'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?

'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness. 　　源自：https://www.berlinale.de/en/2023/programme/202309248.html

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness. 　　源自：https://www.berlinale.de/en/2023/programme/202309248.html

Stewie and Brian form a children's band that threatens to fall apart when Olivia gets involved, while Chris gets a job managing Quagmire's sex life.

The fifteenth season of The Real Housewives of New York City, an American reality television series, is broadcast on Bravo. It premiered on October 1, 2024. The series is primarily filmed in New York City, New York. Its executive producers are Lisa Shannon, Lauren Volonakis, Anne Swan and Andy Cohen.

超级飞侠第十五季讲述超级飞侠将从全新的超级空间站出发，升级为电能超级飞侠，前往世界各地旅行，在旅行过程中邂逅世界各地的小朋友，并用升级电力技能帮助小朋友们解决种种困难和问题的故事。如在四川元宵节活动中，他们用高超的电能杂技技能带来了精彩的舞龙表演；在法国巴黎，他们通过电力升级，把巨大的法棍面包变成一辆法棍火车，如期到达目的地。尽管困难不断，但电能超级飞侠会用炫酷的新技能、新装备，继续圆满地解决问题

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《X音素》（The X Factor）是一个在英国开始举办的真人选秀节目，它最初是作为《流行偶像》的替代节目而出现。这是一个歌唱节目，目前在全球许多国家都有自己的版本。这个节目将参赛选手分组，并互相对抗来决出最后的冠军。参赛者大多是抱着成为流行歌手的目的参与节目的选拔。“X音素”的含义是代表某种明星具备的气质。该节目的奖励通常是一份唱片合约，此外还包括后期的一系列的宣传推广活动。该奖励并不只针对冠军一人，有时也包括其他获得较高排名的选手。