当代分手情侣的“相爱相杀”实录！当毒舌洒脱女友x傲娇恋爱脑前夫被迫同居，每天都是翻车现场！在一起了，但又没完全在一起，笑到头掉的“恋爱修罗场”，每集都在破防边缘疯狂试探！

当代分手情侣的“相爱相杀”实录！当毒舌洒脱女友x傲娇恋爱脑前夫被迫同居，每天都是翻车现场！在一起了，但又没完全在一起，笑到头掉的“恋爱修罗场”，每集都在破防边缘疯狂试探！

千年仙尊陆景行下凡化身顶尖古董修复专家，受秦氏集团董事长秦连之邀担任核心技师。秦连病重后，其女秦晓接管集团，在下属许承宇挑唆下，误将陆景行当作普通技师，以作风问题将其开除并扣留灵器与财产。离职时，陆景行被晚行工作室老板沈晚晴邀入工作室。他凭超凡修复技艺助力工作室声名鹊起，与秦氏展开项目竞争。而许承宇趁机倒卖文物、以次充好，一场围绕文物修复与正邪较量的博弈就此拉开序幕。

林薇昏迷三年后苏醒，发现丈夫张天奇与秘书李晴勾结，霸占林氏集团、虐待女儿林语嫣。昔日为女儿准备的生日礼被李晴之女林菲儿夺走，女儿在林家受尽委屈。林薇携证据强势归国，一步步揭穿三人阴谋，在林氏宴会上曝光其侵占资产、策划车祸等恶行，最终将恶人绳之以法，夺回公司与女儿的幸福，还设立基金帮扶困境儿童。

“刘杨生鲜”的老板娘杨芳，在一次寻常的备货中，被意外反锁在零下十八度的冰窟深处。体温随着时间一分一秒流逝，致命的寒冷侵蚀着她的意识。外卖员李凡想要救援却遭遇杨芳老公刘伟及其情妇菲菲的百般阻挠。门内生死一线，门外善恶交锋。救人者寸步难行，谎言织网，当警笛终于响起，冷库门开的瞬间——里面竟空无一人？

苏苒和陆溪穿成豪门虐文里的炮灰女配，二人击掌立誓攻略男主搞钱，白 　　月光回国之日，就是我们跑路之时！两人攻略成功，形势大好之时，原女 　　主提前回国了，于是他们二人火速卷款逃跑。夫人们逃，总裁们追，她们 　　插翅难飞！改编自小说《和闺蜜穿成豪门女配后带球跑了》，作者木林森 　　焱。

35岁的林妙一直努力扮演着孝顺女儿的角色，试图用物质和关怀来维系与母亲李翠莲的亲情。然而，一次旅游归来，她意外发现母亲不仅在直播中诋毁自己“不孝”，更在私下教唆她年幼的儿子否定妈妈的付出。这成为了压垮骆驼的最后一根稻草。林妙回想起过去母亲的所作所为，痛苦地发现成长过程中母亲重男轻女的思想根深蒂固：哥哥每个月的生活费足足五千，而她只有五十；婚礼当天，在她最幸福的时候被母亲和哥哥坐地起价，索要三十万彩礼；甚至她出钱购买的房子，户主竟是哥哥的名字。彻底醒悟的林妙意识到，自己多年的隐忍换来的只是母亲和哥哥变本加厉的索取，她不再沉默。

宋燕婉原本是首富千金，后来却穷困潦倒的躺在病房里，来看望她的钟寒烟说出了真相，原来是钟寒烟用异能吸取了宋燕婉的气运和财运。得知一切的宋燕婉吐血而死，醒来后发现自己回到了五年前。宋燕婉决定改变前世的命运，并且让罪魁祸首钟寒烟付出代价。

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.