女人和男孩相约在酒店的房间见面。此时，酒店只剩下无烟房间供他们入住，吸烟成瘾的两人享受打破规则的同时，新的问题也随之浮现...

女人和男孩相约在酒店的房间见面。此时，酒店只剩下无烟房间供他们入住，吸烟成瘾的两人享受打破规则的同时，新的问题也随之浮现...

1994 年，阿尔卑斯山一个小村庄的邪教集体自杀事件成为头条新闻······三十年后，在这个奇怪的社区举行仪式后，一名女子被杀，彻底打破了居民们试图保持的微妙平衡。 　　完美的替罪羊哈罗·加齐斯是一名年轻的罪犯，他来到这个村庄是要回归正常生活，现在却被指控犯有谋杀罪。 　　他决心证明自己的清白，并得到了艾达的一些意外帮助，艾达是一名古怪的超级极客，正在寻找失踪的父亲······ 　　他们很快就会意识到，他们卷入这起案件绝非偶然，他们正在寻找的答案根植于自己过去的秘密······

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

中文名竹 　　出品时间1980 　　出品公司峨眉电影制片厂 　　制片地区中国 　　类 型剧情 　　主 演崔新琴，李岚 　　片 长77分钟 　　上映时间1980年 　　对白语言普通话 　　色 彩彩色 　　imdb编码tt0334791 　　在一列满载红卫兵的火车上，竹花忿忿不平地思索着：“妈妈，我无论如何不能相信您会是叛徒，难道您和爸爸的革命经历都是假的吗？”听妈妈竹子的话，竹花回到老家竹山参加劳动，在进山时，遇到了小管老师，不由想起了爸妈的故事。竹子去找阿叔，看见洗完伤口后穿上学生装的阿符，阿符是地下党的交通员。后来，竹子和阿符成亲了。两人被敌人关进了监狱，敌人使出软硬兼施的手段，都不能使竹子和阿符屈服，激怒的敌人杀死了阿符。数年后，竹山迎来了第二次解放，竹花和小管幸福地建立了爱情。 　　2演职员表 　　演员表 　　角色 演员 备注 　　竹子 崔新琴 ---- 　　竹花 李岚 ---- 　　叔公 刘仲元 ---- 　　小管 李玉龙 ---- 　　阿符 赵春明 ---- 　　公社主任 森林 ---- 　　竹叶 俞飞鸿 ---- 　　老管 马瀛波 ---- 　　职员表 　　▪ 导演：司徒兆敦；汪岁寒 　　▪ 副导演（助理）：王淑琰 　　▪ 编剧：汪岁寒；司徒兆敦 　　▪ 摄影：廖家祥；俞德孚 　　▪ 配乐：阎飞 　　▪ 剪辑：赵绮华；张兰芳 　　▪ 道具：郑治平 　　▪ 美术设计：王树薇 　　▪ 服装设计：王白石 　　▪ 灯光：张丙乾；张连栋 　　▪ 录音：隋锡忠；张瑞坤 　　▪ 剧务：森林

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.

Nine filmmakers for one extraordinary archive. The Istituto Luce turned ninety in 2014, its long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. 　　The result is an album full of different narratives. The film footage speaks of the outbreak of war, implorations of peace; building collapses and reconstruction; recollections of (possibly) lost landscapes, and lost realities; miracles, superstitions and dreams. It´s a weave of themes: women´s rights, sexuality, the meaning of a song, the Moon, in the form of fairy tales or diaries, pseudo-history or poetry; the words of great writers alongside the voices of the man on the street; starring real people, historical figures, and characters made up out of thin air. 　　Marco Bonfanti Tubiolo e la luna 　　Claudio Giovannesi Il mio dovere di sposa 　　Alina Marazzi Confini 　　Pietro Marcello e Sara Fgaier L´Italia umile 　　Giovanni Piperno Miracolo italiano 　　Costanza Quatriglio Girotondo 　　Paola Randi Progetto Panico 　　Alice Rohrwacher Una canzone 　　Roland Sejko L´entrata in guerra

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.