在15世纪的的德国，汉斯•约翰纳声称自己遇见了圣母玛利亚，然后开始在全国各地传教，试图推翻暴政，但是最终他被捕被烧死。导演用这个真实的故事来反映德国的内政，反映革命的实质。

在15世纪的的德国，汉斯•约翰纳声称自己遇见了圣母玛利亚，然后开始在全国各地传教，试图推翻暴政，但是最终他被捕被烧死。导演用这个真实的故事来反映德国的内政，反映革命的实质。

An East German waitress with a broken heart and an Iranian YouTuber with a broken arm seek solace from loneliness on a ghost hunt in the mountains. A romantic adventure about unlikely friendship and longing for another life.

An East German waitress with a broken heart and an Iranian YouTuber with a broken arm seek solace from loneliness on a ghost hunt in the mountains. A romantic adventure about unlikely friendship and longing for another life.

There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.

In the 1980s, with Germany divided between East and West, Alfred Herrhausen, a visionary banker on the board of directions at Deutsche Bank, calls for the cancelation of developing countries’ debts and sends a shockwave through the Western world. Brilliantly portrayed by Olivier Masucci (DARK), Herrhausen: the Banker and the Bomb is a gripping, fast-paced thriller.

卡尔海因兹·斯托克豪森（Karlheinz Stockhausen）- 二十世纪最伟大的前卫作曲家，2007年12月初在德国家中逝世，终年79岁。此片为纪念斯托克豪森，影片拍摄的是他60年代创作的首部实验音乐剧《原型》的美国首映现场（1964年）以及30年后在纽约第二届先锋艺术节上的再次公演。斯托克豪森的《原型》混合了戏剧、音乐、演讲、行为艺术、舞台模特秀等各种艺术形式，并让观众亲身参加表演，是60年代欧洲最重要的前卫音乐剧之一。

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.