米粒立志成为古古纳的大木匠，并被现任大木匠阿吉多收为徒。阿吉多发现米粒虽然很有天分，但缺乏木工常识，因此设置了一系列课程来训练他“劈、锯、刨、凿”等基本功。两人一起向“古古纳大木匠”的目标努力。

少年米粒来到古古纳小镇，在小玉与阿凉两姐妹经营的面店落下脚来。顽皮的公主卓悠来到古古纳，却因为吃了面店的食物引发过敏，多亏米粒及时治疗，卓悠对米粒十分赞赏。当得知奶奶珍藏的木叶子受损时，将修复木叶子的重任交给了米粒。虽然遭到阿吉多等人的质疑，但米粒凭着对木性的了解和雕刻技艺，出色地完成了任务。

《欢乐饭米粒儿第二季》是辽宁广播电视台的一款喜剧节目。由演员王振华、李静、孙涛、邵峰、张海燕、赵妮娜、张瑞雪、赵博、朱天福、陈寒柏等为常驻演员。《欢乐饭米粒儿》独创的小品取材于生活又回归于生活的故事情节，让人在爆笑的同时又倍感亲切。

取材于生活又回归于生活的故事情节，让人在爆笑的同时又倍感亲切。

Matthew is a troubled boy from a broken home. When he vandalizes the local church to get back at his parents, Matthew has to repair the damage to the church to avoid criminal charges. While working at the church, he meets Ernest (John Ratzenberger), an accomplished wood carver who created the intricate woodwork decoration that Matthew destroyed. Now Ernest and Matthew must work together to preserve the church’s beautiful antiquity, and along the way, they also manage to restore their faith in God and in life.

Matthew is a troubled boy from a broken home. When he vandalizes the local church to get back at his parents, Matthew has to repair the damage to the church to avoid criminal charges. While working at the church, he meets Ernest (John Ratzenberger), an accomplished wood carver who created the intricate woodwork decoration that Matthew destroyed. Now Ernest and Matthew must work together to preserve the church’s beautiful antiquity, and along the way, they also manage to restore their faith in God and in life.

The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.

The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.