Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. 　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... 　　"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. 　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

Tom Welles是宾州一个工作稳定，家庭美满的中年人，他的工作是对特定对象进行监视。Tom平日的工作大多是外遇案件，但一个偶然的机会使他满足了内心深处对刺激的渴望。一位工业巨子的遗孀把Tom请去，向他展示她在已故丈夫的保险箱里找到的一卷8毫米胶片。这位遗孀雇佣Tom为她追查胶片里那个令人不安的年轻女人的下落，Tom循着蛛丝马迹，横穿美国一直追到了加州的好莱坞。在那里，Tom遇到了成人杂志店职员Max，从他那里逐渐揭开了整个故事……

Tom Welles是宾州一个工作稳定，家庭美满的中年人，他的工作是对特定对象进行监视。Tom平日的工作大多是外遇案件，但一个偶然的机会使他满足了内心深处对刺激的渴望。一位工业巨子的遗孀把Tom请去，向他展示她在已故丈夫的保险箱里找到的一卷8毫米胶片。这位遗孀雇佣Tom为她追查胶片里那个令人不安的年轻女人的下落，Tom循着蛛丝马迹，横穿美国一直追到了加州的好莱坞。在那里，Tom遇到了成人杂志店职员Max，从他那里逐渐揭开了整个故事……

Weekly show about movies, with interviews, backstage information and box office numbers.

Weekly show about movies, with interviews, backstage information and box office numbers.

貌不惊人的山岸佐和(安藤樱饰)是一名平凡的老年人看护师，这天她意外收到了一个令人匪夷所思的请求。佐和正在看护的老人家昭三(织本顺吉 饰)的女儿(木内みどり饰)拜托佐和陪自己的爸爸同床共寝，以作为昭三去世前最后的礼物。虽然倍感唐突和诧异，最终佐和还是接收了这项委托。谁知当晚并没有按照预想的那样顺利度过，突如其来的意外不仅让佐和丢掉了工作，她还被赶出公寓。没有家、没有钱、没有工作，毫无征兆的风暴将佐和原本平凡的生活击得粉碎。　　离开了熟悉的街道，佐和漫无目的四处彷徨，在此期间她相继邂逅了三位生活在社会边缘的老人，分别是搞不清卡拉OK店和旅馆的康夫(井上龙夫 饰)、专门在停车场扎自行车轮胎的茂(坂田利夫饰)以及在书店盗窃女子高中生写真集的退休教师义男(津川雅彦 饰)。许是沿袭了之前的工作习惯，又或者是对这些老人家由衷的同情，佐和不由分说自顾自闯入了他们的生活和家中。她熟练地帮助老人们打理衣食住行的方方面面，而老人们也从最初的恐慌、反感再到后来感动与喜悦。　　一度以为断掉的人情，自然而然地续接起来。曾经被社会和家人孤立，如今他们在佐和的扶助下，又一步一步笨拙地走到阳光下，感受纯粹而温暖的光辉……

貌不惊人的山岸佐和(安藤樱饰)是一名平凡的老年人看护师，这天她意外收到了一个令人匪夷所思的请求。佐和正在看护的老人家昭三(织本顺吉 饰)的女儿(木内みどり饰)拜托佐和陪自己的爸爸同床共寝，以作为昭三去世前最后的礼物。虽然倍感唐突和诧异，最终佐和还是接收了这项委托。谁知当晚并没有按照预想的那样顺利度过，突如其来的意外不仅让佐和丢掉了工作，她还被赶出公寓。没有家、没有钱、没有工作，毫无征兆的风暴将佐和原本平凡的生活击得粉碎。　　离开了熟悉的街道，佐和漫无目的四处彷徨，在此期间她相继邂逅了三位生活在社会边缘的老人，分别是搞不清卡拉OK店和旅馆的康夫(井上龙夫 饰)、专门在停车场扎自行车轮胎的茂(坂田利夫饰)以及在书店盗窃女子高中生写真集的退休教师义男(津川雅彦 饰)。许是沿袭了之前的工作习惯，又或者是对这些老人家由衷的同情，佐和不由分说自顾自闯入了他们的生活和家中。她熟练地帮助老人们打理衣食住行的方方面面，而老人们也从最初的恐慌、反感再到后来感动与喜悦。　　一度以为断掉的人情，自然而然地续接起来。曾经被社会和家人孤立，如今他们在佐和的扶助下，又一步一步笨拙地走到阳光下，感受纯粹而温暖的光辉……

一名日本少年开启了旅途，其目的是与为了家人回到故乡的韩国留学生见面。

一名日本少年开启了旅途，其目的是与为了家人回到故乡的韩国留学生见面。

成军于2005年，由制作人、作家秋元康率领的女性团体AKB48及其姐妹团体在日本乃至海外许多国家刮起了强烈的潮流风暴。从最初的寥寥观众到如今的万人体育场，AKB的女孩们走过了一条虽不算漫长但却充满艰辛的明星之路，如今的她们不仅在演艺圈创下无数的奇迹和纪录，更使AKB48成为一个国民级的偶像团体，梦想的舞台。 　　此次由岩井俊二担任制片总指挥，跟随女孩们拍摄了代代木体育馆、药师寺等地的公演，以及选拔、重新组阁、年度选举、单曲拍摄等过程，并真实贴近这群少女们的内心以及幕后生活，见证着她们一步步迈向梦想、迈向未来的坚定步伐……