这部电影讲述了我从青少年时期起就不再吃肉的原因。主题包括"被绳索捆绑、被双足行走的狗拖行的人，人与狗立场互换"以及"性"。

走私军火商要来法国交易,某国领事馆负责接待,法国的特工人员于是在这个领事馆的翻译人员的戒指里安装了窃听器,以便得到证据.但女翻译却要请教庆祝她的结婚纪念日,要离开领事馆,在这紧急关头,行动负责人鱼命令美女特工去勾引这位女翻译的丈夫,从而破坏他们的婚姻,来使女翻译取消假期留在领事馆.谁知却搬起石头砸了自己的脚,女特工是鱼的未婚妻,于是,一场情节幽默疯狂搞笑的行动就这样展开了

走私军火商要来法国交易,某国领事馆负责接待,法国的特工人员于是在这个领事馆的翻译人员的戒指里安装了窃听器,以便得到证据.但女翻译却要请教庆祝她的结婚纪念日,要离开领事馆,在这紧急关头,行动负责人鱼命令美女特工去勾引这位女翻译的丈夫,从而破坏他们的婚姻,来使女翻译取消假期留在领事馆.谁知却搬起石头砸了自己的脚,女特工是鱼的未婚妻,于是,一场情节幽默疯狂搞笑的行动就这样展开了

身为理工大龄单身男博士，他意外穿越至古代。凭借扎实的数理知识，他破解生活难题，改良工具，在陌生环境中站稳脚跟。从最初的茫然无措，到逐步崭露头角，用现代智慧打破时代局限，于动荡或平凡的古代社会中，走出一条属于自己的崛起之路，改写人生轨迹。

该片选取兰州牛肉面作为表现对象，牛肉面不仅仅是地方小吃，而且是兰州城市文化的一个记录标本，是一个活的证明，沉淀了历史的记忆。本片通过留学生吴秋成（音）在德国开一家牛肉面馆的故事线索，从中西方文化差异的比较中探寻牛肉面的历史故事，以及它所蕴含的文化意义。

师徒四人凡心荡漾

师徒四人凡心荡漾

Andrew Graham-Dixon presents a personal profile of the legendary food writer Alan Davidson, one of the unsung heroes of the culinary world. 　　Davidson's greatest work, The Oxford Companion to Food, took him 20 years to write. It's an encyclopaedia of everything a human being can eat, from aardvark to zucchini, all catalogued in 2,650 separate entries. But it is much more than just a food reference book; it is a portrait of the whole human race, its many cultures, customs and histories, all revealed through the stories of what we eat. If you want to understand why the Genoese enjoy dolphin, how to cook a warthog, why the French call dandelions 'piss-en-lit' or who invented Spam, then 'The Companion', as it is known by aficionados, is the place to look. 　　Alan Davidson died in 2003, just four years after his magnum opus was published. He had already achieved guru status among foodies and professional chefs but, in fact, he became a writer almost by accident. His first career had been as a British diplomat, serving in various overseas offices. A visit by his wife to a Tunisian fish market first piqued his interest in writing about seafood, and a later posting to Laos convinced him to resign from the Foreign Service and become a full-time writer. 　　Through interviews with Davidson's colleagues, admirers, family and friends, Graham-Dixon creates a portrait of a remarkable man who not only compiled a unique record of humanity's eating habits, but also helped turn the study of food into a serious academic discipline by instigating an annual symposium at Oxford University where visitors can learn about, amongst other things, the role of vegetables in the conquest of space and how to make a musical carrot.

这部纪录片讲述的是一名穿着一身红袍的僧人到法国马赛“旅行”的故事。开头第一个镜头是一名垂垂老矣的先生躺在那里，摄像机在他布满皱纹的脸上定格，这一个长镜头持续了约有六分钟之久，不仅如此，全片都充斥了大量蔡明亮式长镜头，每一个场景都由不同的方式和角度来表述这名僧人极度缓慢的祈祷行走的过程。从里昂街头人潮汹涌的咖啡馆，走到一名在里昂居住的中国人的中国风十足的房间的窗口前；从地铁站入口楼梯下仰拍僧人下楼梯的过程，到在里昂一个广场通过偌大的反射镜面倒看僧人和人群的一种无关的交流。里昂街头的人群便在这样无心的纪录之下闯入镜头，与这名僧人发生某种不具倾向性的互动。或是观察或是凝视或是敬畏，更多的是匆匆而过。 　　 　　在电影的最后一幕，屏幕上显出了四行小字，意思是万物皆空，皆是幻影。这也是在全片没有任何配乐语言前提下的唯一文字。整个放映厅鸦雀无声，直到字幕停灯亮起才响起了掌声。记者采访了几名刚观影结束的观众，西班牙男生用“太棒了”来形容，他说不知为何明明没有音乐也没有人说话却让他觉得宁静而感动。来自伦敦的一男一女分别都认为这是他们看过非常震撼的纪录片之一，一定会把这个推荐给他们的朋友们。