Urban, born in the United States to German emigrant parents, radically develops cinema in England. His company supports Booth who sets up his studio in his garden of Isleworth. However, after a few years, Booth gives up and takes on advertising. His work remains unfortunately ignored, as does the rest of his career. 　　The original element is a dyed print on nitrate film base, which went from a private collection to the Deutsche Kinemathek in the sixties. It was reprinted at the Studio Cine laboratory using the Desmet color restoration system in 2003.

站壁街曾经流传过这样的故事，故事发生的年代已不重要，故事的女主角雪莉是站壁街的流莺之一，与她同样靠站壁出卖身体的还有西施、小美、露露、秋子等人。由于雪莉有一段悲惨的过去，因而沦落为流莺，所以脸上总带着冷漠。西施等人虽对雪莉颇有微词，但并不影响她们对雪莉所生的女儿小雨的疼爱。站壁街的娇姨对这些苦命的姊妹们照顾有加，尤其是雪莉。 空明是专收破烂的聋哑人，他对雪莉情有独锺，默默的关怀照顾她，甚至担负起抚养小雨的责任。但苍天有意捉弄，正当雪莉终于肯接纳所有人对她的善意时，空明却意外丧生，紧接着小雨也因病去世，接二连三的不幸和命运之神的捉弄，让雪莉感到疲累至极。她翻不了身，等到青春到了尽头，她承袭娇姨在站壁街的位子，见证站壁街流莺再次的更替，彷佛又再重演西施、露露、小美、秋子的辛酸故事。

站壁街曾经流传过这样的故事，故事发生的年代已不重要，故事的女主角雪莉是站壁街的流莺之一，与她同样靠站壁出卖身体的还有西施、小美、露露、秋子等人。由于雪莉有一段悲惨的过去，因而沦落为流莺，所以脸上总带着冷漠。西施等人虽对雪莉颇有微词，但并不影响她们对雪莉所生的女儿小雨的疼爱。站壁街的娇姨对这些苦命的姊妹们照顾有加，尤其是雪莉。 空明是专收破烂的聋哑人，他对雪莉情有独锺，默默的关怀照顾她，甚至担负起抚养小雨的责任。但苍天有意捉弄，正当雪莉终于肯接纳所有人对她的善意时，空明却意外丧生，紧接着小雨也因病去世，接二连三的不幸和命运之神的捉弄，让雪莉感到疲累至极。她翻不了身，等到青春到了尽头，她承袭娇姨在站壁街的位子，见证站壁街流莺再次的更替，彷佛又再重演西施、露露、小美、秋子的辛酸故事。

1945年3月，凌冬已至，弗朗科·西弗·弗兰塔，这位南斯拉夫人民军的年轻上校，在高山酷寒的极端环境之下，奉命指挥部下成功解救了在梅纳山被德军包围的500多名战友。

1945年3月，凌冬已至，弗朗科·西弗·弗兰塔，这位南斯拉夫人民军的年轻上校，在高山酷寒的极端环境之下，奉命指挥部下成功解救了在梅纳山被德军包围的500多名战友。