ANGELITA Y MIGUEL ANGEL 　　1972 - 1986 　　Directores: Andres Caicedo & Carlos Mayolo 　　This adaptation of the novel bogged Little Angels was interrupted until the mid-eighties, when the back and finished Luis Ospina. 　　Angelita and Miguel Angel was filmed in 1972, co-directed by Carlos Mayolo and Andres Caicedo, and edited in the mid-eighties by Luis Ospina. It is therefore a work of pure-known group of Cali, which defined a chapter in the history of national cinema. Here are the extent of the plot and its wavering combo that was a foremost documentarian, with the exception of Caicedo, who felt the difference of their way of being a filmmaker and introvirtió after the failure of the tape, which could not resist the tension between the pulse of Mayolo daring and tricky detail of Caicedo. 　　It may be recalled that the documentary had a connotation that was left to see as a delaying Caicedo. Eventually, however, has not ceased to grow old pictures directed by him and has shown that enrichment which is expected to appear when the character of the neighborhood, was impossible. The same conflict of the movie, social conflicts occurred in the filming. Without the help of Caicedo had no perspective and the movie simply became visibly deformed. Ospina, the publisher, he learned to make this problem a resource that narrative again Angelita and Miguel Angel an argument and a documentary at the same time, a documentary about the very shape of the plot. 　　In the midst of interviewing the short film reconstructs Ospina Angelita and Miguel Angel co-directed with Carlos Mayolo and that was never completed due to disagreements between the filmmakers. Here we see not only the testimony about the rise and fall of our hero (that was the idea that handled the novels of the 19th century type Barry Lyndon), but is portrayed as a generation dubbed "The Cali" or "Caliwood".

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

ANGELITA Y MIGUEL ANGEL 　　1972 - 1986 　　Directores: Andres Caicedo & Carlos Mayolo 　　This adaptation of the novel bogged Little Angels was interrupted until the mid-eighties, when the back and finished Luis Ospina. 　　Angelita and Miguel Angel was filmed in 1972, co-directed by Carlos Mayolo and Andres Caicedo, and edited in the mid-eighties by Luis Ospina. It is therefore a work of pure-known group of Cali, which defined a chapter in the history of national cinema. Here are the extent of the plot and its wavering combo that was a foremost documentarian, with the exception of Caicedo, who felt the difference of their way of being a filmmaker and introvirtió after the failure of the tape, which could not resist the tension between the pulse of Mayolo daring and tricky detail of Caicedo. 　　It may be recalled that the documentary had a connotation that was left to see as a delaying Caicedo. Eventually, however, has not ceased to grow old pictures directed by him and has shown that enrichment which is expected to appear when the character of the neighborhood, was impossible. The same conflict of the movie, social conflicts occurred in the filming. Without the help of Caicedo had no perspective and the movie simply became visibly deformed. Ospina, the publisher, he learned to make this problem a resource that narrative again Angelita and Miguel Angel an argument and a documentary at the same time, a documentary about the very shape of the plot. 　　In the midst of interviewing the short film reconstructs Ospina Angelita and Miguel Angel co-directed with Carlos Mayolo and that was never completed due to disagreements between the filmmakers. Here we see not only the testimony about the rise and fall of our hero (that was the idea that handled the novels of the 19th century type Barry Lyndon), but is portrayed as a generation dubbed "The Cali" or "Caliwood".

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

Lera is a sociology student at a small-town university. Her mother is a sleepwalker who believes in miracles, and her father just left the family for another woman. Lera has no idea how to make her life better. And one more thing: a spirit keeps visiting her dreams at night. And the harder Lera's life gets, the more often she has these dreams. That is, until the spirit steps into the world of the living.

Lera is a sociology student at a small-town university. Her mother is a sleepwalker who believes in miracles, and her father just left the family for another woman. Lera has no idea how to make her life better. And one more thing: a spirit keeps visiting her dreams at night. And the harder Lera's life gets, the more often she has these dreams. That is, until the spirit steps into the world of the living.

Follows Manuela, a young woman who lives alone in a cabin, as she meets seven-year-old Alba, and starts a journey that forces her to fa ce the demons of her past and question the pillars of her life. 　　聚焦Manuela，一个独自住在小屋里的年轻女子，她遇到了七岁的Alba，并开始了一段旅程，迫使她面对她过去的恶魔并质疑她生活的支柱。

Follows Manuela, a young woman who lives alone in a cabin, as she meets seven-year-old Alba, and starts a journey that forces her to fa ce the demons of her past and question the pillars of her life. 　　聚焦Manuela，一个独自住在小屋里的年轻女子，她遇到了七岁的Alba，并开始了一段旅程，迫使她面对她过去的恶魔并质疑她生活的支柱。