Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

本剧通过两对年轻人的爱情故事，讲述了以王翠玲为代表的女青年追求爱情至上，冲破家庭阻力，与退伍军人田宏林恋爱，过上了幸福生活。以冯莎莎为代表的女青年追求金钱第一，最后上当受骗，表达了当代青年不同的爱情观。

本剧通过两对年轻人的爱情故事，讲述了以王翠玲为代表的女青年追求爱情至上，冲破家庭阻力，与退伍军人田宏林恋爱，过上了幸福生活。以冯莎莎为代表的女青年追求金钱第一，最后上当受骗，表达了当代青年不同的爱情观。

故事以上世纪二十至四十年代为背景，讲述了中原地区传奇寡妇“王葡萄”及身边的男人们在面对战乱、天灾、人祸时所体现出的屈而不折的民族生命力。王葡萄与孙怀清的父女情，与青梅竹马恋人孙少勇的爱情，与李秀梅、淘米儿寡妇间的姐妹情， 构成了这个传奇寡妇悲欢离合的一生。

故事以上世纪二十至四十年代为背景，讲述了中原地区传奇寡妇“王葡萄”及身边的男人们在面对战乱、天灾、人祸时所体现出的屈而不折的民族生命力。王葡萄与孙怀清的父女情，与青梅竹马恋人孙少勇的爱情，与李秀梅、淘米儿寡妇间的姐妹情， 构成了这个传奇寡妇悲欢离合的一生。

年少的李凤林在遭逢家破人亡巨变后投身革命武装，因作战有勇有谋，得到“小狼羔子”的绰号。凭着坚忍不拔的意志品质长期率部孤悬敌后，与日寇血拼、与土匪厮杀、与反动派对决，多次负伤几乎牺牲，虽然承受着危难困苦，却始终不改初心，一心向党。在艰苦卓绝的斗争中始终秉持着“舍得”与“自我牺牲”，令李凤林结交了很多亲如手足的兄弟朋友，也赢得了一份好事多磨的爱情。李凤林从游击队员一路成长为新四军团长、支队长和解放军军政委，披荆斩棘寻找回家之路，身上的九个弹孔就是他最好的勋章。

年少的李凤林在遭逢家破人亡巨变后投身革命武装，因作战有勇有谋，得到“小狼羔子”的绰号。凭着坚忍不拔的意志品质长期率部孤悬敌后，与日寇血拼、与土匪厮杀、与反动派对决，多次负伤几乎牺牲，虽然承受着危难困苦，却始终不改初心，一心向党。在艰苦卓绝的斗争中始终秉持着“舍得”与“自我牺牲”，令李凤林结交了很多亲如手足的兄弟朋友，也赢得了一份好事多磨的爱情。李凤林从游击队员一路成长为新四军团长、支队长和解放军军政委，披荆斩棘寻找回家之路，身上的九个弹孔就是他最好的勋章。

《九个皇后》(Nine Queens)是阿根廷导演Fabian Bielinsky初试啼声即一鸣惊人的黑色喜剧。故事以老千马可(Marco)和菜鸟胡安(Juan)两个金光党在便利商店中的初识为起点，马可提议两人搭挡作案强过一人单打独斗，因为马可，胡安被卷入一桩贩卖古董邮票Nine Queens的交易行为中，进而无意间卷入了马可的家族遗产纷争之中，爱上了马可的妹妹……

《九个皇后》(Nine Queens)是阿根廷导演Fabian Bielinsky初试啼声即一鸣惊人的黑色喜剧。故事以老千马可(Marco)和菜鸟胡安(Juan)两个金光党在便利商店中的初识为起点，马可提议两人搭挡作案强过一人单打独斗，因为马可，胡安被卷入一桩贩卖古董邮票Nine Queens的交易行为中，进而无意间卷入了马可的家族遗产纷争之中，爱上了马可的妹妹……