讲述的是香港千金小姐Lily为了逃避父亲的逼婚,不惜逃往泰国.当Lily摆锐父亲的保膘,碰上了Nope并雇他作为自已的保膘。起初,从她穿衣打扮的方式,Nope认为她是个试图逃跑的妓女.虽然他对Lily多疑,但还是接受了Lily的请求.Nope的生活也是危机重重,父亲与一位诈骗女结婚,而自已也刚刚辞职,在遇见Lily后,Nope的生活发生了巨大的改变.

该剧以富商之女化名Plub Pleung（泰语“百合”音译）伪装成穷人接近男主为开端，她租住在男主及其友人处并刻意显露粗俗势利形象。男主实为贵族家庭失散多年的继承人，因家族遗产纷争遭到部分成员追杀，其作为女主父亲下属的身份使两人关系在情感纠葛与家族阴谋中交织发展

Lily is the daughter of a rich businessman. She meets Witsarut and falls in love with him. She then pretends to be poor and rents a room from Witsarut and his friends. She tells Witsarut her name is Plub Pleung which is just the Thai translation of Lily. However, Witsarut works for her dad. So throughout the whole lakorn she's putting on all sorts of disguises as Lily so that he won't know Lily the boss' daughter is the same person as Plub Pleung.

“阳光洒落时，风吹过境时，情愫在心中悄然绽放” 讲诉了由Maya Chanitcha Pimthong饰演的拥有能嗅到情绪味道的特殊能力的花店老板Phra-phye和由Aomsin Waratchaya Noliam饰演的将一切喜怒哀乐都藏于微笑之下的女演员Vadthiwa的故事。由WabiSabi公司制作

我们跟着采访者刘楠来到了百合临时居住的小屋，我们发现百合这个19岁的小姑娘竟然是一个单亲妈妈。她并不害怕被采访，因为她不是名人，没那个必要。当她面对着摄影机老老实实地讲述自己不普通的生活经历时，我们都感到惊讶。　　 百合跟一个香港的年轻货柜车司机怀上了孩子，当她的肚子已经很大的时候，那个人失踪了。　　百合每天在皇岗货柜车口岸的车流里企图找到那个男人。轰鸣的货柜车们随时有可能将这个大肚子的小姑娘轧成肉泥……　　百合学会了拉面，她的手很巧，把面拉的又细又长。但是经理害怕她把孩子生在他的拉面馆里，百合就此丢了工作。　　百合难产把孩子生了下来，大出血差点要了她的命。孩子是个男孩。因为难产，她欠了其他小姐妹好多钱，欠她的老乡胡金玲的钱最多。　　百合又要养孩子，又要还债，她开始想各种办法找工作挣钱。因为她带着一个婴儿，所以每一次都被人拒绝，还差点让人贩子把孩子骗走。　　有一次，孩子发烧，看病的时候，意外地发现这个孩子有严重的先天性心脏病，非常危险，随时有可能死亡，必须尽快做心脏合并手术，需要至少8万块钱。这对于百合来说，是一个天文数字。她靠普通打工的办法，绝对救不了孩子的命。　　胡金玲开始给百合当狗头军师，两个人商量着用什么办法可以一下子挣来8万块钱，用以抢救孩子。百合开始拼命挣钱。她当临时推销员，不行，挣钱太少。当酒楼的咨客，还是挣钱太少。百合把孩子带到大医院，趁着医生给孩子检查心脏的时候逃跑，以为这样孩子就有救了，但没有得逞。　　胡金玲把百合带到了一个暴发户征婚的现场，征婚就像一场土造的选美，洋相百出。暴发户突然出现，一眼就相中了百合。但是第一晚，百合要求暴发户先付8万块钱，给孩子看病，暴发户不能接受。　　万般无奈，百合做出了一个可怕的决定：出卖肾脏。她像特务接头一样和那些人接上了关系，又被带到了令人怀疑的所谓医院，但是她又没有得逞，被胡金玲救出。　　百合走投无路，只好弃婴。在她极度不安的弃婴过程中，她几度犹豫，几度后悔，但是她并不太清楚，这是在犯罪……　　百合还有办法救她的孩子吗？尽管她自己也是一个孩子……来源:

电影公司「日活」创业百年，最具代表性的一个品牌，是在七、 八十年代风靡一时的「粉红映画」（日文叫Roman Porno，海外称之为Pink Movie），亦即是浪漫化的成人电影。今年适逢「粉红映画」诞生四十五周年，「日活」特别筹划了「Roman Porno Reboot」计划，找来园子温、行定勳、中田秀夫、盐田明彦、白石和弥五位名导操刀，各拍一部粉红片。五人要跟足过往的游戏规则：每十分钟要有一场情慾戏、片长必须在七十至八十分钟之间、一律只有很低的製作费、要一星期内完成拍摄，其他一切自由发挥。结果证明五位导演不但玩得起，而且还玩得极有一手。 盐田的《湿濡的女人》最先曝光，重新演绎「粉红」经典《湿濡的恋人们》，讲野性少女在海边故意湿身，然后贱价卖身给路过的男人。白石执导的《雌猫们》同样向经典《雌猫们之夜》致敬，新版搬到池袋街头上演，讲在网吧打趸的难民、单亲妈妈和不育人妻在夜间浪荡的性活动。行定勳的《撩乱的裸舞曲》则是原创故事，谐星板尾创路演脑闭塞导演，陷入了女色陷阱，搞到身败名裂。《午夜凶铃》导演中田秀夫初战成人世界，打动了九十后女优飞鸟凛全裸演出女同志故事《白百合》。向来出位的园子温就尽展其反叛本色，以毒攻毒，用色情反色情拍了《Antiporno》，找来前AKB成员富手麻妙首次全裸主演。 「粉红映画」之所以留名几十年，是因为「淫」得有道，成本低但剧本扎实，而且是当时年轻新导磨练技艺的修罗场，《礼仪师》奥斯卡导演泷田洋二郎、《谈谈情，跳跳舞》的周防正行、《死亡笔记》的金子修介、《后乐园》已故导演森田芳光等大导出道时都拍过粉红片。停产了廿八年的粉红系列今次一口气推出五片，别具意义，将陆续于十一月底起在日本上映。

影片描写了地位低下的黑人青年霍默．史密斯，热心帮助一些逃难的东德修女，并答应为她们修建一座小礼拜堂……从而展示了他的人性美。本片触及全美最敏感的神经——黑人问题，一开始就显得不同反响。还有波蒂埃细腻的表演更引人注目，赢得36届奥斯卡最佳男主角奖，跻身于好莱坞超级影星的行列。

150年后，所有同性恋被大魔王发射去了外太空，苏珊娜 被母亲藏起来，成为地球上最后一个拉拉。想成为英雄的她发明时光机回到2018，准备阻止大魔王的母亲去和她未来的老公见面，竟然掰弯了大魔王的妈妈——美国乡村网红贝 拉。（拉拉版《终结者》）

A new English teacher who is secretly a lesbian is hired by a small town school. The wife of the school's principal dislikes her, but the two women end up falling in love and begin a passionate affair. That's when the trouble starts.

Two ex-soldiers search for stability and love when they return home after World War One. -------------------------------------------- 史上最强东欧魔幻现实主义电影杰作之一。 The second and last full-lenght feature film ‘Wild Lilies’by Elo Havetta ranks among the most remarkable works of Slovak cinematography. It is an artistic paraphrase of the literary work of Vincent Sikula. The main charcters are veterans retrurning from WWI who want to find a home ans settle down. However, equally strong is their desire for freedom and the life of a tramp. Elo Havetta (1938-1975) He graduated at the School of Industrial Arts in Bratislava in 1957. At the break of the fifties and the sixties he iniciated several original projects ( Theatre of pictures) and as a result, he´d attracted and organized a group of young artists from various art fields. Havetta was a prose writer, photographer, worked as an editor in visual arts magazine, as a graphic designer, etc. Since the beginning of his studies at FAMU (Film Academy of Musical Arts in Prague) in 1961, cinema became his major interest. It was mainly due to the fact that he believed it was the only means through which his personal feelings and experience could be transformed, intermingling with other art disciplines. Havetta attended the Academy in a relatively fortunate period of relaxed creative atmosphere and according to his professor Karol Kachyna (significant Czech film director) his appearance soon became the most distinguished in the course. But eventhough he managed to attract wider attention already with his school work, after he returned to Slovakia, there was no room for him in major film studios producing film those days - Koliba. And so in 1967 he participated in creation of diapolyekran at EXPO ´67 (exhibition of....) and between 1967 and 1968 he worked as visual arts magazine editor in Smena. He managed to get through in Koliba only later, in 1968, however he has completed only two full-length feature films: A Celebration in a the Botanical Garden and Wild Lilies. Both these titles have become jewles of Slovak cinematography. Through these films playfulness, improvisation and spontaneity got through into the Slovak cinema. Screening of the latter at IFF Venice in however didn´t bring fame for Havetta, on the contrary it launched a definite prohibition of his work produced in Koliba studios. Since then, all the way through untill the moment of his premature death Havetta worked only for the Czechoslovak television in studio producing programmes for youth. At the occasion of Days of Slovak and Czech Film in 1990, he was presented a Life-long Creativity Award in memoriam.