Pavel Koutsky - Curriculum Vitae . Just interesting short animation.

"The long term documentary by Winfried Junge consists of a series of nine biographical sketches of school children from the East German town of Golzow presented through their own observations and comments." 　　Winfried Junge was born July 19, 1935, in Berlin. After finishing school in 1953, he started to study German philology at the college of education at Berlin's Humboldt University. In 1954, he was one of the first students to enroll at the new Deutsche Hochschule für Filmkunst in Potsdam-Babelsberg. Furthermore, he published film reviews from 1951 to 1955. After receiving his diploma, he started to work for the DEFA studio of popular science films, at first as a dramaturgy assistant, then three years as the assistant director to Karl Gass. 　　In 1961, Junge was contracted as a director for the DEFA studio for news reels and documentary films. Furthermore, he finished "Der tapfere Schulschwänzer", based on the screen play by Vera and Claus Küchenmeister, in 1967. This children's movie – filmed in a documentary style – shows the discovery of the newly constructed center and old town of East Berlin from the perspective of an eleven-year old school boy. In 1961, Karl Gass encouraged Junge to do a documentary film about the transition from kindergarten to first grade in school. Junge chose a group of children from the village of Golzow, in the district Seelow in the area of Frankfurt (Oder). The short documentary film "Wenn ich erst zur Schule geh' ..." that turned into the long-term film project "Chronik der Kinder von Golzow" although this had not been planned in the beginning. Later, his wife Barbara whom Junge married in 1968 started to contribute to the films and became the editor for all his films when his long-time editor Charlotte Beck died. 　　In March of 1991, the Junges ended their work for the DEFA studios. In the following years, they continued their work for "Golzower Chronik" – partly supported by TV stations – Klaus Volkenborn's "Journal-Film". In 1994, Klaus-Dieter Schmutzer's "a jour Film- und Fernsehproduktion GmbH" became their new production company. Since then, Barbara and Winfried Junge regularly put out feature-length documentary films about the lifes of the individual Golzow protagonists by combining previously unreleased material with new takes. 　　After the last part of the series, "Eigentlich wollte ich Förster werden – Bernd aus Golzow" (2002/2003), Barbara and Winfried Junge concluded their "Golzow-Zyklus" with the four-part documentary film "Und wenn sie nicht gestorben sind...Die Kinder von Golzow" (2005-2008). Winfried and Barbara Junge are living in Berlin. 　　from the DEFA site: The project followed in habitants of the village of Golzow for over forty years and is one of the longest-running documentary projects in film history worldwide. Most of Junge's work between 1962 and 1988 was done with cameraman Hans-Eberhard Leupold and later with Harald Klix. Junge has made some fifty documentaries for both cinema and television. These include productions filmed in Syria, Somalia, Libya, Great Britain, and Ukraine. His greatest work is the series about Golzow, that covers over four decades and is the longest-running chronicle in the history of international documentary.

讲述了一位“新手”妈妈从零开始养草莓的过程。

An unknown young man with a speech impediment explains how to properly rob a grave.

An unknown young man with a speech impediment explains how to properly rob a grave.

你的一生中有过一个让自己心跳加速的人吗？

你的一生中有过一个让自己心跳加速的人吗？　　故事里抑郁不得志的中年龙套演员陈诗杰在一次心脏病发后意外发现，只要自己心跳加速到160，就可以穿越…

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

无法放下手机的创作者·写乐惊现！？神秘画师写乐突然现身又悄然离去，几乎没留下什么史料记载，连大河剧都还未正式让他登场。今年大河剧中有同样处于江户时代的神秘画师写乐，以此为主角的《写乐的智能手机》即将开启全8集的故事！