小小的工作室中，艺术家正用粘土制作一尊美人雕像。雕像坯子几近完成之时，一撮多余的粘土被剔除出来。这块粘土幻化成一个小怪物，它不愿被抛弃，反而趁艺术家不注意又粘在雕塑上。正待喝酒庆祝作品完成艺术家突然发现这块多余的部分，于是将其取下，而小怪物似乎铁定了心，一定要成为雕塑的一部分。为此，它和艺术家展开了激烈的攻防战。 　　经不住小怪物的捣乱和苦苦哀求，艺术家终于答应了它的请求……

Set against the backdrop of the turbulent period in the late 60's leading up to Bangladesh's independence from Pakistan, Matir Moina (The Clay Bird) tells the story of a family torn apart by religion and war. A young boy, Anu, is sent off to a strict Islamic school, or madrasa, by his deeply religious father Kazi.As the political divisions in the country intensify, an increasing split develops between moderate and extremist forces within the madrasa, mirroring a growing divide between the stubborn but confused Kazi and his increasingly independent wife. Touching upon themes of religious tolerance, cultural diversity, and the complexity of Islam, Matir Moina has universal relevance in a crisis-ridden world. 　　Tareq Masud excels as the director of "Matir Moina". His early works on the glorious liberation war "Muktir Gaan" & "Muktir Kotha" - his other masterpieces clearly shows the rise of an world class director.Here he ables himself to portray the beginning of the revolution before the 1971 war with a cool picture of a village where religious strictness & openness both coexists and puts Anu - the central character with a different view. This is the real picture of a moderate muslim country like Bangladesh - where some people are regularly trying to shatter the image of the nice country. This movie will clear the views of the worldwide viewers about Bangladesh.

疯狂艺术家的死灵附着于雕塑泥土上引发的一系列血案.....后来有人挖到这一堆传说粘土，去做了一个雕塑 女主的血可以被雕塑吸收 终于有一天他被雕塑吞没，合二为一，变成人的模样在去害别的人，

疯狂艺术家的死灵附着于雕塑泥土上引发的一系列血案.....后来有人挖到这一堆传说粘土，去做了一个雕塑 女主的血可以被雕塑吸收 终于有一天他被雕塑吞没，合二为一，变成人的模样在去害别的人，

解説 　　特殊メイク・造形アーティストとして活躍する梅沢壮一が監督を務め、呪いの粘土「カカメ」がもたらす恐怖を描いたホラー「血を吸う粘土」の続編。カカメによって無残に殺された父・伏見恭三の死を警察から知らされた娘の果林。恭三の遺体は火葬場で焼かれ、果林には遺骨が渡されるが、そこにはカカメの身体の一部が含まれていた。果林は美術作品制作キャンプに参加するが、そこに持ち込まれた恭三の遺骨からカカメが復活し、再び阿鼻叫喚の地獄が繰り広げられる。主演は「ファミリー☆ウォーズ」などに出演した新鋭女優・藤井愛稀。前作に続いて津田寛治、黒沢あすかといった実力派も出演する。「シッチェス映画祭ファンタスティック・セレクション2019」（19年10月11日～／東京・ヒューマントラストシネマ渋谷ほか）上映作品。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide 　　"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. 　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson 　　"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

本剧是以山东龙大集团为生活原型，而创作摄制的。反映农民企业家的创业生活。 　　主题曲：你的尊严 　　演唱：范琳琳 　　作曲：孟庆云