A music video for Lana Del Rey's song 'Summertime Sadness'.

A music video for Lana Del Rey's song 'Summertime Sadness'.

17岁的男生小康（李致远 饰）邀约心仪的女生雨祺（周子璐 饰）去海边游玩，却被临时叫去照顾生病住院的爷爷（龚康尧 饰）。深夜，小康隐约地感知到生老病死，离别与死亡都发生在梦中的老房子里......

年轻美丽的凯莎刚被任职的伦敦一家律师事务所升任合伙人，值得骄傲的是她不只在办公室里战胜了男性同侪，也在床上征服了这些家伙，现况对她来说，简直是无往不利，但是母亲海伦的一通电话搅乱了她原本信心满满的生活。 将不久于人世的母亲，在病榻上请凯莎到挪威去把父亲汤玛士找来做戒酒医治，也希望临终能再见一面。汤玛士是个酒鬼，自从十年前母女搬离奥斯陆，凯莎就没有再见过这位父亲，与母亲的关系也一样疏远。但是对于母亲最后的心愿，凯莎无法拒绝，即使她完全对父亲没有任何期待或感情。找到父亲并不难，但是带他‘回家’则非易事，父亲的脾气和酒瘾让她在归程中吃尽了麻烦，也让凯莎看见了自己的软弱。顺着苏格兰高地起伏的公路，这对争执不休的父女有能力找到回家的路吗？

年轻美丽的凯莎刚被任职的伦敦一家律师事务所升任合伙人，值得骄傲的是她不只在办公室里战胜了男性同侪，也在床上征服了这些家伙，现况对她来说，简直是无往不利，但是母亲海伦的一通电话搅乱了她原本信心满满的生活。 将不久于人世的母亲，在病榻上请凯莎到挪威去把父亲汤玛士找来做戒酒医治，也希望临终能再见一面。汤玛士是个酒鬼，自从十年前母女搬离奥斯陆，凯莎就没有再见过这位父亲，与母亲的关系也一样疏远。但是对于母亲最后的心愿，凯莎无法拒绝，即使她完全对父亲没有任何期待或感情。找到父亲并不难，但是带他‘回家’则非易事，父亲的脾气和酒瘾让她在归程中吃尽了麻烦，也让凯莎看见了自己的软弱。顺着苏格兰高地起伏的公路，这对争执不休的父女有能力找到回家的路吗？

一对夫妇的八岁儿子失踪，在无尽的等待和残酷的压力下，他们不得不分居两地，各自消解因儿子失踪而带来的极度悲伤。然而，努力寻求平静却在警方掘出稚儿的遗骨时彻底毁灭——十年后，真相大白，儿子惨遭恋童癖杀害。在此期间，他们各自背负着失去挚爱的痛苦，接受现实，走出阴影，也试着重 修旧好。《思念忧伤曲》是一个爱的故事，两个活下来的人在哀悼以后彼此治愈，毅然前行。（小易甫字幕组）

官方评选出的格鲁吉亚影史十五佳的第二名，经典的高加索民族传统喜剧，第一名居然也是这个导演的作品，Mimino (1977)。 　　This light comedy is taken from the Claude Tiller novel "My Uncle Benjamin", a family favorite of director Georgi Daneliya. Benjamin (Vakhtang Kikabidze) is the young physician who leads a carefree life. He and his friends drink and dance at the local tavern and take pleasure in the butcher's wife. Levan (S. Zakariadze) is the older doctor who wants Benjamin to marry his daughter, but she runs away with an Army officer. The worried father asks Benjamin to find his daughter and bring her home. He finds her but she dies while giving birth to a child, and the officer is killed in a dual. Benjamin returns with the baby to his hometown, where he is saddened to learn of Levan's demise. At the funeral, Levan watches his family and friends for the last time before he really dies. His last wish is fulfilled as he sees the people who are close to him one last time. This is the only film by Daneliya that is set entirely in his native country of Georgia. 　　Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

Which human skills are we trying to learn the forthcoming generations? Childhood is observing 6-year-olds in a pre-school in Nesodden outside Oslo in the Direkt Cinema-tradition, made to debate when children are put into a school situation.

该片探讨了我对父母的理解；通过观察他们已故的越战难民父母、曾经的祖国如何进入他们的梦，将他们看作独立于父母角色的个体。为了将我的父母视为丰满的个体，我需要做出什么让步？从接纳他们的完整性中我将获得什么？我父母的家乡维吉尼亚州安纳德尔和纽约皇后区，我使用16毫米摄影机、越南语收集了他们的梦想、故事和回忆。越南语是我父母的母语，而英语是我自己的语言。我们在拍摄这部电影时用越南语交流，我慢慢将他们的话翻译成英语。 　　An exploration of a woman's parents and who they are as former refugees of the US War in Vietnam.

该片探讨了我对父母的理解；通过观察他们已故的越战难民父母、曾经的祖国如何进入他们的梦，将他们看作独立于父母角色的个体。为了将我的父母视为丰满的个体，我需要做出什么让步？从接纳他们的完整性中我将获得什么？我父母的家乡维吉尼亚州安纳德尔和纽约皇后区，我使用16毫米摄影机、越南语收集了他们的梦想、故事和回忆。越南语是我父母的母语，而英语是我自己的语言。我们在拍摄这部电影时用越南语交流，我慢慢将他们的话翻译成英语。 　　An exploration of a woman's parents and who they are as former refugees of the US War in Vietnam.