A few years ago I visited a temple near my home and a monk there gave me a little book called “A Man Who Can Recall His Past Lives.” In it, the monk wrote about Boonmee, who could recall his multiple lives in the cities of the northeast. In 2008, I wrote a screenplay inspired by the reincarnation of Boonmee, and started to travel in the region in search of his surviving offspring and relatives. I met his two sons who provided accounts of their father. 　　In Nabua in December 2008, I located several houses that I thought would be suitable as Uncle Boonmee’s house in the proposed feature film. This short film is a personal letter describing my Nabua to Uncle Boonmee. 　　The film is comprised of shots of the houses’ interiors in the evening. They are all deserted except one house with a group of young soldiers, played by some teens of Nabua. Two of them impersonate me by narrating the film. 　　- Apichatpong Weerasethakul 　　http://www.kickthemachine.com/works/Primitive%20sub_website/Primitive_Short_films/A_Letter_to_Uncle_Boonmee.html

A few years ago I visited a temple near my home and a monk there gave me a little book called “A Man Who Can Recall His Past Lives.” In it, the monk wrote about Boonmee, who could recall his multiple lives in the cities of the northeast. In 2008, I wrote a screenplay inspired by the reincarnation of Boonmee, and started to travel in the region in search of his surviving offspring and relatives. I met his two sons who provided accounts of their father. 　　In Nabua in December 2008, I located several houses that I thought would be suitable as Uncle Boonmee’s house in the proposed feature film. This short film is a personal letter describing my Nabua to Uncle Boonmee. 　　The film is comprised of shots of the houses’ interiors in the evening. They are all deserted except one house with a group of young soldiers, played by some teens of Nabua. Two of them impersonate me by narrating the film. 　　- Apichatpong Weerasethakul 　　http://www.kickthemachine.com/works/Primitive%20sub_website/Primitive_Short_films/A_Letter_to_Uncle_Boonmee.html

两位热爱电影的男士，在看完一部好电影之后，怎样改变各自的人生走向…

这次的选题会在家庭纪录片和留守老人纪录片的主题下综合，尽量做到能够透过有代表性的人物——我的阿嬷（若穗），来做到同有类似情况家庭的共鸣。人物基本情况概述：阿嬷从出嫁以来一直住在这个村子，与祖屋大致楼龄

电影以战后十年日本霞浦面向的农村作为故事发生的舞台。插秧结束后的农村祭典举行期间，村子里的年轻男子们时兴调戏对岸的少女们。田村次男在一次夜袭对岸的过程中看到了农家默默劳作的千代，对她产生了好感。但次男因为捕鱼的事情和千代的母亲发生了争吵。在那之后，次男和仙吉一起扬帆起航，手无寸铁的二人逐渐驶向了边界线之外钓鱼。

电影以战后十年日本霞浦面向的农村作为故事发生的舞台。插秧结束后的农村祭典举行期间，村子里的年轻男子们时兴调戏对岸的少女们。田村次男在一次夜袭对岸的过程中看到了农家默默劳作的千代，对她产生了好感。但次男因为捕鱼的事情和千代的母亲发生了争吵。在那之后，次男和仙吉一起扬帆起航，手无寸铁的二人逐渐驶向了边界线之外钓鱼。

徳川五代将軍綱吉（中村嘉葎雄）治下の1701（元禄14）年。勅使饗応役に任じられた播州赤穂城主・浅野内匠頭（松平健）は、指南役の高家筆頭・吉良上野介（小沢栄太郎）から度重なる恥辱を受け、ついに江戸城松の廊下にて刃傷に及ぶ。内匠頭は即日切腹となり、赤穂藩は領地没収、やがて城も明け渡しとなる。城代家老・大石内蔵助（萬屋錦之介）は主君の仇討ちを決意するが、吉良上野介の嫡男・上杉綱憲（目黒祐樹）を城主とする米沢藩の家老・千坂兵部（山村聰）は、これを警戒し、配下に抱えた浪人・堀田隼人（田村正和）、大盗賊の蜘蛛の陣十郎（長門勇）、くノ一のお仙（中島ゆたか）に赤穂浪士たちの動きを探らせる……

原作为大众文学重镇大佛次郎的大作《赤穗浪士》，主角大石内藏助由大映的看板影星，后来得到国民荣誉奖的长谷川一夫主演，另外还集结了歌舞伎界与新剧界的重量级演员，以及当时在歌谣界的知名偶像，卡司比前作《花之生涯》更为豪华而引起话题。故事描写赤穗四十七浪士在一年之间决定要报仇的苦恼与人际纠缠、自己与周围众人的思虑等等，对观众很有吸引力，结果收视率超过30％，尤其是播出浪士讨入剧情的第47回收视率更高达53％，创下大河剧史上最高收视率，直至今日此记录都还尚未打破。但关于本剧的映像资料，NHK现仅存第47回与总集篇，其他集数已告亡佚。

徳川五代将軍綱吉（中村嘉葎雄）治下の1701（元禄14）年。勅使饗応役に任じられた播州赤穂城主・浅野内匠頭（松平健）は、指南役の高家筆頭・吉良上野介（小沢栄太郎）から度重なる恥辱を受け、ついに江戸城松の廊下にて刃傷に及ぶ。内匠頭は即日切腹となり、赤穂藩は領地没収、やがて城も明け渡しとなる。城代家老・大石内蔵助（萬屋錦之介）は主君の仇討ちを決意するが、吉良上野介の嫡男・上杉綱憲（目黒祐樹）を城主とする米沢藩の家老・千坂兵部（山村聰）は、これを警戒し、配下に抱えた浪人・堀田隼人（田村正和）、大盗賊の蜘蛛の陣十郎（長門勇）、くノ一のお仙（中島ゆたか）に赤穂浪士たちの動きを探らせる……